"1"^^ . "Faithfulness to tradition or an exploration of the work of an organ maker Stefan M\u00FCller from K\u0159em\u00FD\u017E"@en . "[0E0D9C37A397]" . . "V\u011Brnost tradici, aneb sonda do d\u00EDla region\u00E1ln\u00EDho varhan\u00E1\u0159e \u0160tefana M\u00FCllera z K\u0159em\u00FD\u017Ee" . "2011" . . . "1"^^ . "1803-781X" . "Monumentorum Custos" . "19th century; 20th century; organ; church"@en . "On the turn of the 19 and 20 century one of the last organ-makers who stuck to classical principles of organ making on the principle of a mechanic slider system \u2013 was a regional organ maker Stefan M\u00FCller from K\u0159em\u00FD\u017E near Teplice ( born 14 Nov. 1841) The study provides characteristic of his organ making activities, of which the most outstanding was impelementation of a new 2-manual organ with 20 registers for the church of St. Martin in Rtyn\u011B nad B\u00EDlinou from the period of 1881 \u2013 1883. The process of its building was documented with rich archival material. The concept of organ prospect, the dispozition and some constructional features were inspired by organ built not long before by brothers Fellers for the church of St. John the Baptist in Teplice and by Josef Prediger for the church of Annunciation of Virgin Mary in Duchcov. In the second manual Stefan M\u00FCller used several pipe ranks taken over from previous Baroque chair organ ( or Ruckpositiv). This conservative and eclectic character was typical for the most of his following works, of which the most important was the reconstruction of the organ in the church of St. Lawrence in Kostomlaty pod Mile\u0161ovkou from the year of 1898. This is also the last example of placing the chair organ (or Ruckpositiv) in independent case in the staircase. His conservative adherence to principle of slider chest till the end of his working activity in the 20\u015B of the 20 century was compensated by quite utilitarian composition of fragments of historic pipe ranks with newly bought pipe material and other cost-saving arrangements."@en . "1" . "RIV/75032333:_____/12:#0003566" . "CZ - \u010Cesk\u00E1 republika" . . "Honys, V\u00EDt" . "V\u011Brnost tradici, aneb sonda do d\u00EDla region\u00E1ln\u00EDho varhan\u00E1\u0159e \u0160tefana M\u00FCllera z K\u0159em\u00FD\u017Ee" . "177329" . . . "V\u011Brnost tradici, aneb sonda do d\u00EDla region\u00E1ln\u00EDho varhan\u00E1\u0159e \u0160tefana M\u00FCllera z K\u0159em\u00FD\u017Ee"@cs . . "V\u011Brnost tradici, aneb sonda do d\u00EDla region\u00E1ln\u00EDho varhan\u00E1\u0159e \u0160tefana M\u00FCllera z K\u0159em\u00FD\u017Ee"@cs . "10"^^ . . . "Mezi posledn\u00ED udr\u017Eovatele klasick\u00FDch princip\u016F varhan\u00E1\u0159stv\u00ED mechanick\u00E9 z\u00E1suvkov\u00E9 soustavy na p\u0159elomu 19. \u2013 20. stolet\u00ED v severn\u00EDch \u010Cech\u00E1ch nepochybn\u011B pat\u0159\u00ED region\u00E1ln\u00ED varhan\u00E1\u0159 \u0160tefan M\u00FCller z K\u0159em\u00FD\u017Ee u Teplic (*14. 11. 1841). Studie pod\u00E1v\u00E1 charakteristiku jeho varhan\u00E1\u0159sk\u00E9 \u010Dinnosti, v n\u00ED\u017E vynik\u00E1 jako nejv\u00FDznamn\u011Bj\u0161\u00ED realizace nov\u00FDch dvoumanu\u00E1lov\u00FDch varhan s 20 zn\u011Bj\u00EDc\u00EDmi rejst\u0159\u00EDky pro kostel sv. Martina ve Rtyni nad B\u00EDlinou z let 1881 \u2013 1883, jej\u00ED\u017E pr\u016Fb\u011Bh je dolo\u017Een po\u010Detn\u00FDmi archivn\u00EDmi materi\u00E1ly. Koncepce varhann\u00EDho prospektu, dispozice i n\u011Bkter\u00E9 konstruk\u010Dn\u00ED prvky byly inspirov\u00E1ny nedlouho p\u0159edt\u00EDm postaven\u00FDmi n\u00E1stroji brat\u0159\u00ED