"12"^^ . "379756" . "[0D75A2A3311E]" . "Modalization, Serialization and Intervalization"@en . . "The paper focuses on modal, serial and interval musical composition with references to Alois Pi\u0148os' generalizing theoretical work. Modality (e.g., a lot of classical European music) stems from selections of tones (rarely: intervals-pitches); the series of tones (especially melodies) are secondary. Serialism stems from selections of series (e.g. common serialism); the tone background is secondary. In one musical composition, a piece of musical segment might be exploited both ways, with different amount of demonstrativeness."@cs . . "14210" . . "S" . . "Raclavsk\u00FD, Ji\u0159\u00ED" . . "Modalization, Serialization and Intervalization" . "2" . . "Acta Musicologica" . . . "Modalization, Serialization and Intervalization"@cs . . "Modalization, Serialization and Intervalization" . . "modal scales; serial music; musical theory; musicology"@en . . . . "The paper focuses on modal, serial and interval musical composition with references to Alois Pi\u0148os' generalizing theoretical work. Modality (e.g., a lot of classical European music) stems from selections of tones (rarely: intervals-pitches); the series of tones (especially melodies) are secondary. Serialism stems from selections of series (e.g. common serialism); the tone background is secondary. In one musical composition, a piece of musical segment might be exploited both ways, with different amount of demonstrativeness."@en . "CZ - \u010Cesk\u00E1 republika" . "1"^^ . . "Modalization, Serialization and Intervalization"@en . "1214-5955" . "RIV/00216224:14210/08:00038452" . "Modalization, Serialization and Intervalization"@cs . "5" . "The paper focuses on modal, serial and interval musical composition with references to Alois Pi\u0148os' generalizing theoretical work. Modality (e.g., a lot of classical European music) stems from selections of tones (rarely: intervals-pitches); the series of tones (especially melodies) are secondary. Serialism stems from selections of series (e.g. common serialism); the tone background is secondary. In one musical composition, a piece of musical segment might be exploited both ways, with different amount of demonstrativeness." . "RIV/00216224:14210/08:00038452!RIV11-MSM-14210___" . "1"^^ . .