. . "RIV/00216208:11210/12:10130005" . "11210" . "Wall painting in the former Franciscan Observants Church in Jemnice (Moravia) and its Silesian context"@en . "http://www.npu-telc.eu/publikace/sborniky/" . "Late gothic, Wroclaw; Rosary Picture; Wall painting; Jemnice; Franciscan observants"@en . "Nov\u011B nalezen\u00E1 malba v b\u00FDval\u00E9m kostele franti\u0161k\u00E1n\u016F observant\u016F v Jemnici a jej\u00ED slezsk\u00E9 v\u00FDchodisko"@cs . . . . "Nov\u011B nalezen\u00E1 malba v b\u00FDval\u00E9m kostele franti\u0161k\u00E1n\u016F observant\u016F v Jemnici a jej\u00ED slezsk\u00E9 v\u00FDchodisko" . . . "Nov\u011B nalezen\u00E1 n\u00E1st\u011Bnn\u00E1 malba v jemnick\u00E9m kostele sv. V\u00EDta p\u0159edstavuje monument\u00E1ln\u00ED r\u016F\u017Eencov\u00FD obraz v \u0161irok\u00E9m v\u00FDznamu tohoto slova, ikonograficky spjat\u00FD s texty a formami devoce propagovan\u00FDmi franti\u0161k\u00E1ny observanty. Komplikovanou kompozi\u010Dn\u00ED strukturu a ikonografick\u00FD program malby je mo\u017En\u00E9 osv\u011Btlit na z\u00E1klad\u011B nalezen\u00E9 p\u0159edlohy, kter\u00E1 d\u00E1v\u00E1 p\u0159esnou p\u0159edstavu o fragment\u00E1rn\u011B dochovan\u00E9m d\u00EDle. P\u0159\u00EDm\u00FDm vzorem pro jemnickou malbu byl deskov\u00FD obraz %22Corona Beatissime Virginis Marie%22 z konventu franti\u0161k\u00E1n\u016F observant\u016F ve Vratislavi. Na obou malb\u00E1ch je zachycena sc\u00E9na s Pannou Mari\u00ED, nad n\u00ED\u017E and\u011Bl\u00E9 nesou monument\u00E1ln\u00ED korunu. Koruna je poseta medailony s figur\u00E1ln\u00EDmi v\u00FDjevy ze \u017Eivota Krista a svat\u00FDch, kter\u00E9 sv\u00FDm ikonografick\u00FDm programem odkazuj\u00ED k r\u016F\u017Eencov\u00E9 pobo\u017Enosti. Rozm\u011Brn\u00E1 n\u00E1st\u011Bnn\u00E1 malba vznikla kolem roku 1500 v p\u0159\u00EDm\u00E9 z\u00E1vislosti na malb\u011B z Vratislavi. P\u0159edstavuje vyvrcholen\u00ED pozdn\u011B gotick\u00E9 p\u0159estavby jemnick\u00E9ho kl\u00E1\u0161tern\u00EDho kostela. Obraz je ve v\u0161ech ohledech v\u00FDjime\u010Dnou pam\u00E1tkou n\u00E1st\u011Bnn\u00E9ho mal\u00ED\u0159stv\u00ED. Je tak\u00E9 ojedin\u011Bl\u00FDm dokladem um\u011Bleck\u00E9ho transferu mezi konventy v r\u00E1mci jednotn\u00E9ho \u0159\u00E1dov\u00E9ho vikari\u00E1tu." . . "K\u0159enkov\u00E1, Zuzana" . "Wall painting in the former Franciscan Observants Church in Jemnice (Moravia) and its Silesian context"@en . . . "A mural painting found recently in the St. Vitus church in Jemnice (South Moravia, Czech Re-public) is a monumental rosary picture (in a broad sense of this word), iconographically connec-ted with texts and forms of the devotion as disseminated by mendicant friars of the Franciscan Observants. The sophisticated structure of the composition and the iconographic object of the mural picture can be explained in accordance with a predecessor model, which offers an exact idea about extant remains of this