. "Is it rain or is it a hurricane." . "1"^^ . . "RIV/44555601:13530/09:00005081" . "Bosensk\u00E1 um\u011Blkyn\u011B \u0160ejla Kameri\u0107 (narozena 1976 v Sarajevu) si je dob\u0159e v\u011Bdoma potenci\u00E1lu um\u011Bleck\u00E9ho d\u00EDla vyjad\u0159ovat protikladn\u00E9 spole\u010Densk\u00E9 pochody a bez prvopl\u00E1nov\u00E9 projekce ho soustavn\u011B ve sv\u00FDch projektech vyu\u017E\u00EDv\u00E1. \u010Cerp\u00E1 p\u0159itom z vlastn\u00EDch zku\u0161enost\u00ED, kter\u00E9 v\u00FDrazn\u011B ovlivnily p\u0159\u00EDm\u00FD pro\u017Eitek boj\u016F v Bosn\u011B a Hercegovin\u011B (1992-1995), n\u00E1sledn\u00FD komplikovan\u00FD proces postupn\u00E9ho (dodnes neukon\u010Den\u00E9ho) p\u0159ekon\u00E1v\u00E1n\u00ED v\u00E1le\u010Dn\u00E9ho traumatu i budov\u00E1n\u00ED nov\u00E9 pov\u00E1le\u010Dn\u00E9 post-jugosl\u00E1vsk\u00E9 soci\u00E1ln\u00ED identity. V \u0161irok\u00E9m spektru protikladn\u00FDch civiliza\u010Dn\u00EDch a kulturn\u00EDch mechanism\u016F se \u0160ejla Kameri\u0107 t\u00E9m\u011B\u0159 umanut\u011B zam\u011B\u0159uje na detaily signifikantn\u00EDch obraz\u016F. Jejich am\u00E9boidn\u00ED rysy reprezentuj\u00ED ud\u00E1losti, kter\u00E9 zanikaj\u00ED ve st\u00E1le s\u00EDl\u00EDc\u00EDm proudu informa\u010Dn\u00EDch \u0161um\u016F, ale p\u0159esto mohou fungovat jako spou\u0161t\u011B\u010De a z\u00E1rove\u0148 indik\u00E1tory soci\u00E1ln\u00EDch defekt\u016F. Autorka opakovan\u011B vyu\u017E\u00EDv\u00E1 schopnost transformovat vyhrocen\u00E9 momenty ka\u017Edodenn\u00ED reality do p\u016Fsobiv\u00FDch a esteticky p\u0159ita\u017Eliv\u00FDch znamen\u00ED. Silov\u00E1 pole t\u011Bchto vizu\u00E1ln\u00EDch symbol\u016F vypl\u0148uj\u00ED mezery ve vzpom\u00ED"@cs . . "Is it rain or is it a hurricane."@cs . "1"^^ . "Kole\u010Dek, Michal" . . . "Is it rain or is it a hurricane."@en . . . "Visual art; transformation of society; post-Yugoslavian social identity; war trauma; fights in Bosnia and Herzegovina; photography; videoart."@en . "Is it rain or is it a hurricane."@cs . "80"^^ . . . . "978-80-7414-137-9" . . "\u00DAst\u00ED nad Labem" . "9"^^ . "320451" . "Bosensk\u00E1 um\u011Blkyn\u011B \u0160ejla Kameri\u0107 (narozena 1976 v Sarajevu) si je dob\u0159e v\u011Bdoma potenci\u00E1lu um\u011Bleck\u00E9ho d\u00EDla vyjad\u0159ovat protikladn\u00E9 spole\u010Densk\u00E9 pochody a bez prvopl\u00E1nov\u00E9 projekce ho soustavn\u011B ve sv\u00FDch projektech vyu\u017E\u00EDv\u00E1. \u010Cerp\u00E1 p\u0159itom z vlastn\u00EDch zku\u0161enost\u00ED, kter\u00E9 v\u00FDrazn\u011B ovlivnily p\u0159\u00EDm\u00FD pro\u017Eitek boj\u016F v Bosn\u011B a Hercegovin\u011B (1992-1995), n\u00E1sledn\u00FD komplikovan\u00FD proces postupn\u00E9ho (dodnes neukon\u010Den\u00E9ho) p\u0159ekon\u00E1v\u00E1n\u00ED v\u00E1le\u010Dn\u00E9ho traumatu i budov\u00E1n\u00ED nov\u00E9 pov\u00E1le\u010Dn\u00E9 post-jugosl\u00E1vsk\u00E9 soci\u00E1ln\u00ED identity. V \u0161irok\u00E9m spektru protikladn\u00FDch civiliza\u010Dn\u00EDch a kulturn\u00EDch mechanism\u016F se \u0160ejla Kameri\u0107 t\u00E9m\u011B\u0159 umanut\u011B zam\u011B\u0159uje na detaily signifikantn\u00EDch obraz\u016F. Jejich am\u00E9boidn\u00ED rysy reprezentuj\u00ED ud\u00E1losti, kter\u00E9 zanikaj\u00ED ve st\u00E1le s\u00EDl\u00EDc\u00EDm proudu informa\u010Dn\u00EDch \u0161um\u016F, ale p\u0159esto mohou fungovat jako spou\u0161t\u011B\u010De a z\u00E1rove\u0148 indik\u00E1tory soci\u00E1ln\u00EDch defekt\u016F. Autorka opakovan\u011B vyu\u017E\u00EDv\u00E1 schopnost transformovat vyhrocen\u00E9 momenty ka\u017Edodenn\u00ED reality do p\u016Fsobiv\u00FDch a esteticky p\u0159ita\u017Eliv\u00FDch znamen\u00ED. Silov\u00E1 pole t\u011Bchto vizu\u00E1ln\u00EDch symbol\u016F vypl\u0148uj\u00ED mezery ve vzpom\u00ED" . . "The Bosnian artist \u0160ejla Kameri\u0107 (born 1976 in Sarajevo) knows very well about the potential of a work of art to express contrary social processes, and in her projects, she uses it systematically without a primordial projection. In her work, she draws on her own experience, which was crucially influenced by being a direct wittness of fights in Bosnia and Herzegovina (1992-1995), followed by a complicated process of gradual (to this day unfinished) overcoming the war trauma and building a new postwar, post-Yugoslavian social identity. Within the wide range of contradictory civilization and cultural mechanisms, \u0160ejla Kameri\u0107 almost obstinately focuses on details of significant pictures. Thein amoeboid features represent events dissolving in ever growing stream of information noise, but nevertheless, they can work as triggers and at the same time indicators of social defects. The author repeatedly utilizes her ability to transform acute moments of everyday reality into impressive and aesthetically attra"@en . "Projekty" . "Is it rain or is it a hurricane." . "Is it rain or is it a hurricane I don\u00B4t know." . . "Fakulta um\u011Bn\u00ED a designu UJEP" . . . "R" . "Is it rain or is it a hurricane."@en . "RIV/44555601:13530/09:00005081!RIV10-MSM-13530___" . "[C2A390086248]" . . . "13530" . .