. . . "RIV/60076658:12410/11:43882582" . "RIV/60076658:12410/11:43882582!RIV12-MSM-12410___" . . . "photojournalism, digitization, indexicality, multimedia journalism, decontextualisation, recontextualisation, double indexicality, credibility, realism and post-realism"@en . "By the end of the second half of the 1990s the analogue photography was in practice of journalism definitively replaced by the digital photography. Enthusiasm, originally aroused by numerous advantages which digitization brought to photojournalism, soon subsided due to many cases of misuse of digital technology and its easy manipulability by journalists and editors. Ethically questionable interventions into the content of photographs have been perceived as extremely serious and dangerous and according to many reactions have led to the fatal breach of trust in the truthfulness of photography, some critics have even seen them as the cause of the end of photography and the death of photojournalism. I do not intend to argue that manipulations disrupting the direct indexical connection between the photography and its referent are unproblematic and of no consequence. However, the reflections on the death of photojournalism have been overly focused on this issue which has on the one hand overshadowed the fact that there are other, more cunning ways of lying by means of photography and has on the other hand resulted in overlooking that however much the digitization has threatened the credibility of journalism, it has also brought possibilities of its strengthening. In order to see the digitization as a means of increasing the credibility of photojournalism it is important to be able to abandon to certain extent the assumptions and expectations of the photo-realist paradigm and embrace the epistemological challenges of post-realist paradigm. The following paper attempts to identify, conceptualize and on some new trends illustrate this paradigmatic shift in photojournalism."@en . "\u0160im\u016Fnek, Michal" . . "Medi\u00E1ln\u00ED studia" . "1801-9978" . "V" . "Foto\u017Eurnalismus je mrtev, a\u0165 \u017Eije foto\u017Eurnalismus. Pro\u010D m\u016F\u017Ee digitalizace zvy\u0161ovat d\u016Fv\u011Bryhodnost novin\u00E1\u0159sk\u00E9 fotografie." . "12410" . . "5" . . . . . . . . "Nejpozd\u011Bji v druh\u00E9 polovin\u011B 90. let minul\u00E9ho stolet\u00ED digit\u00E1ln\u00ED fotografie definitivn\u011B vytla\u010Dila z novin\u00E1\u0159sk\u00E9 praxe fotografii analogovou. Nad\u0161en\u00ED z \u010Detn\u00FDch v\u00FDhod, kter\u00E9 foto\u017Eurnalismu digitalizace p\u0159inesla, bylo p\u0159itom v\u00FDrazn\u011B kaleno mnoha p\u0159\u00EDpady, kdy byla novin\u00E1\u0159i a editory zneu\u017Eita snadn\u00E1 manipulovatelnost digit\u00E1ln\u00ED fotografie. Eticky problematick\u00E9 z\u00E1sahy do obsahu fotografie byly vn\u00EDm\u00E1ny jako velmi z\u00E1va\u017En\u00E9, podle mnoh\u00FDch reakc\u00ED vedly ke ztr\u00E1t\u011B d\u016Fv\u011Bry v pravdivost fotografie a podle n\u011Bkter\u00FDch kritik\u016F dokonce ke konci fotografie a smrti foto\u017Eurnalismu. Netvrd\u00EDm, \u017Ee manipulace nabour\u00E1vaj\u00EDc\u00ED p\u0159\u00EDm\u00FD vztah referentu a fotografie jsou neproblematick\u00E9 a nepodstatn\u00E9. \u00DAvahy o smrti foto\u017Eurnalistiky v\u0161ak byly p\u0159\u00EDli\u0161 pohlceny pr\u00E1v\u011B t\u00EDmto t\u00E9matem, p\u0159i\u010Dem\u017E se zpravidla zapom\u00EDnalo na to, \u017Ee jednak existuj\u00ED i jin\u00E9, rafinovan\u011Bj\u0161\u00ED zp\u016Fsoby, jak lh\u00E1t prost\u0159ednictv\u00EDm fotografie, a jednak byla pon\u011Bkud p\u0159ehl\u00ED\u017Eena skute\u010Dnost, \u017Ee digitalizace nep\u0159inesla jen ohro\u017Een\u00ED d\u016Fv\u011Bry ve foto\u017Eurnalismus, n\u00FDbr\u017E i mo\u017Enosti jej\u00EDho