"Renesans i barok w\u0142oski w Europie \u015Arodkowej. Materia\u0142y mi\u0119dzynarodowej konferenci, O\u0142omuniec 17-18 pa\u017Adziernika 2003. Italsk\u00E1 renesance a baroko ve st\u0159edn\u00ED Evrop\u011B. P\u0159\u00EDsp\u011Bvky z mezin\u00E1rodn\u00ED konference, Olomouc 17.-18. \u0159\u00EDjna 2003." . . . . "Adonis\u016Fv n\u00E1vrat. Ad\u00F3nis Giovana Battisty Marina v ikonografii obraz\u016F Nicolase Poussina a Francesca Albaniho."@cs . . . . . . "Return of Adonis. Ad\u00F3nis by Giovan Battista Marino in the iconography of paintings by Nicolas Poussin and Francesco Albani."@en . "Olomouc" . "[1639FDDF45BB]" . "511421" . "14"^^ . . . . "Daniel, Ladislav" . . "Italy; Renaissance; Baroque; Central Europe; painting; art; literature; poetry; music; architecture; Giovan Battista Marino; Adonis; Nicolas Poussin; Venus; Louvre; Ferdinando Gonzaga; Duke of Mantua"@en . . "RIV/61989592:15210/05:00006903" . . "S, Z(MSM 152100017)" . "Giovan Battista Marino spojil obsah sv\u00E9n poezie s aristokratick\u00FDm mecen\u00E1tem a sv\u011Btem um\u011Bn\u00ED. Po vyd\u00E1n\u00ED Adonise (1623), namaloval jeho prot\u00E9g\u00E9 Nicolas Poussin n\u011Bkolikr\u00E1t t\u00E9ma Venu\u0161e a Adonise. Recentn\u011B byly nalezeny p\u0159\u00EDm\u00E9 vztahy mezi Marinov\u00FDm Adonisem a \u010Dty\u0159d\u00EDln\u00FDm cyklem obraz\u016F Francesca Albaniho s p\u0159\u00EDb\u011Bhy Venu\u0161e a Adonise z Louvru (1623-1626), p\u016Fvodn\u011B pro Ferdinanda Gonzagu, v\u00E9vodu z Mantovy."@cs . "80-244-1152-0" . . . . "Univerzita Palack\u00E9ho v Olomouci" . . . . . "15210" . . . "Adonis\u016Fv n\u00E1vrat. Ad\u00F3nis Giovana Battisty Marina v ikonografii obraz\u016F Nicolase Poussina a Francesca Albaniho." . "Adonis\u016Fv n\u00E1vrat. Ad\u00F3nis Giovana Battisty Marina v ikonografii obraz\u016F Nicolase Poussina a Francesca Albaniho."@cs . . "RIV/61989592:15210/05:00006903!RIV09-MSM-15210___" . "1"^^ . . "Return of Adonis. Ad\u00F3nis by Giovan Battista Marino in the iconography of paintings by Nicolas Poussin and Francesco Albani."@en . "1"^^ . "Giovan Battista Marino spojil obsah sv\u00E9n poezie s aristokratick\u00FDm mecen\u00E1tem a sv\u011Btem um\u011Bn\u00ED. Po vyd\u00E1n\u00ED Adonise (1623), namaloval jeho prot\u00E9g\u00E9 Nicolas Poussin n\u011Bkolikr\u00E1t t\u00E9ma Venu\u0161e a Adonise. Recentn\u011B byly nalezeny p\u0159\u00EDm\u00E9 vztahy mezi Marinov\u00FDm Adonisem a \u010Dty\u0159d\u00EDln\u00FDm cyklem obraz\u016F Francesca Albaniho s p\u0159\u00EDb\u011Bhy Venu\u0161e a Adonise z Louvru (1623-1626), p\u016Fvodn\u011B pro Ferdinanda Gonzagu, v\u00E9vodu z Mantovy." . "Adonis\u016Fv n\u00E1vrat. Ad\u00F3nis Giovana Battisty Marina v ikonografii obraz\u016F Nicolase Poussina a Francesca Albaniho." . . "Giovan Battista Marino linked the content of his poetry with the realm of aristocratic patronage and the world of arts. After the publication of Adonis (1623), his prot\u00E9g\u00E9 Nicolas Poussin painted the theme of Venus and Adonis several times. Recently a direct relationship has been found between Marino\u00B4s Adonis and the quadripartite cycle of paintings with the story of Venus and Adonis by Francesco Albani from the Louvre (1623-1626), originally for Ferdinando Gonzaga, the Duke of Mantua."@en . . . . .