"Anatomie divadeln\u00ED zkou\u0161ky jako sociologicko-um\u011Bleck\u00E9ho experimentu. V prvn\u00ED \u010D\u00E1sti, nazvan\u00E9 Divadeln\u00ED kontext, se autor pokou\u0161\u00ED dok\u00E1zat v\u00FDlu\u010Dnost divadla mezi ostatn\u00EDmi um\u011Bleck\u00FDmi aktivitami. Hled\u00E1 z\u00E1sadn\u00ED d\u016Fvody, kter\u00E9 by obh\u00E1jily pr\u00E1voplatnost existence divadla ve v\u011Bku elektronick\u00FDch m\u00E9di\u00ED a virtu\u00E1ln\u00ED reality. Zkoum\u00E1 hranice mezi empirickou a divadeln\u00ED realitou. Ve druh\u00E9 \u010D\u00E1sti, Divadeln\u00ED zkou\u0161ka, se autor pokou\u0161\u00ED odhalit a definovat slo\u017Eitou, mnohovrstevnou strukturu hry a sleduje proces, prob\u00EDhaj\u00EDc\u00ED v r\u00E1mci zkou\u0161ek."@cs . "185"^^ . "Zmrazit \u010Derstv\u00E9 ovoce. \u00DAtr\u017Eky \u00FAvah o divadeln\u00ED zkou\u0161ce"@cs . . "182713" . . . "Zmrazit \u010Derstv\u00E9 ovoce. \u00DAtr\u017Eky \u00FAvah o divadeln\u00ED zkou\u0161ce" . . "978-80-7331-222-0" . "Anatomie divadeln\u00ED zkou\u0161ky jako sociologicko-um\u011Bleck\u00E9ho experimentu. V prvn\u00ED \u010D\u00E1sti, nazvan\u00E9 Divadeln\u00ED kontext, se autor pokou\u0161\u00ED dok\u00E1zat v\u00FDlu\u010Dnost divadla mezi ostatn\u00EDmi um\u011Bleck\u00FDmi aktivitami. Hled\u00E1 z\u00E1sadn\u00ED d\u016Fvody, kter\u00E9 by obh\u00E1jily pr\u00E1voplatnost existence divadla ve v\u011Bku elektronick\u00FDch m\u00E9di\u00ED a virtu\u00E1ln\u00ED reality. Zkoum\u00E1 hranice mezi empirickou a divadeln\u00ED realitou. Ve druh\u00E9 \u010D\u00E1sti, Divadeln\u00ED zkou\u0161ka, se autor pokou\u0161\u00ED odhalit a definovat slo\u017Eitou, mnohovrstevnou strukturu hry a sleduje proces, prob\u00EDhaj\u00EDc\u00ED v r\u00E1mci zkou\u0161ek." . . "RIV/61384984:51210/12:#0000683" . . "51210" . . "Anatomy of a theater rehearsal as sociological and artistic experimentation. In the first part entitled Theatrical context, the author tries to prove exclusivity of theater among other artistic activities. He seeks major reasons that would have upheld the legality of the existence of theater in the age of electronic media and virtual reality. Also explores the boundaries between empirical reality and theater. In the second part Theater rehearsal, the author tries to identify and define complex, multi-layered structure of the game and follows a process running in the tests."@en . "1"^^ . "Zmrazit \u010Derstv\u00E9 ovoce. \u00DAtr\u017Eky \u00FAvah o divadeln\u00ED zkou\u0161ce"@cs . "Praha" . "direction; acting; improvization; alterntative theatre"@en . "1"^^ . "Akademie m\u00FAzick\u00FDch um\u011Bn\u00ED v Praze" . . "Zmrazit \u010Derstv\u00E9 ovoce. \u00DAtr\u017Eky \u00FAvah o divadeln\u00ED zkou\u0161ce" . . "Zmrazit \u010Derstv\u00E9 ovoce. \u00DAtr\u017Eky \u00FAvah o divadeln\u00ED zkou\u0161ce" . . "185"^^ . . "To freeze fresh fruit. Fragments of considerations about theater rehearsal"@en . "I" . "[686B7B517370]" . . . . . "To freeze fresh fruit. Fragments of considerations about theater rehearsal"@en . "Havelka, Ji\u0159\u00ED" . "RIV/61384984:51210/12:#0000683!RIV14-MSM-51210___" . .