v\u00FDrazn\u00E9ho upevn\u011Bn\u00ED. Podstatn\u00E9 p\u0159itom je, \u017Ee zahl\u00E9dnout v d\u016Fsledc\u00EDch digitalizace foto\u017Eurnalistiky mechanismy upevn\u011Bn\u00ED jej\u00ED d\u016Fv\u011Bryhodnosti znamen\u00E1 do zna\u010Dn\u00E9 m\u00EDry upustit od p\u0159edpoklad\u016F a o\u010Dek\u00E1v\u00E1n\u00ED spojovan\u00FDch s tradi\u010Dn\u00EDm realistick\u00FDm paradigmatem a p\u0159ijmout epistemologick\u00E9 v\u00FDzvy paradigmatu postrealistick\u00E9ho. N\u00E1sleduj\u00EDc\u00ED studie se pokou\u0161\u00ED identifikovat, konceptu\u00E1ln\u011B vymezit a na n\u011Bkolika nov\u00FDch trendech ilustrovat tento paradigmatick\u00FD posun."@cs . "1" . . "200241" . "1"^^ . "[B59B29949DDA]" . "Photojournalism Is Dead, Long Live Photojournalism. Why Digitization Can Increase the Credibility of Journalistic Photography"@en . . . "Photojournalism Is Dead, Long Live Photojournalism. Why Digitization Can Increase the Credibility of Journalistic Photography"@en . "CZ - \u010Cesk\u00E1 republika" . . . "Foto\u017Eurnalismus je mrtev, a\u0165 \u017Eije foto\u017Eurnalismus. Pro\u010D m\u016F\u017Ee digitalizace zvy\u0161ovat d\u016Fv\u011Bryhodnost novin\u00E1\u0159sk\u00E9 fotografie." . . "Foto\u017Eurnalismus je mrtev, a\u0165 \u017Eije foto\u017Eurnalismus. Pro\u010D m\u016F\u017Ee digitalizace zvy\u0161ovat d\u016Fv\u011Bryhodnost novin\u00E1\u0159sk\u00E9 fotografie."@cs . "1"^^ . "Nejpozd\u011Bji v druh\u00E9 polovin\u011B 90. let minul\u00E9ho stolet\u00ED digit\u00E1ln\u00ED fotografie definitivn\u011B vytla\u010Dila z novin\u00E1\u0159sk\u00E9 praxe fotografii analogovou. Nad\u0161en\u00ED z \u010Detn\u00FDch v\u00FDhod, kter\u00E9 foto\u017Eurnalismu digitalizace p\u0159inesla, bylo p\u0159itom v\u00FDrazn\u011B kaleno mnoha p\u0159\u00EDpady, kdy byla novin\u00E1\u0159i a editory zneu\u017Eita snadn\u00E1 manipulovatelnost digit\u00E1ln\u00ED fotografie. Eticky problematick\u00E9 z\u00E1sahy do obsahu fotografie byly vn\u00EDm\u00E1ny jako velmi z\u00E1va\u017En\u00E9, podle mnoh\u00FDch reakc\u00ED vedly ke ztr\u00E1t\u011B d\u016Fv\u011Bry v pravdivost fotografie a podle n\u011Bkter\u00FDch kritik\u016F dokonce ke konci fotografie a smrti foto\u017Eurnalismu. Netvrd\u00EDm, \u017Ee manipulace nabour\u00E1vaj\u00EDc\u00ED p\u0159\u00EDm\u00FD vztah referentu a fotografie jsou neproblematick\u00E9 a nepodstatn\u00E9. \u00DAvahy o smrti foto\u017Eurnalistiky v\u0161ak byly p\u0159\u00EDli\u0161 pohlceny pr\u00E1v\u011B t\u00EDmto t\u00E9matem, p\u0159i\u010Dem\u017E se zpravidla zapom\u00EDnalo na to, \u017Ee jednak existuj\u00ED i jin\u00E9, rafinovan\u011Bj\u0161\u00ED zp\u016Fsoby, jak lh\u00E1t prost\u0159ednictv\u00EDm fotografie, a jednak byla pon\u011Bkud p\u0159ehl\u00ED\u017Eena skute\u010Dnost, \u017Ee digitalizace nep\u0159inesla jen ohro\u017Een\u00ED d\u016Fv\u011Bry ve foto\u017Eurnalismus, n\u00FDbr\u017E i mo\u017Enosti jej\u00EDho v\u00FDrazn\u00E9ho upevn\u011Bn\u00ED. Podstatn\u00E9 p\u0159itom je, \u017Ee zahl\u00E9dnout v d\u016Fsledc\u00EDch digitalizace foto\u017Eurnalistiky mechanismy upevn\u011Bn\u00ED jej\u00ED d\u016Fv\u011Bryhodnosti znamen\u00E1 do zna\u010Dn\u00E9 m\u00EDry upustit od p\u0159edpoklad\u016F a o\u010Dek\u00E1v\u00E1n\u00ED spojovan\u00FDch s tradi\u010Dn\u00EDm realistick\u00FDm paradigmatem a p\u0159ijmout epistemologick\u00E9 v\u00FDzvy paradigmatu postrealistick\u00E9ho. N\u00E1sleduj\u00EDc\u00ED studie se pokou\u0161\u00ED identifikovat, konceptu\u00E1ln\u011B vymezit a na n\u011Bkolika nov\u00FDch trendech ilustrovat tento paradigmatick\u00FD posun." . . "23"^^ . "Foto\u017Eurnalismus je mrtev, a\u0165 \u017Eije foto\u017Eurnalismus. Pro\u010D m\u016F\u017Ee digitalizace zvy\u0161ovat d\u016Fv\u011Bryhodnost novin\u00E1\u0159sk\u00E9 fotografie."@cs .