work of mural arts. The direct model for the mural painting of Jemnice was the board picture %22Corona Beatissime Virginis Marie%22 in the convent of Franciscan Observants in Wroclaw (Poland). Both pictures show a scene with Virgin Mary in the midst of angels carrying a monumental crown. The crown is spangled with medallions with figures of the vita of Jesus Christ and Saints, which , by their iconography, refer to rosary devotion. The extensiv mural was painted around A.D. 1500 in direct dependance on the Wroclaw picture. It is the top rung of the late gothic rebuilding of the monastery church in Jemnice. Generally considerated, it is an exceptional monument of the mural painting arts in the countries of the Czech Crown. Also, it is a unique example of the transfer of arts between monasteries of an order vicariate."@en . "Nov\u011B nalezen\u00E1 malba v b\u00FDval\u00E9m kostele franti\u0161k\u00E1n\u016F observant\u016F v Jemnici a jej\u00ED slezsk\u00E9 v\u00FDchodisko"@cs . . "Nov\u011B nalezen\u00E1 malba v b\u00FDval\u00E9m kostele franti\u0161k\u00E1n\u016F observant\u016F v Jemnici a jej\u00ED slezsk\u00E9 v\u00FDchodisko" . "1"^^ . . "Nov\u011B nalezen\u00E1 n\u00E1st\u011Bnn\u00E1 malba v jemnick\u00E9m kostele sv. V\u00EDta p\u0159edstavuje monument\u00E1ln\u00ED r\u016F\u017Eencov\u00FD obraz v \u0161irok\u00E9m v\u00FDznamu tohoto slova, ikonograficky spjat\u00FD s texty a formami devoce propagovan\u00FDmi franti\u0161k\u00E1ny observanty. Komplikovanou kompozi\u010Dn\u00ED strukturu a ikonografick\u00FD program malby je mo\u017En\u00E9 osv\u011Btlit na z\u00E1klad\u011B nalezen\u00E9 p\u0159edlohy, kter\u00E1 d\u00E1v\u00E1 p\u0159esnou p\u0159edstavu o fragment\u00E1rn\u011B dochovan\u00E9m d\u00EDle. P\u0159\u00EDm\u00FDm vzorem pro jemnickou malbu byl deskov\u00FD obraz %22Corona Beatissime Virginis Marie%22 z konventu franti\u0161k\u00E1n\u016F observant\u016F ve Vratislavi. Na obou malb\u00E1ch je zachycena sc\u00E9na s Pannou Mari\u00ED, nad n\u00ED\u017E and\u011Bl\u00E9 nesou monument\u00E1ln\u00ED korunu. Koruna je poseta medailony s figur\u00E1ln\u00EDmi v\u00FDjevy ze \u017Eivota Krista a svat\u00FDch, kter\u00E9 sv\u00FDm ikonografick\u00FDm programem odkazuj\u00ED k r\u016F\u017Eencov\u00E9 pobo\u017Enosti. Rozm\u011Brn\u00E1 n\u00E1st\u011Bnn\u00E1 malba vznikla kolem roku 1500 v p\u0159\u00EDm\u00E9 z\u00E1vislosti na malb\u011B z Vratislavi. P\u0159edstavuje vyvrcholen\u00ED pozdn\u011B gotick\u00E9 p\u0159estavby jemnick\u00E9ho kl\u00E1\u0161tern\u00EDho kostela. Obraz je ve v\u0161ech ohledech v\u00FDjime\u010Dnou pam\u00E1tkou n\u00E1st\u011Bnn\u00E9ho mal\u00ED\u0159stv\u00ED. Je tak\u00E9 ojedin\u011Bl\u00FDm dokladem um\u011Bleck\u00E9ho transferu mezi konventy v r\u00E1mci jednotn\u00E9ho \u0159\u00E1dov\u00E9ho vikari\u00E1tu."@cs . "[ED9F9BDB29B6]" . "S" . . "RIV/00216208:11210/12:10130005!RIV14-MSM-11210___" . . . . . . "154681" . "1"^^ .