"RIV/60461071:_____/13:#0000345" . . "115622" . "978-80-86863-65-8" . "Praha" . "7"^^ . . "1"^^ . "Sta\u0165 se soust\u0159ed\u00ED na teorii designu, kter\u00E1 se od konce 40. let 20. stolet\u00ED rozv\u00EDjela v okruhu Zl\u00EDnsk\u00E9 \u0161koly um\u011Bn\u00ED a pozd\u011Bj\u0161\u00EDm deta\u0161ovan\u00E9m ateli\u00E9ru a kated\u0159e tvarov\u00E1n\u00ED stroj\u016F a n\u00E1stroj\u016F pra\u017Esk\u00E9 V\u0160UP \u2013 kl\u00ED\u010Dov\u00E9 vzd\u011Bl\u00E1vac\u00ED instituci pov\u00E1le\u010Dn\u00FDch \u010Desk\u00FDch a slovensk\u00FDch design\u00E9r\u016F. \u0160kola p\u0159edn\u00EDho \u010Desk\u00E9ho design\u00E9ra a pedagoga Zde\u0148ka Kov\u00E1\u0159e ve Zl\u00EDn\u011B p\u0159itahovala \u0159adu historik\u016F a teoretik\u016F um\u011Bn\u00ED, kte\u0159\u00ED se zab\u00FDvali u\u017Eit\u00FDm um\u011Bn\u00EDm a designem a sna\u017Eili se hledat jejich nov\u00FD obsah, smysl i c\u00EDle v pov\u00E1le\u010Dn\u00E9 kultu\u0159e a spole\u010Dnosti. Byli to ale tak\u00E9 samotn\u00ED design\u00E9\u0159i a pedagogov\u00E9, zvl\u00E1\u0161t\u011B pak p\u00ED\u0161\u00EDc\u00ED Zden\u011Bk Kov\u00E1\u0159, kte\u0159\u00ED se v\u00FDrazn\u011B zasadili za rozvoj teorie pr\u016Fmyslov\u00E9ho designu v dob\u011B, kdy svobodn\u00E9 my\u0161len\u00ED nem\u011Blo pr\u00E1v\u011B na r\u016F\u017E\u00EDch ustl\u00E1no. Jim a jejich n\u00E1zor\u016Fm a postoj\u016Fm je tento text v\u011Bnov\u00E1n." . . "V" . "post-war and contemporary design; theory and history of design and applied arts; Zden\u011Bk Kov\u00E1\u0159; Academy of Arts, Architecture and Design in Prague"@en . "V\u00FDrobek jako v\u011Bc vy\u0161\u0161\u00EDho \u0159\u00E1du. Zl\u00EDnsk\u00E1 \u0161kola v teorii" . "Pachmanov\u00E1, Martina" . "RIV/60461071:_____/13:#0000345!RIV14-MSM-60461071" . . "Sta\u0165 se soust\u0159ed\u00ED na teorii designu, kter\u00E1 se od konce 40. let 20. stolet\u00ED rozv\u00EDjela v okruhu Zl\u00EDnsk\u00E9 \u0161koly um\u011Bn\u00ED a pozd\u011Bj\u0161\u00EDm deta\u0161ovan\u00E9m ateli\u00E9ru a kated\u0159e tvarov\u00E1n\u00ED stroj\u016F a n\u00E1stroj\u016F pra\u017Esk\u00E9 V\u0160UP \u2013 kl\u00ED\u010Dov\u00E9 vzd\u011Bl\u00E1vac\u00ED instituci pov\u00E1le\u010Dn\u00FDch \u010Desk\u00FDch a slovensk\u00FDch design\u00E9r\u016F. \u0160kola p\u0159edn\u00EDho \u010Desk\u00E9ho design\u00E9ra a pedagoga Zde\u0148ka Kov\u00E1\u0159e ve Zl\u00EDn\u011B p\u0159itahovala \u0159adu historik\u016F a teoretik\u016F um\u011Bn\u00ED, kte\u0159\u00ED se zab\u00FDvali u\u017Eit\u00FDm um\u011Bn\u00EDm a designem a sna\u017Eili se hledat jejich nov\u00FD obsah, smysl i c\u00EDle v pov\u00E1le\u010Dn\u00E9 kultu\u0159e a spole\u010Dnosti. Byli to ale tak\u00E9 samotn\u00ED design\u00E9\u0159i a pedagogov\u00E9, zvl\u00E1\u0161t\u011B pak p\u00ED\u0161\u00EDc\u00ED Zden\u011Bk Kov\u00E1\u0159, kte\u0159\u00ED se v\u00FDrazn\u011B zasadili za rozvoj teorie pr\u016Fmyslov\u00E9ho designu v dob\u011B, kdy svobodn\u00E9 my\u0161len\u00ED nem\u011Blo pr\u00E1v\u011B na r\u016F\u017E\u00EDch ustl\u00E1no. Jim a jejich n\u00E1zor\u016Fm a postoj\u016Fm je tento text v\u011Bnov\u00E1n."@cs . "1"^^ . . . . . "V\u00FDrobek jako v\u011Bc vy\u0161\u0161\u00EDho \u0159\u00E1du. Zl\u00EDnsk\u00E1 \u0161kola v teorii"@cs . "Zl\u00EDnsk\u00E1 umprumka (1959\u20132011). Od pr\u016Fmyslov\u00E9ho v\u00FDtvarnictv\u00ED po design" . . "Vysok\u00E1 \u0161kola um\u011Bleckopr\u016Fmyslov\u00E1 v Praze" . . . . . "The Product as a Higher-Order Thing. Zl\u00EDn School in Theory"@en . "The text focuses on design theory that developed from the late 1940s in the circle of School of Art in Zl\u00EDn and later in the Studio and Department of Machine and Instrument Design, a Zl\u00EDn-based appendix of the Academy of Arts, Architecture and Design in Prague. The school of Zden\u011Bk Kov\u00E1\u0159, one of the foremost Czech designers and pedagogues, attracted many art historians and theorists who have dealt with applied arts and design, and who tried to search for their new concepts, meanings, and goals in post-war culture and society. However, it were also designers and design teachers themselves who significantlz contributed in development of theory of industrial design in the epoque of communist r\u00E9gime. It is them and ideas that are analyzed in this text."@en . . "V\u00FDrobek jako v\u011Bc vy\u0161\u0161\u00EDho \u0159\u00E1du. Zl\u00EDnsk\u00E1 \u0161kola v teorii" . "[E0206ACE1450]" . . "V\u00FDrobek jako v\u011Bc vy\u0161\u0161\u00EDho \u0159\u00E1du. Zl\u00EDnsk\u00E1 \u0161kola v teorii"@cs . "368"^^ . . "The Product as a Higher-Order Thing. Zl\u00EDn School in Theory"@en . .