"earth grounds; Assumption of the Virgin Mary; Transfiguration of Christ on the Mount; baroque; radiography"@en . . . . . "000351115100006" . "3"^^ . . "Two counterpart paintings, the Assumption of the Virgin Mary and the Transfiguration of Christ on the Mount from the property of the National Heritage Institute, Regional Heritage Administration in Krom\u011B\u0159\u00ED\u017E, were subjected to conservation/restoration and a detailed material investigation. Findings obtained from an X-ray photograph created by a novel method, an X-ray microradiography with a large-screen pixel detector, have been employed in the course of the investigation. Our research confirmed that the paintings differ in painter\u2019s style as well as in their material composition and the history of secondary interventions (damage and subsequent repairs). Any connection between the paintings could also be completely excluded based on the composition of the ground layers, which have a direct relationship to the provenance of the paintings." . "Hradilov\u00E1, Janka" . "56468" . "1"^^ . . . "http://alma-lab.cz/eng/acta-artis-academica-2014" . "X-RAY RADIOGRAPHY OF PAINTINGS WITH HIGH RESOLUTION II. TWO COUNTERPART PAINTINGS FROM THE CHAPEL IN VIZOVICE CHATEAU - TWO COMPLETELY DIFFERENT STORIES" . "[1DF6D4CCEA86]" . . "Dominican Monastery St Giles, Prague" . "RIV/60461446:52810/14:#0000161!RIV15-MK0-52810___" . "Two counterpart paintings, the Assumption of the Virgin Mary and the Transfiguration of Christ on the Mount from the property of the National Heritage Institute, Regional Heritage Administration in Krom\u011B\u0159\u00ED\u017E, were subjected to conservation/restoration and a detailed material investigation. Findings obtained from an X-ray photograph created by a novel method, an X-ray microradiography with a large-screen pixel detector, have been employed in the course of the investigation. Our research confirmed that the paintings differ in painter\u2019s style as well as in their material composition and the history of secondary interventions (damage and subsequent repairs). Any connection between the paintings could also be completely excluded based on the composition of the ground layers, which have a direct relationship to the provenance of the paintings."@en . . "ACTA ARTIS ACADEMICA 2014: INTERPRETATION OF FINE ART'S ANALYSES IN DIVERSE CONTEXTS" . . . "X-RAY RADIOGRAPHY OF PAINTINGS WITH HIGH RESOLUTION II. TWO COUNTERPART PAINTINGS FROM THE CHAPEL IN VIZOVICE CHATEAU - TWO COMPLETELY DIFFERENT STORIES"@en . "Trmalov\u00E1, Olga" . . "Prague, Czech Republic" . . "28"^^ . "\u017Demli\u010Dka, Jan" . "X-RAY RADIOGRAPHY OF PAINTINGS WITH HIGH RESOLUTION II. TWO COUNTERPART PAINTINGS FROM THE CHAPEL IN VIZOVICE CHATEAU - TWO COMPLETELY DIFFERENT STORIES" . "RIV/60461446:52810/14:#0000161" . . . . . "P(DF12P01OVV048)" . "2014-11-20+01:00"^^ . . "52810" . "X-RAY RADIOGRAPHY OF PAINTINGS WITH HIGH RESOLUTION II. TWO COUNTERPART PAINTINGS FROM THE CHAPEL IN VIZOVICE CHATEAU - TWO COMPLETELY DIFFERENT STORIES"@en . "978-80-87108-48-2" . "Academy of Fine Arts in Prague" .