"P(EE2.3.30.0049)" . . "12210" . . "978-3-8382-0512-0" . "5377" . "Bal\u00EDk, \u0160t\u011Bp\u00E1n" . . "Giessen" . "Der Holocaust in den mitteleurop\u00E4ischen Literaturen und Kulturen seit 1989" . . "2012-11-21+01:00"^^ . . "In Irena Douskov\u00E1's work, the motif of the Shoah varies to a large extent. Very often it can be traced just as a hint or in a form of an implicit motif (Bez Karkulky, N\u011Bkdo s no\u017Eem, Doktor Kott p\u0159em\u00EDt\u00E1). In the last Douskov\u00E1's prose work Darda, it appears in a repetitive way in a form of a dream about tsunami. Sometimes the motif of the Shoah emerges together with Goldstein / Freistein as the biological father (Goldstein p\u00ED\u0161e dce\u0159i, Hrd\u00FD Bud\u017Ees, On\u011Bgin je Rus\u00E1k, Darda). Significantly, Douskov\u00E1 does not concentrate on the description of extermination from the witnesses's point of view, but she stresses the state of mind of the so-called %22second generation%22 or %22children of the Holocaust%22. Thus, instead of a narration about the personal survival, the reader encounters with the above mentioned biological survival (Goldstein p\u00ED\u0161e dce\u0159i; \u010C\u00EDm se li\u0161\u00ED tato noc - short story \u0160t\u011Bst\u00ED). Moreover, the survival in the memory of the others is also present., e. g. the Czech neighbours of the old Jewish lady continue to make effort not to forget the inconvenient part of our - sometimes only local - history (\u010C\u00EDm se li\u0161\u00ED tato noc - short story Chulig\u00E1n). In addition, Douskov\u00E1 shows another survival of this kind, however, it goes beyond the previous one, i. e. a survival of the Shoah in the collective memory in a form of a legend (O b\u00EDl\u00FDch slonech). It is necessary to add that the inconspicuous way the author fabricates such types of surviving the Shoa only reflects in the reader's mind subliminally. This reflection is intensified by the readers incorrectly stereotyping Douskov\u00E1, similarly to above mentioned Pol\u00E1\u010Dek, as an author of humoristic texts." . "1"^^ . . . "Biological and Other Ways of Surviving the Shoah in Irena Douskov\u00E1's Work" . . "Stuttgart" . "Biological and Other Ways of Surviving the Shoah in Irena Douskov\u00E1's Work" . "1"^^ . . "RIV/60076658:12210/14:43888216" . "Biological and Other Ways of Surviving the Shoah in Irena Douskov\u00E1's Work"@en . "[9011FC845D1C]" . "RIV/60076658:12210/14:43888216!RIV15-MSM-12210___" . "15"^^ . . . . . "Biological and Other Ways of Surviving the Shoah in Irena Douskov\u00E1's Work"@en . "2195-1497" . "%22children of the Holocaust%22; %22second generation of the Shoah%22; Irena Douskov\u00E1; a literary picture of the Shoah"@en . . "ibidem" . "In Irena Douskov\u00E1's work, the motif of the Shoah varies to a large extent. Very often it can be traced just as a hint or in a form of an implicit motif (Bez Karkulky, N\u011Bkdo s no\u017Eem, Doktor Kott p\u0159em\u00EDt\u00E1). In the last Douskov\u00E1's prose work Darda, it appears in a repetitive way in a form of a dream about tsunami. Sometimes the motif of the Shoah emerges together with Goldstein / Freistein as the biological father (Goldstein p\u00ED\u0161e dce\u0159i, Hrd\u00FD Bud\u017Ees, On\u011Bgin je Rus\u00E1k, Darda). Significantly, Douskov\u00E1 does not concentrate on the description of extermination from the witnesses's point of view, but she stresses the state of mind of the so-called %22second generation%22 or %22children of the Holocaust%22. Thus, instead of a narration about the personal survival, the reader encounters with the above mentioned biological survival (Goldstein p\u00ED\u0161e dce\u0159i; \u010C\u00EDm se li\u0161\u00ED tato noc - short story \u0160t\u011Bst\u00ED). Moreover, the survival in the memory of the others is also present., e. g. the Czech neighbours of the old Jewish lady continue to make effort not to forget the inconvenient part of our - sometimes only local - history (\u010C\u00EDm se li\u0161\u00ED tato noc - short story Chulig\u00E1n). In addition, Douskov\u00E1 shows another survival of this kind, however, it goes beyond the previous one, i. e. a survival of the Shoah in the collective memory in a form of a legend (O b\u00EDl\u00FDch slonech). It is necessary to add that the inconspicuous way the author fabricates such types of surviving the Shoa only reflects in the reader's mind subliminally. This reflection is intensified by the readers incorrectly stereotyping Douskov\u00E1, similarly to above mentioned Pol\u00E1\u010Dek, as an author of humoristic texts."@en . . . .