. "Remote Mandarin Kingdoms in the salons of aristocrats and burghers on the periphery of artistic events: Echoes of non-European art in Central Europe in the first half of the 19th century." . . . . . . "RIV/60461071:_____/12:#0000302!RIV13-GA0-60461071" . "Moscow" . "[59D8DBC216F9]" . "Georg Buquoy.; Lednice castle; Vla\u0161im castle and garden; Libechov Castle; Pern\u0161tejn Castle; Troya Castle in Prague; Brevnov Monastery; Kr\u00E1sn\u00FD Dv\u016Fr castle; Veltrusy Castle; Kl\u00E1\u0161terec nad Oh\u0159\u00ED porcelain manufactory; Slavkov porcelain manufactury; Ryb\u00E1\u0159e porcelain manufacury; Loket porcelain manufactury; Exotic motifs; Oriental motifs; Porcelain; Hyalite glass; Chinese salones; Oriental pavilions; Czech castles; Chinoiserie; Orientalism"@en . "In the turn of 18th and 19th centuries Central Europe like Western Europe was confronted with contemporary tastes for Orient curiosities or exotic themes in various waves of fashion. The deeper wave of curiosity about the Orient can be identified in the rococo period from 1760s. The trend was reflected not only in an interest in landscaping but also in the decoration of Oriental style interiors. We should mention Veltrusy, Kr\u00E1sn\u00FD Dv\u016Fr, Pern\u0161tejn, Lednice, Krom\u011B\u0159\u00ED\u017E, Zdislavice etc.at least where some Oriental style structures and pavilions were built. In addition many oriental rooms adorned by Chinese and Japanese decorative objects were constructed at Czech and Moravian castles, chateaux and monasteries, too. In the beginning of 19th century new wave of Oriental taste appeared in Czech lands. New Oriental motifs were paint on Czech glass in 1820s and similar motifs appeared on Czech porcelain in 1830s and 1840s, too. We should mention new patterns copying older Japanese Imari porcelain from the beginning of 18th century which appeared at the production of Loket porcelain manufactory or motifs of Chinoiserie landscapes from Slavkov factory. In addition Oriental roots can also be traced in some patterns adopted in the 1850s for the decoration of porcelain tea sets in the manufactory in Kl\u00E1\u0161terec nad Oh\u0159\u00ED."@en . . . . . "415"^^ . . . "Remote Mandarin Kingdoms in the salons of aristocrats and burghers on the periphery of artistic events: Echoes of non-European art in Central Europe in the first half of the 19th century."@en . . . . . . "Remote Mandarin Kingdoms in the salons of aristocrats and burghers on the periphery of artistic events: Echoes of non-European art in Central Europe in the first half of the 19th century." . "1"^^ . . . "In the turn of 18th and 19th centuries Central Europe like Western Europe was confronted with contemporary tastes for Orient curiosities or exotic themes in various waves of fashion. The deeper wave of curiosity about the Orient can be identified in the rococo period from 1760s. The trend was reflected not only in an interest in landscaping but also in the decoration of Oriental style interiors. We should mention Veltrusy, Kr\u00E1sn\u00FD Dv\u016Fr, Pern\u0161tejn, Lednice, Krom\u011B\u0159\u00ED\u017E, Zdislavice etc.at least where some Oriental style structures and pavilions were built. In addition many oriental rooms adorned by Chinese and Japanese decorative objects were constructed at Czech and Moravian castles, chateaux and monasteries, too. In the beginning of 19th century new wave of Oriental taste appeared in Czech lands. New Oriental motifs were paint on Czech glass in 1820s and similar motifs appeared on Czech porcelain in 1830s and 1840s, too. We should mention new patterns copying older Japanese Imari porcelain from the beginning of 18th century which appeared at the production of Loket porcelain manufactory or motifs of Chinoiserie landscapes from Slavkov factory. In addition Oriental roots can also be traced in some patterns adopted in the 1850s for the decoration of porcelain tea sets in the manufactory in Kl\u00E1\u0161terec nad Oh\u0159\u00ED." . "P(GAP409/10/2186)" . . "8"^^ . . . "164960" . "978-5-903060-75-7" . "1"^^ . . . . . . "Evgeny Steiner (ed.), Orientalism/Occidentalism. Languages of Cultures vs. Languages of Description." . . "Suchomel, Filip" . . "Remote Mandarin Kingdoms in the salons of aristocrats and burghers on the periphery of artistic events: Echoes of non-European art in Central Europe in the first half of the 19th century."@en . . "RIV/60461071:_____/12:#0000302" . . . . . "Izdavatelstvo Sovpadenie, Moskva" . .