. "Domus aurea a renesan\u010Dn\u00ED grotesky"@cs . . "CZ - \u010Cesk\u00E1 republika" . "Domus aurea a renesan\u010Dn\u00ED grotesky"@cs . "P\u0159\u00EDsp\u011Bvek se pokou\u0161\u00ED pouk\u00E1zat na zjevn\u00E9 p\u0159ej\u00EDm\u00E1n\u00ED vzor\u016F n\u00E1st\u011Bnn\u00FDch maleb v Neronov\u011B Zlat\u00E9m dom\u011B renesan\u010Dn\u00EDmi um\u011Blci, kte\u0159\u00ED byli v dob\u011B jeho objevu v \u0158\u00EDm\u011B, aby se pod\u00EDleli na v\u00FDmalb\u011B Sixtinsk\u00E9 kaple. Rafael, Ghirlandaio, Michelangelo, Pinturicchio a dal\u0161\u00ED vstupovali do podzem\u00ED, aby spat\u0159ili malby nezn\u00E1m\u00E9ho Famula, kter\u00FD byl hlavn\u00EDm mal\u00ED\u0159em fresek zachovan\u00FDch ve Zlat\u00E9m dom\u011B. Malby byly nazv\u00E1ny grottesque, proto\u017Ee m\u00EDsto jejich n\u00E1lezu skute\u010Dn\u011B p\u0159ipom\u00EDnalo groty. Jednou z obl\u00EDben\u00FDch architektonick\u00FDch forem, kde se grotesky uplat\u0148ovaly, byly renesan\u010Dn\u00ED lod\u017Eie, z nich\u017E nejv\u00FDznamn\u011Bj\u0161\u00ED je Rafaelova %22la loggia%22. Z\u00E1v\u011Bre\u010Dn\u00E1 \u010D\u00E1st je v\u011Bnov\u00E1na v\u00FDkladu term\u00EDnu groteska, j\u00EDm\u017E se zab\u00FDvali nejen teoretikov\u00E9 um\u011Bn\u00ED, ale jejich komplikovanost a bizardnost zaujala i liter\u00E1ty a filozofy." . "XXXIV" . "Domus aurea a renesan\u010Dn\u00ED grotesky" . . "P(EE2.3.20.0026)" . . "Pokorn\u00E1, Barbara" . . "Domus aurea and Renaissance grotesque"@en . . . . "Domus aurea a renesan\u010Dn\u00ED grotesky" . . "1803-9561" . "1"^^ . "13"^^ . . "Supplementum I." . . "Domus aurea and Renaissance grotesque"@en . "1"^^ . . . . . "P\u0159\u00EDsp\u011Bvek se pokou\u0161\u00ED pouk\u00E1zat na zjevn\u00E9 p\u0159ej\u00EDm\u00E1n\u00ED vzor\u016F n\u00E1st\u011Bnn\u00FDch maleb v Neronov\u011B Zlat\u00E9m dom\u011B renesan\u010Dn\u00EDmi um\u011Blci, kte\u0159\u00ED byli v dob\u011B jeho objevu v \u0158\u00EDm\u011B, aby se pod\u00EDleli na v\u00FDmalb\u011B Sixtinsk\u00E9 kaple. Rafael, Ghirlandaio, Michelangelo, Pinturicchio a dal\u0161\u00ED vstupovali do podzem\u00ED, aby spat\u0159ili malby nezn\u00E1m\u00E9ho Famula, kter\u00FD byl hlavn\u00EDm mal\u00ED\u0159em fresek zachovan\u00FDch ve Zlat\u00E9m dom\u011B. Malby byly nazv\u00E1ny grottesque, proto\u017Ee m\u00EDsto jejich n\u00E1lezu skute\u010Dn\u011B p\u0159ipom\u00EDnalo groty. Jednou z obl\u00EDben\u00FDch architektonick\u00FDch forem, kde se grotesky uplat\u0148ovaly, byly renesan\u010Dn\u00ED lod\u017Eie, z nich\u017E nejv\u00FDznamn\u011Bj\u0161\u00ED je Rafaelova %22la loggia%22. Z\u00E1v\u011Bre\u010Dn\u00E1 \u010D\u00E1st je v\u011Bnov\u00E1na v\u00FDkladu term\u00EDnu groteska, j\u00EDm\u017E se zab\u00FDvali nejen teoretikov\u00E9 um\u011Bn\u00ED, ale jejich komplikovanost a bizardnost zaujala i liter\u00E1ty a filozofy."@cs . "12182" . "15210" . "[FE8453F31BA6]" . "Historica Olomucensia. Sborn\u00EDk prac\u00ED historick\u00FDch" . "RIV/61989592:15210/14:33149660!RIV15-MSM-15210___" . "Domus Aurea, wall painting, Fabullus, grotesque, ornament, monster, loggia, Raphael"@en . . . . "RIV/61989592:15210/14:33149660" . . . "The Golden House was forgotten until the end of the 15th century when its accidental discovery typically interconnected Antiquity with the Renaissance period. Frescoes, called grottesche, became a phenomenon that influenced not only Renaissance artists, but also other generations of painters, sculptors, philosophers and writers. Primarily Raphael's contemporaries, such as Logge di Raffaello, Loggia si Amore e Psiche or Loggia Mattei, were so charmed by grotesques from comprehensible reasons that they made a range of unique pieces of art, especially Renaissance loggias, through which it may be seen adopting new patterns of wall paintings coming from Nero's period. The origin of grotesques is related to oriental cultures, however at full strength they appear with the Golden House only. These paintings already captured theorists of art and philosophers in Ancient times when they tried to reveal their mysterious beauty as well as their Renaissance followers."@en .