"31" . . "M\u00E1 v\u016Fbec smysl hledat vztahy mezi r\u016Fzn\u00FDmi druhy um\u011Bn\u00ED? Roland Barthes se sv\u00E9 knize Sv\u011Btla komora vid\u00ED spojitost fotografie, jej\u00ED okam\u017Eik ustrnut\u00ED v tableaux vivant, s prap\u016Fvodn\u00EDm divadlem a Andreas Kotte tyto tendence rozv\u00EDj\u00ED. Je rozd\u00EDl mezi fotografiemi na\u0161ich bl\u00EDzk\u00FDch a t\u011Bmi, kter\u00FDm p\u0159isuzujeme specifickou um\u011Bleckou rovinu. Tableaeux vivants je pro budoucnost sou\u010Dasn\u011B zdrojem zp\u0159\u00EDtom\u0148ov\u00E1n\u00ED toho minul\u00E9ho. A tak se ukazuje, \u017Ee sp\u00ED\u0161e ne\u017E k divadlu maj\u00ED toti\u017E tableaux vivants v\u00EDce spole\u010Dn\u00E9ho s performan\u010Dn\u00EDm um\u011Bn\u00EDm a instalac\u00ED."@cs . . "From Photography to Performance and Installation"@en . "Od fotografie k\u00A0performanci a instalaci"@cs . . . "Gajdo\u0161, J\u00FAlius" . "RIV/49777513:23650/10:00504144!RIV11-GA0-23650___" . . "Od fotografie k\u00A0performanci a instalaci" . "photography; performance; installation"@en . "[CE2653B49158]" . . . . "Od fotografie k\u00A0performanci a instalaci"@cs . . "23650" . "M\u00E1 v\u016Fbec smysl hledat vztahy mezi r\u016Fzn\u00FDmi druhy um\u011Bn\u00ED? Roland Barthes se sv\u00E9 knize Sv\u011Btla komora vid\u00ED spojitost fotografie, jej\u00ED okam\u017Eik ustrnut\u00ED v tableaux vivant, s prap\u016Fvodn\u00EDm divadlem a Andreas Kotte tyto tendence rozv\u00EDj\u00ED. Je rozd\u00EDl mezi fotografiemi na\u0161ich bl\u00EDzk\u00FDch a t\u011Bmi, kter\u00FDm p\u0159isuzujeme specifickou um\u011Bleckou rovinu. Tableaeux vivants je pro budoucnost sou\u010Dasn\u011B zdrojem zp\u0159\u00EDtom\u0148ov\u00E1n\u00ED toho minul\u00E9ho. A tak se ukazuje, \u017Ee sp\u00ED\u0161e ne\u017E k divadlu maj\u00ED toti\u017E tableaux vivants v\u00EDce spole\u010Dn\u00E9ho s performan\u010Dn\u00EDm um\u011Bn\u00EDm a instalac\u00ED." . "1213-8665" . . "12"^^ . . . "Does it make sense to look for relationships between different types of art? In his book Light house Roland Barthes sees a linkage between photography (its stagnation point in the tableaux vivant) and primal theater. Andreas Kotte then develops these trends. There is a difference between photos of our loved ones and those which we ascribe a specific artistic level to. For future, tableaeux vivants is also a source of making the past come to life. So it appears that tableaux vivants has more in common with performance art and installations rather than with theater."@en . "Od fotografie k\u00A0performanci a instalaci" . . "From Photography to Performance and Installation"@en . . "276288" . . "DISK" . "RIV/49777513:23650/10:00504144" . "CZ - \u010Cesk\u00E1 republika" . "1"^^ . "Neuveden" . "P(GA408/08/0082)" . "1"^^ .