"15210" . . . . "Within the Limits of Admissibility: Censorship in Film and Television"@en . . "RIV/61989592:15210/14:33149354" . . . "Chlumsk\u00E1, Eva" . . "52822" . . "Kniha V mez\u00EDch p\u0159\u00EDpustnosti se skl\u00E1d\u00E1 z p\u011Bti kapitol, kter\u00E9 popisuj\u00ED cenzurn\u00ED a autocenzurn\u00ED praxe v r\u016Fzn\u00FDch produk\u010Dn\u00EDch syst\u00E9mech a historick\u00FDch kontextech. Studie Milana Haina popisuje vliv hollywoodsk\u00FDch autocenzurn\u00EDch mechanism\u016F na exilovou tvorbu Huga Haase v 50. letech. Milan Cyro\u0148 se zab\u00FDv\u00E1 represivn\u00EDmi opat\u0159en\u00EDmi na p\u016Fd\u011B \u010Ceskoslovensk\u00E9ho filmu v Bratislav\u011B v letech 1957-1959 a konkr\u00E9tn\u011B jejich dopadem na sc\u00E9n\u00E1\u0159e Prv ne\u017E skon\u010D\u00ED tento de\u0148 (Tibor Vichta), Kol\u00EDska (Eduard Gre\u010Dner, Alfonz Bedn\u00E1r) a Pr\u00EDpad Barnab\u00E1\u0161a Kosa (Peter Solan, Peter Karva\u0161, Maximili\u00E1n Nitra). Vladim\u00EDr Such\u00E1nek se prost\u0159ednictv\u00EDm osobn\u00EDch vzpom\u00EDnek a den\u00EDkov\u00FDch z\u00E1znam\u016F vrac\u00ED k vlastn\u00EDm re\u017Eijn\u00EDm aktivit\u00E1m a popisuje, jakou roli v jeho tv\u016Fr\u010D\u00EDm p\u016Fsoben\u00EDm sehr\u00E1la sov\u011Btsk\u00E1 a \u010Deskoslovensk\u00E1 cenzura. Eva Chlumsk\u00E1 jako objekt sv\u00E9ho z\u00E1jmu zvolila americk\u00FD sn\u00EDmek Zkrocen\u00E1 hora, kter\u00FD se kv\u016Fli sv\u00E9mu n\u00E1m\u011Btu stal p\u0159edm\u011Btem kontroverz\u00ED a v \u0159ad\u011B p\u0159\u00EDpad\u016F i cenzury ze strany distributor\u016F, majitel\u016F kin a provozovatel\u016F TV stanic. A kone\u010Dn\u011B Jana Jedli\u010Dkov\u00E1 se zam\u011B\u0159uje na televizn\u00ED seri\u00E1l Spartakus, kter\u00FD sice vznikl se z\u00E1m\u011Brem provokovat, ale z\u00E1rove\u0148 musel b\u00FDt kv\u016Fli sv\u00E9 zpen\u011B\u017Eitelnosti a p\u0159\u00EDpustnosti pro c\u00EDlov\u00E1 publika na mnoha \u00FArovn\u00EDch cenzurov\u00E1n." . "V mez\u00EDch p\u0159\u00EDpustnosti. Cenzura ve filmu a televizi"@cs . "Olomouc" . . . "Within the Limits of Admissibility: Censorship in Film and Television"@en . "V mez\u00EDch p\u0159\u00EDpustnosti. Cenzura ve filmu a televizi" . "Hain, Milan" . . "Cyro\u0148, Milan" . "S" . "Kniha V mez\u00EDch p\u0159\u00EDpustnosti se skl\u00E1d\u00E1 z p\u011Bti kapitol, kter\u00E9 popisuj\u00ED cenzurn\u00ED a autocenzurn\u00ED praxe v r\u016Fzn\u00FDch produk\u010Dn\u00EDch syst\u00E9mech a historick\u00FDch kontextech. Studie Milana Haina popisuje vliv hollywoodsk\u00FDch autocenzurn\u00EDch mechanism\u016F na exilovou tvorbu Huga Haase v 50. letech. Milan Cyro\u0148 se zab\u00FDv\u00E1 represivn\u00EDmi opat\u0159en\u00EDmi na p\u016Fd\u011B \u010Ceskoslovensk\u00E9ho filmu v Bratislav\u011B v letech 1957-1959 a konkr\u00E9tn\u011B jejich dopadem na sc\u00E9n\u00E1\u0159e Prv ne\u017E skon\u010D\u00ED tento de\u0148 (Tibor Vichta), Kol\u00EDska (Eduard Gre\u010Dner, Alfonz Bedn\u00E1r) a Pr\u00EDpad Barnab\u00E1\u0161a Kosa (Peter Solan, Peter Karva\u0161, Maximili\u00E1n