Feller\u016F pro kostel sv. Jana K\u0159titele v Teplic\u00EDch a Josefa Predigera pro kostel Zv\u011Bstov\u00E1n\u00ED P. Marie v Duchov\u011B, p\u0159i\u010Dem\u017E ve II. manu\u00E1lu bylo vyu\u017Eito n\u011Bkolik p\u00ED\u0161\u0165alov\u00FDch \u0159ad p\u0159evzat\u00FDch z p\u0159edchoz\u00EDho barokn\u00EDho pozitivu. Tento konzervativn\u011B eklektick\u00FD charakter je typick\u00FD i pro v\u011Bt\u0161inu jeho dal\u0161\u00EDch realizac\u00ED, z nich\u017E nejv\u00FDznamn\u011Bj\u0161\u00ED je p\u0159estavba varhan v kostele sv. Vav\u0159ince v Kostomlatech pod Mile\u0161ovkou z roku 1898. Ta je sou\u010Dasn\u011B v kraji posledn\u00EDm p\u0159\u00EDkladem situov\u00E1n\u00ED stroje pozitivu do samostatn\u00E9 sk\u0159\u00EDn\u011B v z\u00E1bradl\u00ED. Konzervativn\u00ED lp\u011Bn\u00ED na principu mechanick\u00E9 z\u00E1suvky a\u017E do sklonku jeho \u010Dinnosti ve 2. desetilet\u00ED 20. stolet\u00ED bylo ale kompenzov\u00E1no pom\u011Brn\u011B utilit\u00E1rn\u00ED skladbou torz historick\u00FDch p\u00ED\u0161\u0165alov\u00FDch \u0159ad s nov\u011B zakupovan\u00FDm p\u00ED\u0161\u0165alov\u00FDm materi\u00E1lem i dal\u0161\u00EDmi \u00FAsporn\u00FDmi \u0159e\u0161en\u00EDmi."@cs . "Faithfulness to tradition or an exploration of the work of an organ maker Stefan M\u00FCller from K\u0159em\u00FD\u017E"@en . . . "RIV/75032333:_____/12:#0003566!RIV14-MK0-75032333" . "Mezi posledn\u00ED udr\u017Eovatele klasick\u00FDch princip\u016F varhan\u00E1\u0159stv\u00ED mechanick\u00E9 z\u00E1suvkov\u00E9 soustavy na p\u0159elomu 19. \u2013 20. stolet\u00ED v severn\u00EDch \u010Cech\u00E1ch nepochybn\u011B pat\u0159\u00ED region\u00E1ln\u00ED varhan\u00E1\u0159 \u0160tefan M\u00FCller z K\u0159em\u00FD\u017Ee u Teplic (*14. 11. 1841). Studie pod\u00E1v\u00E1 charakteristiku jeho varhan\u00E1\u0159sk\u00E9 \u010Dinnosti, v n\u00ED\u017E vynik\u00E1 jako nejv\u00FDznamn\u011Bj\u0161\u00ED realizace nov\u00FDch dvoumanu\u00E1lov\u00FDch varhan s 20 zn\u011Bj\u00EDc\u00EDmi rejst\u0159\u00EDky pro kostel sv. Martina ve Rtyni nad B\u00EDlinou z let 1881 \u2013 1883, jej\u00ED\u017E pr\u016Fb\u011Bh je dolo\u017Een po\u010Detn\u00FDmi archivn\u00EDmi materi\u00E1ly. Koncepce varhann\u00EDho prospektu, dispozice i n\u011Bkter\u00E9 konstruk\u010Dn\u00ED prvky byly inspirov\u00E1ny nedlouho p\u0159edt\u00EDm postaven\u00FDmi n\u00E1stroji brat\u0159\u00ED Feller\u016F pro kostel sv. Jana K\u0159titele v Teplic\u00EDch a Josefa Predigera pro kostel Zv\u011Bstov\u00E1n\u00ED P. Marie v Duchov\u011B, p\u0159i\u010Dem\u017E ve II. manu\u00E1lu bylo vyu\u017Eito n\u011Bkolik p\u00ED\u0161\u0165alov\u00FDch \u0159ad p\u0159evzat\u00FDch z p\u0159edchoz\u00EDho barokn\u00EDho pozitivu. Tento konzervativn\u011B eklektick\u00FD charakter je typick\u00FD i pro v\u011Bt\u0161inu jeho dal\u0161\u00EDch realizac\u00ED, z nich\u017E nejv\u00FDznamn\u011Bj\u0161\u00ED je p\u0159estavba varhan v kostele sv. Vav\u0159ince v Kostomlatech pod Mile\u0161ovkou z roku 1898. Ta je sou\u010Dasn\u011B v kraji posledn\u00EDm p\u0159\u00EDkladem situov\u00E1n\u00ED stroje pozitivu do samostatn\u00E9 sk\u0159\u00EDn\u011B v z\u00E1bradl\u00ED. Konzervativn\u00ED lp\u011Bn\u00ED na principu mechanick\u00E9 z\u00E1suvky a\u017E do sklonku jeho \u010Dinnosti ve 2. desetilet\u00ED 20. stolet\u00ED bylo ale kompenzov\u00E1no pom\u011Brn\u011B utilit\u00E1rn\u00ED skladbou torz historick\u00FDch p\u00ED\u0161\u0165alov\u00FDch \u0159ad s nov\u011B zakupovan\u00FDm p\u00ED\u0161\u0165alov\u00FDm materi\u00E1lem i dal\u0161\u00EDmi \u00FAsporn\u00FDmi \u0159e\u0161en\u00EDmi." . . . "V" . . . .