"\u201EMy advantage is that I know nothing properly\u201C. Interview with Ludmila Padrtov\u00E1"@en . "Pachmanov\u00E1, Martina" . . . . "\u201EMoje v\u00FDhoda je, \u017Ee nic po\u0159\u00E1dn\u011B neum\u00EDm\u201C. Rozhovor s Ludmilou Padrtovou"@cs . "Rozhovor s mal\u00ED\u0159kou a kresl\u00ED\u0159kou Ludmilou Padrtovou (1931) u p\u0159\u00EDle\u017Eitosti jej\u00ED prvn\u00ED retrospektivn\u00ED v\u00FDstavy, shrnuj\u00EDc\u00ED dosavadn\u00ED stav b\u00E1d\u00E1n\u00ED o mimo\u0159\u00E1dn\u00E9 um\u011Blkyni, kter\u00E1 v druh\u00E9 polovin\u011B 50. let minul\u00E9ho stolet\u00ED t\u00E9m\u011B\u0159 v utajen\u00ED vytvo\u0159ila pozoruhodnou kolekci obraz\u016F a p\u0159edev\u0161\u00EDm kreseb, je\u017E lze za\u0159adit do \u0161irok\u00E9ho proudu pov\u00E1le\u010Dn\u00E9 lyrick\u00E9 abstrakce. Jej\u00ED tehdej\u0161\u00ED v\u00FDznamn\u00E9 \u00FAsil\u00ED na poli abstrakce v\u0161ak upadlo velmi z\u00E1hy do zapomn\u011Bn\u00ED, nebo\u0165 autorka se ji\u017E v roce 1961 rozhodla svoji tvorbu ukon\u010Dit a v n\u00E1sleduj\u00EDc\u00EDch letech zna\u010Dnou \u010D\u00E1st sv\u00E9 pr\u00E1ce rozdala \u010Di zni\u010Dila."@cs . "V" . . "978-80-86415-86-4" . "\u201EMoje v\u00FDhoda je, \u017Ee nic po\u0159\u00E1dn\u011B neum\u00EDm\u201C. Rozhovor s Ludmilou Padrtovou" . "[D94D92F9A826]" . "Ludmila Padrtov\u00E1. Gesto, pohyb, barva (D\u00EDlo 1951\u20132013)" . "89277" . "RIV/60461071:_____/13:#0000336" . . "8"^^ . . "\u201EMoje v\u00FDhoda je, \u017Ee nic po\u0159\u00E1dn\u011B neum\u00EDm\u201C. Rozhovor s Ludmilou Padrtovou" . "Plze\u0148" . "post-war art; gestural and lyrical abstraction; informal art; women artists; oral history"@en . "RIV/60461071:_____/13:#0000336!RIV14-MSM-60461071" . . . . "\u201EMy advantage is that I know nothing properly\u201C. Interview with Ludmila Padrtov\u00E1"@en . . . "Rozhovor s mal\u00ED\u0159kou a kresl\u00ED\u0159kou Ludmilou Padrtovou (1931) u p\u0159\u00EDle\u017Eitosti jej\u00ED prvn\u00ED retrospektivn\u00ED v\u00FDstavy, shrnuj\u00EDc\u00ED dosavadn\u00ED stav b\u00E1d\u00E1n\u00ED o mimo\u0159\u00E1dn\u00E9 um\u011Blkyni, kter\u00E1 v druh\u00E9 polovin\u011B 50. let minul\u00E9ho stolet\u00ED t\u00E9m\u011B\u0159 v utajen\u00ED vytvo\u0159ila pozoruhodnou kolekci obraz\u016F a p\u0159edev\u0161\u00EDm kreseb, je\u017E lze za\u0159adit do \u0161irok\u00E9ho proudu pov\u00E1le\u010Dn\u00E9 lyrick\u00E9 abstrakce. Jej\u00ED tehdej\u0161\u00ED v\u00FDznamn\u00E9 \u00FAsil\u00ED na poli abstrakce v\u0161ak upadlo velmi z\u00E1hy do zapomn\u011Bn\u00ED, nebo\u0165 autorka se ji\u017E v roce 1961 rozhodla svoji tvorbu ukon\u010Dit a v n\u00E1sleduj\u00EDc\u00EDch letech zna\u010Dnou \u010D\u00E1st sv\u00E9 pr\u00E1ce rozdala \u010Di zni\u010Dila." . . "191"^^ . . "Interview with Ludmila Padrtov\u00E1 (1931) at the occasion of her first retrospective exhibition that summarizes work of an extraordinary woman painter and drawer who in the second half of the 1950s created \u2013 as a total outsider \u2013 a remarkable collection of paintings and drawings that belong to treasures of post-war lyrical abstraction. Her important abstract work was forgotten, however, because the artist decided to terminate her work in 1961, and in following years destroyed or handed out part of her oeuvre."@en . . "1"^^ . . . "1"^^ . "Z\u00E1pado\u010Desk\u00E1 galerie v Plzni" . . "\u201EMoje v\u00FDhoda je, \u017Ee nic po\u0159\u00E1dn\u011B neum\u00EDm\u201C. Rozhovor s Ludmilou Padrtovou"@cs .