"V popisu Hradce Kr\u00E1lov\u00E9 z 18. stolet\u00ED najdeme d\u016Fkladn\u00FD popis m\u011Bstsk\u00E9 ka\u0161ny, jej\u00ED\u017E vznik lze datovat do 70t\u00FDch let 15. stolet\u00ED. V\u00FDzdobn\u00E9 prvky ka\u0161ny spojuj\u00ED v sob\u011B jak m\u011Bstskou a panovnickou reprezentaci, tak i prvky interpretovateln\u00E9 konfesn\u011B. Jako konfesn\u00ED pam\u00E1tku ka\u0161nu tak\u00E9 vn\u00EDmal osv\u00EDcensk\u00FD historik, kdy\u017E zmi\u0148uje jej\u00ED poni\u010Den\u00ED po bitv\u011B na B\u00EDl\u00E9 Ho\u0159e. Bli\u017E\u0161\u00ED %22\u010Dten\u00ED%22 pam\u00E1tky v\u0161ak ukazuje na up\u0159ednostn\u011Bn\u00ED propagace politick\u00FDch vazeb a na snahu o alegorick\u00E9 vyj\u00E1d\u0159en\u00ED role panovn\u00EDka v kr\u00E1lovstv\u00ED. Konfesn\u00ED (utrakvistick\u00E1) vyhran\u011Bnost pam\u00E1tky tak z\u00E1vis\u00ED sp\u00ED\u0161e na \u00FAhlu pohledu div\u00E1ka - konfesn\u00ED v\u00FDznamy zde spolup\u016Fsobily v koherentn\u00EDm celku m\u011Bstsk\u00E9 reprezentace. Mo\u017Enost p\u0159\u00EDm\u00E9ho vyj\u00E1d\u0159en\u00ED konfesn\u00EDho postoje ale m\u011Bstsk\u00FD ve\u0159ejn\u00FD prostor poskytoval t\u00E9\u017E, jak lze soudit z protibratrsk\u00E9ho n\u00E1pisu na br\u00E1n\u011B t\u00E9ho\u017E m\u011Bsta. Hradeck\u00E9 utrakvistick\u00E9 pam\u00E1tky v m\u011Bstsk\u00E9m prostoru tak tvo\u0159\u00ED dob\u0159e dochovan\u00FD celek dokl\u00E1daj\u00EDc\u00ED neok\u00E1zalou p\u0159\u00EDtomnost konfesn\u00EDch v\u00FDznam\u016F v m\u011Bstsk\u00E9 reprezentaci." . "I" . "Artefactum, nakladatelstv\u00ED \u00DAstavu d\u011Bjin um\u011Bn\u00ED Akademie v\u011Bd \u010Cesk\u00E9 republiky, v. v. i." . "Neuveden" . "V popisu Hradce Kr\u00E1lov\u00E9 z 18. stolet\u00ED najdeme d\u016Fkladn\u00FD popis m\u011Bstsk\u00E9 ka\u0161ny, jej\u00ED\u017E vznik lze datovat do 70t\u00FDch let 15. stolet\u00ED. V\u00FDzdobn\u00E9 prvky ka\u0161ny spojuj\u00ED v sob\u011B jak m\u011Bstskou a panovnickou reprezentaci, tak i prvky interpretovateln\u00E9 konfesn\u011B. Jako konfesn\u00ED pam\u00E1tku ka\u0161nu tak\u00E9 vn\u00EDmal osv\u00EDcensk\u00FD historik, kdy\u017E zmi\u0148uje jej\u00ED poni\u010Den\u00ED po bitv\u011B na B\u00EDl\u00E9 Ho\u0159e. Bli\u017E\u0161\u00ED %22\u010Dten\u00ED%22 pam\u00E1tky v\u0161ak ukazuje na up\u0159ednostn\u011Bn\u00ED propagace politick\u00FDch vazeb a na snahu o alegorick\u00E9 vyj\u00E1d\u0159en\u00ED role panovn\u00EDka v kr\u00E1lovstv\u00ED. Konfesn\u00ED (utrakvistick\u00E1) vyhran\u011Bnost pam\u00E1tky tak z\u00E1vis\u00ED sp\u00ED\u0161e na \u00FAhlu pohledu div\u00E1ka - konfesn\u00ED v\u00FDznamy zde spolup\u016Fsobily v koherentn\u00EDm celku m\u011Bstsk\u00E9 reprezentace. Mo\u017Enost p\u0159\u00EDm\u00E9ho vyj\u00E1d\u0159en\u00ED konfesn\u00EDho postoje ale m\u011Bstsk\u00FD ve\u0159ejn\u00FD prostor poskytoval t\u00E9\u017E, jak lze soudit z protibratrsk\u00E9ho n\u00E1pisu na br\u00E1n\u011B t\u00E9ho\u017E m\u011Bsta. Hradeck\u00E9 utrakvistick\u00E9 pam\u00E1tky v m\u011Bstsk\u00E9m prostoru tak tvo\u0159\u00ED dob\u0159e dochovan\u00FD celek dokl\u00E1daj\u00EDc\u00ED neok\u00E1zalou p\u0159\u00EDtomnost konfesn\u00EDch v\u00FDznam\u016F v m\u011Bstsk\u00E9 reprezentaci."@cs . "In puncto religionis. Konfesn\u00ED dimenze p\u0159edb\u011Blohorsk\u00E9 kultury \u010Cech a Moravy" . "RIV/60076658:12210/13:43886486!RIV14-MSM-12210___" . . . . "1"^^ . . . . "[FE3AC7C21C70]" . . "Konfesionalita d\u00EDla"@cs . "12210" . "RIV/60076658:12210/13:43886486" . "Horn\u00ED\u010Dkov\u00E1, Kate\u0159ina" . . "1"^^ . . . . "The confessionality of works of art"@en . . . "Praha" . "13"^^ . "274"^^ . "Konfesionalita d\u00EDla" . "83261" . "978-80-86890-57-9" . . "The confessionality of works of art"@en . "Konfesionalita d\u00EDla" . "The opening essay discusses the key term and, at the same time, common theme of all studies contained in this book - the concept of the confessionality of works of art and their manifestation, as well as the options for their reading from the works themselves and their contexts. The essay discusses the issues associated with the interpretation of confessional works of art, be these the incomplete contexts and state of preservation of works or the mechanisms for confessional communication through images due to the specific nature of expression through images. The text describes the reasons for the fragmentary preservation of monuments, outlines the varying levels and mode of the confessional expression of works of art, the limits of our ability to detect such modes and the need for a complex, cross-disciplinary study of the culture of the Reformation in the Czech lands."@en . "images; representation; confessional communication"@en . . "Konfesionalita d\u00EDla"@cs .