. . "David Fincher: approaches to film art and literature patterns"@en . . "David Fincher: p\u0159\u00EDstupy k filmov\u00E9mu um\u011Bn\u00ED a liter\u00E1rn\u00EDm vzor\u016Fm"@cs . . "David Fincher: p\u0159\u00EDstupy k filmov\u00E9mu um\u011Bn\u00ED a liter\u00E1rn\u00EDm vzor\u016Fm" . "Koke\u0161, Radom\u00EDr" . . "I" . "1"^^ . "[00D66CA913E3]" . "David Fincher: p\u0159\u00EDstupy k filmov\u00E9mu um\u011Bn\u00ED a liter\u00E1rn\u00EDm vzor\u016Fm"@cs . "David Fincher: p\u0159\u00EDstupy k filmov\u00E9mu um\u011Bn\u00ED a liter\u00E1rn\u00EDm vzor\u016Fm" . "RIV/00216224:14210/14:00077076!RIV15-MSM-14210___" . . "V\u00FDchodiskem p\u0159edn\u00E1\u0161ky bylo, \u017Ee kari\u00E9ru filmov\u00E9ho re\u017Eis\u00E9ra Davida Finchera lze rozd\u011Blit na dv\u011B stylov\u011B zna\u010Dn\u011B odli\u0161n\u00E1 obdob\u00ED: extrovertn\u00ED filmy (1992-2002) a introvertn\u00ED filmy (2007-2014). Prvn\u00ED p\u011Btice film\u016F se nesla v duchu filma\u0159sk\u00E9 sebest\u0159ednosti v kontrastu k re\u00E1ln\u00E9mu sv\u011Btu, p\u0159i\u010Dem\u017E kinematografick\u00E1 revolta se nesla p\u0159edev\u0161\u00EDm v umn\u00E9m napodobov\u00E1n\u00ED ozkou\u0161en\u00FDch postup\u016F post/modern\u00EDho um\u011Bn\u00ED. Druh\u00E9 obdob\u00ED jakoby rezignovalo na stylistickou a vyprav\u011B\u010Dskou pr\u016Fraznost toho prvn\u00EDho. Le\u010D podobn\u00FD dojem je \u010Dist\u011B zd\u00E1nliv\u00FD, neb Fincher pomoc\u00ED je\u0161t\u011B mnohem promy\u0161len\u011Bj\u0161\u00EDch stylistick\u00FDch a vyprav\u011B\u010Dsk\u00FDch postup\u016F nab\u00EDz\u00ED z\u00E1rove\u0148 ozvl\u00E1\u0161t\u0148uj\u00EDc\u00ED n\u00E1hled na autentizuj\u00EDc\u00ED funkce um\u011Bn\u00ED."@cs . . "V\u00FDchodiskem p\u0159edn\u00E1\u0161ky bylo, \u017Ee kari\u00E9ru filmov\u00E9ho re\u017Eis\u00E9ra Davida Finchera lze rozd\u011Blit na dv\u011B stylov\u011B zna\u010Dn\u011B odli\u0161n\u00E1 obdob\u00ED: extrovertn\u00ED filmy (1992-2002) a introvertn\u00ED filmy (2007-2014). Prvn\u00ED p\u011Btice film\u016F se nesla v duchu filma\u0159sk\u00E9 sebest\u0159ednosti v kontrastu k re\u00E1ln\u00E9mu sv\u011Btu, p\u0159i\u010Dem\u017E kinematografick\u00E1 revolta se nesla p\u0159edev\u0161\u00EDm v umn\u00E9m napodobov\u00E1n\u00ED ozkou\u0161en\u00FDch postup\u016F post/modern\u00EDho um\u011Bn\u00ED. Druh\u00E9 obdob\u00ED jakoby rezignovalo na stylistickou a vyprav\u011B\u010Dskou pr\u016Fraznost toho prvn\u00EDho. Le\u010D podobn\u00FD dojem je \u010Dist\u011B zd\u00E1nliv\u00FD, neb Fincher pomoc\u00ED je\u0161t\u011B mnohem promy\u0161len\u011Bj\u0161\u00EDch stylistick\u00FDch a vyprav\u011B\u010Dsk\u00FDch postup\u016F nab\u00EDz\u00ED z\u00E1rove\u0148 ozvl\u00E1\u0161t\u0148uj\u00EDc\u00ED n\u00E1hled na autentizuj\u00EDc\u00ED funkce um\u011Bn\u00ED." . . . "RIV/00216224:14210/14:00077076" . . . . . "David Fincher: approaches to film art and literature patterns"@en . "9854" . "14210" . "poetics of film director; film analysis; adaptation; formal structure; narrative; David Fincher"@en . "http://www.fokusfest.cz/program" . . . . . "1"^^ . "I divided career of film director David Fincher into two stylistically quite different periods: extrovert films (1992-2002) and introvert films (2007-2014). Specific for first period were film extravagancy in contrast to the actual world, when cinematic revolt come out from artistic imitation of post/modern art techniques. Second period was apparently less narratively and stylistically progressive, but it is surprisingly much more innovative and artistically complex than the first one... Fincher (by contraries to the period before) bases his films mainly on novel adaptations when non-traditional narrative patterns of literature inspirations represent impulses for Fincher's maybe less obvious but aesthetically more enterprising game with (a) possibilities of cinema as artistic form, (b) ways of the defamiliarizing of past and present of the actual world. In my lecture I tested these hypotheses on formal analysis of each Fincher's film."@en .