. . . "modern art; collector; Max Dvo\u0159\u00E1k; Central Europe; Eastern Europe"@en . "Groningen studies in cultural change, 48" . "RIV/68378033:_____/13:00397431" . "RIV/68378033:_____/13:00397431!RIV14-AV0-68378033" . "The canon of Cubism and the case of Vincenc Kram\u00E1\u0159. On the place of Czech Cubism in the history of modern art" . . . . "[8C3807586CC9]" . "Lahoda, Vojt\u011Bch" . "14"^^ . . . . . "The article deals with Cubism in the %22other%22 Europe outside Paris, i.e. in the Czech lands during the Austro-Hungarian Empire. It follows the western historiography of Cubism from the 1960s of 20th century and the role Czech Cubism played in the Western canon of art history. It emphasized the role of collector and art historian Vincenc Kram\u00E1\u0159, whose collection of Picasso served as an example for many Czech artists since 1911. Kram\u00E1\u0159\u00B4s university training in Vienna allowed him to appreciate old masters through the prism of cubism and vice versa, he interpreted cubism through concepts adequate for the old art. Kram\u00E1\u0159 created a transnational construct the world of art history, where medieval art, Caravaggio, Jacques-Louis David, Constable, William Blake and C\u00E9zanne become a prerequisite for the birth of Cubism. They are part of the transnational art history with Cubism as its culmination."@en . . "1"^^ . . . "978-90-429-2756-8" . "Transnationality, internationalism and nationhood. European Avant-Garde in the first half of the twentieth century" . "1"^^ . "I" . . . "The canon of Cubism and the case of Vincenc Kram\u00E1\u0159. On the place of Czech Cubism in the history of modern art"@en . "Peeters" . . "64209" . "The canon of Cubism and the case of Vincenc Kram\u00E1\u0159. On the place of Czech Cubism in the history of modern art"@en . "The canon of Cubism and the case of Vincenc Kram\u00E1\u0159. On the place of Czech Cubism in the history of modern art" . "The article deals with Cubism in the %22other%22 Europe outside Paris, i.e. in the Czech lands during the Austro-Hungarian Empire. It follows the western historiography of Cubism from the 1960s of 20th century and the role Czech Cubism played in the Western canon of art history. It emphasized the role of collector and art historian Vincenc Kram\u00E1\u0159, whose collection of Picasso served as an example for many Czech artists since 1911. Kram\u00E1\u0159\u00B4s university training in Vienna allowed him to appreciate old masters through the prism of cubism and vice versa, he interpreted cubism through concepts adequate for the old art. Kram\u00E1\u0159 created a transnational construct the world of art history, where medieval art, Caravaggio, Jacques-Louis David, Constable, William Blake and C\u00E9zanne become a prerequisite for the birth of Cubism. They are part of the transnational art history with Cubism as its culmination." . "Leuven" . . "275"^^ .