"15210" . . . "[20D52BEA0F35]" . "Popular music composers sometimes use a strategy I call method of a %22hook%22 (in the Czech context the term %22hook%22 is meant and probably also understood as slightly ironical). Stephen Citron, a renowned American publicist and an authority on musicals, characterizes the method in his book Songwriting (London, 1986). He defines %22hook%22 as %22an idea that sings%22. The %22hook%22 motives that can be traced in song writing are typical ideas or ideas of certain distinctive types that make an immediate impression on masses and therefore are commercially successful. Theory of music sees them as phenomena belonging to so called bound melody patterns, as defined in Karel Jan\u00E1\u010Dek's Melodika (Melodics, Prague 1956). Miloslav I\u0161tvan, a Czech composer, deals with realated issues of easy to remember motives, spontaneity, originality and uniqueness of melodies in his handbook Jednohlas v soudob\u00E9 hudb\u011B (One voice in contemporary music, Brno 1989). Distincive motives have"@en . "1"^^ . "231-239" . "CZ - \u010Cesk\u00E1 republika" . "Z(MSM6198959225)" . . . . . "Skladatel\u00E9 popul\u00E1rn\u00ED hudby n\u011Bkdy p\u0159i komponov\u00E1n\u00ED uplat\u0148uj\u00ED postup, kter\u00FD jsem (v \u010Desk\u00E9m kontextu s lehkou nads\u00E1zkou) nazval metodou %22h\u00E1ku%22 (anglicky %22hook%22). Stephen Citron, dnes renomovan\u00FD americk\u00FD publicista v oblasti muzik\u00E1lov\u00E9 hudby, tento postup charakterizoval ve sv\u00E9 knize Songwriting (London 1986). %22H\u00E1kem%22 ozna\u010Dil %22n\u00E1pad, kter\u00FD zp\u00EDv\u00E1%22. Motivy-h\u00E1ky vysledovan\u00E9 v oblasti p\u00EDsni\u010Dkov\u00E9 produkce jsou n\u00E1pady typov\u00E9 \u010Di typick\u00E9, %22trefuj\u00EDc\u00ED se do noty davu%22, a proto komer\u010Dn\u011B \u00FAsp\u011B\u0161n\u00E9. Z hudebn\u011B teoretick\u00E9ho hlediska jde o motivy z oblasti tzv. v\u00E1zan\u00E9 melodiky, vymezen\u00E9 \u010Desk\u00FDm teoretikem Karlem Jane\u010Dkem v Melodice (Praha 1956). \u010Cesk\u00FD skladatel Miloslav I\u0161tvan \u0159e\u0161il podobn\u00E9 ot\u00E1zky zapamatovatelnosti, spontaneity, originality a jedine\u010Dnosti melodie ve sv\u00E9m skriptu Jednohlas v soudob\u00E9 hudb\u011B (Brno 1989). V\u00FDrazn\u00E9 motivy prostupuj\u00ED melodiku odprad\u00E1vna. Nalezneme je v t\u00E9matech fug, v lidov\u00FDch p\u00EDsn\u00EDch, ve slavn\u00FDch t\u00E9matech symfoni\u00ED i v \u00FAtvarech ned\u00E1vn\u00E9ho hudebn\u00EDho" . "33" . . "Acta Universitatis Palackianae Olomucensis, Facultas Philosophica, Philosophica - Aesthetica, Musicologica" . . "1212-1193" . "RIV/61989592:15210/07:00005079!RIV08-MSM-15210___" . . "433152" . . . . "Vi\u010Dar, Jan" . "Metoda %22h\u00E1ku%22 aneb Jak se tak\u00E9 komponuje"@cs . "9" . . "274"^^ . . "Metoda %22h\u00E1ku%22 aneb Jak se tak\u00E9 komponuje" . "Method of a %22hook%22 or a specific way of composing music"@en . . . "Metoda %22h\u00E1ku%22 aneb Jak se tak\u00E9 komponuje" . "Metoda %22h\u00E1ku%22 aneb Jak se tak\u00E9 komponuje"@cs . "Skladatel\u00E9 popul\u00E1rn\u00ED hudby n\u011Bkdy p\u0159i komponov\u00E1n\u00ED uplat\u0148uj\u00ED postup, kter\u00FD jsem (v \u010Desk\u00E9m kontextu s lehkou nads\u00E1zkou) nazval metodou %22h\u00E1ku%22 (anglicky %22hook%22). Stephen Citron, dnes renomovan\u00FD americk\u00FD publicista v oblasti muzik\u00E1lov\u00E9 hudby, tento postup charakterizoval ve sv\u00E9 knize Songwriting (London 1986). %22H\u00E1kem%22 ozna\u010Dil %22n\u00E1pad, kter\u00FD zp\u00EDv\u00E1%22. Motivy-h\u00E1ky vysledovan\u00E9 v oblasti p\u00EDsni\u010Dkov\u00E9 produkce jsou n\u00E1pady typov\u00E9 \u010Di typick\u00E9, %22trefuj\u00EDc\u00ED se do noty davu%22, a proto komer\u010Dn\u011B \u00FAsp\u011B\u0161n\u00E9. Z hudebn\u011B teoretick\u00E9ho hlediska jde o motivy z oblasti tzv. v\u00E1zan\u00E9 melodiky, vymezen\u00E9 \u010Desk\u00FDm teoretikem Karlem Jane\u010Dkem v Melodice (Praha 1956). \u010Cesk\u00FD skladatel Miloslav I\u0161tvan \u0159e\u0161il podobn\u00E9 ot\u00E1zky zapamatovatelnosti, spontaneity, originality a jedine\u010Dnosti melodie ve sv\u00E9m skriptu Jednohlas v soudob\u00E9 hudb\u011B (Brno 1989). V\u00FDrazn\u00E9 motivy prostupuj\u00ED melodiku odprad\u00E1vna. Nalezneme je v t\u00E9matech fug, v lidov\u00FDch p\u00EDsn\u00EDch, ve slavn\u00FDch t\u00E9matech symfoni\u00ED i v \u00FAtvarech ned\u00E1vn\u00E9ho hudebn\u00EDho"@cs . "RIV/61989592:15210/07:00005079" . "Method of a %22hook%22 or a specific way of composing music"@en . . "Analysis of popular music; Stephen Citron; Czech popular music; contemporary music; Miloslav I\u0161tvan; Karel Jane\u010Dek"@en . "1"^^ . .