"A Post-Communist Production World: Barrandov Film Studios between the Cold War and Narnia"@en . . . . . "1"^^ . "RIV/00216224:14210/10:00050604!RIV12-GA0-14210___" . . "film studios; production cultures; creative labor; runaway production; Communism; cold war"@en . "14210" . "A Post-Communist Production World: Barrandov Film Studios between the Cold War and Narnia" . . "P(GAP409/10/1361)" . "[5B7D602B8C8F]" . . . . . . "1"^^ . . "RIV/00216224:14210/10:00050604" . "The key question I raise in my paper is how historicity of local production culture is manifested in industrial reflexivity and career trajectories, both affected by the focus on foreign services. Under the socialist state monopoly, Barrandov had been involved in dozens co-productions and serviced both Socialist and Western producers. Services to Western producers were (unlike co-productions) judged solely in economic, not ideological terms, because they were clearly too profitable, bringing desperately needed hard currency. After the fall of the regime and privatization of the Studios, the business was at first dominated by former executives of the Barrandov s foreign department. The local infrastructure had been underdeveloped, and most of foreign producers brought their key crews with them."@en . "A Post-Communist Production World: Barrandov Film Studios between the Cold War and Narnia"@en . "The key question I raise in my paper is how historicity of local production culture is manifested in industrial reflexivity and career trajectories, both affected by the focus on foreign services. Under the socialist state monopoly, Barrandov had been involved in dozens co-productions and serviced both Socialist and Western producers. Services to Western producers were (unlike co-productions) judged solely in economic, not ideological terms, because they were clearly too profitable, bringing desperately needed hard currency. After the fall of the regime and privatization of the Studios, the business was at first dominated by former executives of the Barrandov s foreign department. The local infrastructure had been underdeveloped, and most of foreign producers brought their key crews with them." . "244866" . . "A Post-Communist Production World: Barrandov Film Studios between the Cold War and Narnia" . . . "Szczepanik, Petr" . . . .