"Heidegger's questioning of the being of artwork"@en . "11240" . . . "Filosofick\u00E9 reflexe um\u011Bleck\u00E9ho d\u00EDla" . . "S" . . "498"^^ . "Tato kapitola pod\u00E1v\u00E1 v\u00FDklad slavn\u00E9 Heideggerovy p\u0159edn\u00E1\u0161ky %22O p\u016Fvodu um\u011Bleck\u00E9ho d\u00EDla%22, kter\u00E1 za\u010D\u00EDn\u00E1 ot\u00E1zkou, \u010D\u00EDm se um\u011Bleck\u00E9 d\u00EDlo li\u0161\u00ED od ostatn\u00EDch artefakt\u016F. Na z\u00E1klad\u011B tohoto vod\u00EDtka se postupn\u011B objas\u0148uje zvl\u00E1\u0161tn\u00ED ontologick\u00FD status um\u011Bleck\u00E9ho d\u00EDla. Um\u011Bn\u00ED nech\u00E1pe Heidegger jako jeden typ lidsk\u00E9ho z\u00E1jmu, n\u00FDbr\u017E jako p\u016Fvodn\u00ED zp\u016Fsob, j\u00EDm\u017E se \u010Dlov\u011Bku v\u016Fbec otev\u00EDr\u00E1 sv\u011Bt. Kapitola je tak i p\u0159\u00EDsp\u011Bvkem k objasn\u011Bn\u00ED Heideggerova pojet\u00ED pravdy ve smyslu \u0159eck\u00E9ho ALETHEIA - tj. pravdy jako otev\u0159enosti, neskrytosti \u010Di z\u0159ejmosti."@cs . "Heideggerovo t\u00E1z\u00E1n\u00ED po bytnosti um\u011Bleck\u00E9ho d\u00EDla" . . . . . . "truth; artwork; art; Heidegger"@en . "1"^^ . "RIV/00216208:11240/10:10070639" . "1"^^ . . "[7BE3355D2940]" . . "Heideggerovo t\u00E1z\u00E1n\u00ED po bytnosti um\u011Bleck\u00E9ho d\u00EDla" . . "TOGGA" . "Heideggerovo t\u00E1z\u00E1n\u00ED po bytnosti um\u011Bleck\u00E9ho d\u00EDla"@cs . "22"^^ . . "Scholia" . "Heideggerovo t\u00E1z\u00E1n\u00ED po bytnosti um\u011Bleck\u00E9ho d\u00EDla"@cs . "978-80-87258-42-2" . . "261339" . "RIV/00216208:11240/10:10070639!RIV11-MSM-11240___" . . "P\u011Btov\u00E1, Marie" . "This chapter gives an interpretation of Heidegger's famous lecture %22The Origin of the artwork%22, which begins with a question, what is a difference between an art work and other artefacts. Based on this guidance, special ontological status of art is gradually clarified. Heidegger does not understand art as a type of human interest, but as the original way of opening of the world. The chapter is thus also a contribution to the clarification of Heidegger's concept of truth in the meaning of the Greek Aletheia - i.e. the truth as the openness and obviousness."@en . "Praha" . "Heidegger's questioning of the being of artwork"@en . "Tato kapitola pod\u00E1v\u00E1 v\u00FDklad slavn\u00E9 Heideggerovy p\u0159edn\u00E1\u0161ky %22O p\u016Fvodu um\u011Bleck\u00E9ho d\u00EDla%22, kter\u00E1 za\u010D\u00EDn\u00E1 ot\u00E1zkou, \u010D\u00EDm se um\u011Bleck\u00E9 d\u00EDlo li\u0161\u00ED od ostatn\u00EDch artefakt\u016F. Na z\u00E1klad\u011B tohoto vod\u00EDtka se postupn\u011B objas\u0148uje zvl\u00E1\u0161tn\u00ED ontologick\u00FD status um\u011Bleck\u00E9ho d\u00EDla. Um\u011Bn\u00ED nech\u00E1pe Heidegger jako jeden typ lidsk\u00E9ho z\u00E1jmu, n\u00FDbr\u017E jako p\u016Fvodn\u00ED zp\u016Fsob, j\u00EDm\u017E se \u010Dlov\u011Bku v\u016Fbec otev\u00EDr\u00E1 sv\u011Bt. Kapitola je tak i p\u0159\u00EDsp\u011Bvkem k objasn\u011Bn\u00ED Heideggerova pojet\u00ED pravdy ve smyslu \u0159eck\u00E9ho ALETHEIA - tj. pravdy jako otev\u0159enosti, neskrytosti \u010Di z\u0159ejmosti." .