"\u201EP\u00E1ter Koni\u00E1\u0161, ten pali\u010D \u010Desk\u00FDch knih.\u201C Film\u00A0Temno\u00A0(1950) a historick\u00E1 pam\u011B\u0165"@cs . . "95504" . . "1"^^ . "\u201EP\u00E1ter Koni\u00E1\u0161, ten pali\u010D \u010Desk\u00FDch knih.\u201C Film\u00A0Temno\u00A0(1950) a historick\u00E1 pam\u011B\u0165" . . "\u201EP\u00E1ter Koni\u00E1\u0161, ten pali\u010D \u010Desk\u00FDch knih.\u201C Film\u00A0Temno\u00A0(1950) a historick\u00E1 pam\u011B\u0165" . "193"^^ . . . "1"^^ . "V" . . . "film; history; propaganda; collective memory; Jir\u00E1sek Campaign; B\u00EDl\u00E1 hora - White Mountain; Temno - Darkness; Koni\u00E1\u0161; Alois Jir\u00E1sek; Zden\u011Bk Nejedl\u00FD"@en . . "978-80-85778-91-5" . . "Kr\u00E1tk\u00E9 v\u011B\u010Dn\u00E9ho spasen\u00ED upamatov\u00E1n\u00ED. K \u017Eivotu a dob\u011B jezuity Anton\u00EDna Koni\u00E1\u0161e" . "The film Temno (r. Karel Stekl\u00FD, 1950), an adaption of the 1915 novel of the same name by Alois Jir\u00E1sek, is a product of not just one, but two key propaganda campaigns of the just-established Commusnist r\u00E9gime in Czechoslovakia, the Jir\u00E1sek Campaign and the Anti-Church (Anti-Catholic) Campaign. The film images of history, which are deformed in the double vice of nationalist and class ideology, had comparatively little in common with Jir\u00E1sek's work. This was true not only of Temno by Karel Stekl\u00FD, but also of Husitsk\u00E1 revolu\u010Dn\u00ED trilogie (Hussite Revolution Trilogy, 1954-1957) by Otakar V\u00E1vra, as well as other films made as part of the Jir\u00E1sek Campaign. On the other hand, these films based their credibility on borrowing their content and form from traditional historical models. The Communists found consensus with nation in the age-old struggle against the Germans. They declared themselves, in the words of the Communist functionary and ideologist Zden\u011Bk Nejedl\u00FD, 'heirs to the great traditions of the Czech nation', in particular the tradition of the Hussite revolution. Part of the adopted judgmental stereotypes was the negative counterpart of Hussitism, represented by the disaster of the White Montain and three centuries of servitude, in short, the Age of Darkness (doba temna). The Communists, in contriving a continuity and legitimacy of their r\u00E9gime, were thus drawing on the collective memory of the nation. At the same time they fundamentally recast that history, particularly by means of cinema, what Lenin called the 'most important art'. Nevertheless, that same 'memory' enabled opponents of the r\u00E9gime to perceive the film Temno in an anti-r\u00E9gime way, making Koni\u00E1\u0161 and the Jesuits relevant to the present."@en . "[1784E35D2B65]" . "'Father Koni\u00E1\u0161, That Burner of Czech Books': The Film Temno and Collective Memory"@en . . "Filmov\u011B historick\u00FD rozbor filmu Temno (r. Karel Stekl\u00FD, 1950) v kontextu stereotyp\u016F zobrazen\u00ED pob\u011Blohorsk\u00E9 doby %22temna%22 a zvl\u00E1\u0161t\u011B postavy A. Koni\u00E1\u0161e"@cs . "Praha" . . . . . "Filmov\u011B historick\u00FD rozbor filmu Temno (r. Karel Stekl\u00FD, 1950) v kontextu stereotyp\u016F zobrazen\u00ED pob\u011Blohorsk\u00E9 doby %22temna%22 a zvl\u00E1\u0161t\u011B postavy A. Koni\u00E1\u0161e" . . . "Kopal, Petr" . "'Father Koni\u00E1\u0161, That Burner of Czech Books': The Film Temno and Collective Memory"@en . . . . "RIV/75112779:_____/13:#0000021!RIV15-MSM-75112779" . . "\u00DAstav pro \u010Deskou litearturu AV \u010CR - Filosofick\u00FD \u00FAstav AV \u010CR - Historick\u00FD \u00FAstav AV \u010CR" . . "17"^^ . "RIV/75112779:_____/13:#0000021" . "\u201EP\u00E1ter Koni\u00E1\u0161, ten pali\u010D \u010Desk\u00FDch knih.\u201C Film\u00A0Temno\u00A0(1950) a historick\u00E1 pam\u011B\u0165"@cs .