"978-80-87149-40-9" . "RIV/61989592:15210/11:33118769" . . . . . "Evropsk\u00E1 mal\u00ED\u0159sk\u00E1 centra a barokn\u00ED Olomouc" . "Evropsk\u00E1 mal\u00ED\u0159sk\u00E1 centra a barokn\u00ED Olomouc"@cs . . . "Olomouck\u00E9 baroko. V\u00FDtvarn\u00E1 kultura let 1620-1780" . "3" . . "336"^^ . . "Evropsk\u00E1 mal\u00ED\u0159sk\u00E1 centra a barokn\u00ED Olomouc" . "1"^^ . "198539" . "1"^^ . "27"^^ . . . "European art centers, Moravia, painters, Filippo Abbiati, Paolo Pagani, collections of paintings, bishop, Olomouc, Karl of Lichtenstein-Castelcorno"@en . "[4A4CC0D19B44]" . . . "Existence term\u00EDnu %22sloh%22 (%22styl%22) v evropsk\u00E9m mal\u00ED\u0159stv\u00ED 16.-18. stolet\u00ED nelze vztahovat jen nespr\u00E1vn\u011B s %22n\u00E1rodn\u00EDmi \u0161kolami%22 podle definice 19. stolet\u00ED. Mal\u00ED\u0159sk\u00FD sloh t\u011Bchto \u010Das\u016F je nutno spojovat jen s m\u011Bsty, zvl\u00E1\u0161t\u011B s d\u016Fle\u017Eit\u00FDmi evropsk\u00FDmi um\u011Bleck\u00FDmi centry. Olomouc jako mal\u00E9, ale pro Moravu mezi lety 1620-1780 nejd\u016Fle\u017Eit\u011Bj\u0161\u00ED um\u011Bleck\u00E9 centrum, bylo v mal\u00ED\u0159stv\u00ED utv\u00E1\u0159eno nejen m\u00EDstn\u00EDmi mal\u00ED\u0159i, ale i p\u0159ich\u00E1zej\u00EDc\u00EDmi um\u011Blci v\u010Detn\u011B cizinc\u016F, jako byli Filippo Abbiati nebo Paolo Pagani a mistrovsk\u00FDmi d\u00EDly v m\u00EDstn\u00EDch obrazov\u00FDch sb\u00EDrk\u00E1ch, hlavn\u011B galeri\u00ED olomouck\u00E9ho biskupa Karla z Lichtensteinu-Castelcorna, kter\u00E9 kultivovaly m\u00EDstn\u00ED \u00FArove\u0148 um\u011Bleck\u00E9ho vkusu."@cs . "RIV/61989592:15210/11:33118769!RIV12-MSM-15210___" . "European centers of painting and Baroque Olomouc"@en . . . . "Daniel, Ladislav" . "Existence term\u00EDnu %22sloh%22 (%22styl%22) v evropsk\u00E9m mal\u00ED\u0159stv\u00ED 16.-18. stolet\u00ED nelze vztahovat jen nespr\u00E1vn\u011B s %22n\u00E1rodn\u00EDmi \u0161kolami%22 podle definice 19. stolet\u00ED. Mal\u00ED\u0159sk\u00FD sloh t\u011Bchto \u010Das\u016F je nutno spojovat jen s m\u011Bsty, zvl\u00E1\u0161t\u011B s d\u016Fle\u017Eit\u00FDmi evropsk\u00FDmi um\u011Bleck\u00FDmi centry. Olomouc jako mal\u00E9, ale pro Moravu mezi lety 1620-1780 nejd\u016Fle\u017Eit\u011Bj\u0161\u00ED um\u011Bleck\u00E9 centrum, bylo v mal\u00ED\u0159stv\u00ED utv\u00E1\u0159eno nejen m\u00EDstn\u00EDmi mal\u00ED\u0159i, ale i p\u0159ich\u00E1zej\u00EDc\u00EDmi um\u011Blci v\u010Detn\u011B cizinc\u016F, jako byli Filippo Abbiati nebo Paolo Pagani a mistrovsk\u00FDmi d\u00EDly v m\u00EDstn\u00EDch obrazov\u00FDch sb\u00EDrk\u00E1ch, hlavn\u011B galeri\u00ED olomouck\u00E9ho biskupa Karla z Lichtensteinu-Castelcorna, kter\u00E9 kultivovaly m\u00EDstn\u00ED \u00FArove\u0148 um\u011Bleck\u00E9ho vkusu." . "The existence of the term %22style%22 in the European painting of the 16th to 18th centuries has not to be correlated wrongly with %22national schools%22 according to the definition of the 19th century. The style of painting of those times has to be related only with cities, especially with important European art centers. Olomouc as a small, but the most important art center for Moravia from 1620 to 1780, was in painting formed not only by local painters, but also by incoming artists including foreigners as Filippo Abbiati or Paolo Pagani and by masterworks in local collections of paintings, mainly by the gallery of the bishop of Olomouc Karl Lichtenstein-Castelcorno, which cultivated the local level of artistical taste."@en . . "15210" . . . "Olomouc" . "Z(MSM6198959225)" . . "Muzeum um\u011Bn\u00ED Olomouc" . "European centers of painting and Baroque Olomouc"@en . . . . "Evropsk\u00E1 mal\u00ED\u0159sk\u00E1 centra a barokn\u00ED Olomouc"@cs .