Nitra). Vladim\u00EDr Such\u00E1nek se prost\u0159ednictv\u00EDm osobn\u00EDch vzpom\u00EDnek a den\u00EDkov\u00FDch z\u00E1znam\u016F vrac\u00ED k vlastn\u00EDm re\u017Eijn\u00EDm aktivit\u00E1m a popisuje, jakou roli v jeho tv\u016Fr\u010D\u00EDm p\u016Fsoben\u00EDm sehr\u00E1la sov\u011Btsk\u00E1 a \u010Deskoslovensk\u00E1 cenzura. Eva Chlumsk\u00E1 jako objekt sv\u00E9ho z\u00E1jmu zvolila americk\u00FD sn\u00EDmek Zkrocen\u00E1 hora, kter\u00FD se kv\u016Fli sv\u00E9mu n\u00E1m\u011Btu stal p\u0159edm\u011Btem kontroverz\u00ED a v \u0159ad\u011B p\u0159\u00EDpad\u016F i cenzury ze strany distributor\u016F, majitel\u016F kin a provozovatel\u016F TV stanic. A kone\u010Dn\u011B Jana Jedli\u010Dkov\u00E1 se zam\u011B\u0159uje na televizn\u00ED seri\u00E1l Spartakus, kter\u00FD sice vznikl se z\u00E1m\u011Brem provokovat, ale z\u00E1rove\u0148 musel b\u00FDt kv\u016Fli sv\u00E9 zpen\u011B\u017Eitelnosti a p\u0159\u00EDpustnosti pro c\u00EDlov\u00E1 publika na mnoha \u00FArovn\u00EDch cenzurov\u00E1n."@cs . "[38DFE5C1FABD]" . "The book Within the Limits of Admissibility consists of five chapters which describe censorship and self-censoring practices in various production systems and historical contexts. The study by Milan Hain describes the influence of Hollywood self-censoring mechanisms on Hugo Haas' exile creative output in the 50s. Milan Cyro\u0148 deals with repressive measures within Czechoslovak film in Bratislava in the years 1957-1959 and specifically with their impact on the screenplays of Prv ne\u017E skon\u010D\u00ED tento de\u0148 (Tibor Vichta), Kol\u00EDska (Eduard Gre\u010Dner, Alfonz Bedn\u00E1r) and Pr\u00EDpad Barnab\u00E1\u0161a Kosa (Peter Solan, Peter Karva\u0161, Maximili\u00E1n Nitra). Vladimir Such\u00E1nek goes through personal memories and journal entries back to his own directional activities and describes the role Soviet and Czechoslovak censorship played in his creative activities. Eva Chlumsk\u00E1 selected as the object of her interest American film Brokeback Mountain, which has become, because of its theme, the subject of controversy and in many cases even of censorship on the part of distributors, cinema owners and operators of TV stations. Finally Jana Jedli\u010Dkov\u00E1 focuses on the television series Spartacus which, even though created with the intention to provoke, had to be censored on many levels because of its merchantability and eligibility for the target audience."@en . . . . "film, television, censorship, self-regulation, Hollywood, Production Code, Hugo Haas, Eduard Gre\u010Dner, Spartacus, Brokeback Mountain"@en . . "V mez\u00EDch p\u0159\u00EDpustnosti. Cenzura ve filmu a televizi" . . "Neuveden" . "V mez\u00EDch p\u0159\u00EDpustnosti. Cenzura ve filmu a televizi" . . "5"^^ . . "RIV/61989592:15210/14:33149354!RIV15-MSM-15210___" . . . . . "Univerzita Palack\u00E9ho v Olomouci" . . . . "5"^^ . "206"^^ . "206"^^ . "V mez\u00EDch p\u0159\u00EDpustnosti. Cenzura ve filmu a televizi"@cs . "Jedli\u010Dkov\u00E1, Jana" . "Such\u00E1nek, Vladim\u00EDr" . "978-80-244-4024-8" .