. . . "[E62F8A79BA7E]" . . "RIV/00216208:11210/10:10077202" . "Od navon\u011Bn\u00FDch kn\u00EDr\u016F k ornament\u016Fm \u0159e\u010Di: vizualita psan\u00ED %22V chr\u00E1mu%22 Kafkova Procesu" . . . "10"^^ . "P\u0159\u00EDsp\u011Bvek nahl\u00ED\u017E\u00ED kapitolu %22V chr\u00E1mu%22 rom\u00E1nu Proces Franze Kafky skrze ur\u010Dit\u00FD vizu\u00E1ln\u00ED modus, kter\u00FD v tomto textu Kafkovo psan\u00ED tvaruje. T\u00EDmto modem je architektura gotick\u00E9 katedr\u00E1ly, jak jej\u00ED principy zformuloval prizmatem %22gotick\u00E9 v\u016Fle k form\u011B%22 historik um\u011Bn\u00ED Wilhelm Worringer a jak je zt\u011Bles\u0148uje figura ornamentu. Prostor chr\u00E1mu (interpretov\u00E1n coby %22vyn\u00E1lez psan\u00ED%22, nikoli jako re\u00E1ln\u00E1 stavba) vytv\u00E1\u0159en\u00FD gotick\u00FDmi liniemi, kter\u00E9 rezignuj\u00ED na ve\u0161kerou reprezentaci, n\u00E1s vede k pohledu na liter\u00E1rn\u00ED \u0159e\u010D nikoli z hlediska obsahu jej\u00EDho sd\u011Blen\u00ED, n\u00FDbr\u017E z perspektivy jej\u00EDho pohybu a jej\u00ED fyziognomie. Toto inscenovan\u00E9 setk\u00E1n\u00ED liter\u00E1rn\u00ED \u0159e\u010Di a gotick\u00E9ho prostoru coby dvou fenom\u00E9n\u016F, je\u017E se navz\u00E1jem spoluvytv\u00E1\u0159ej\u00ED, p\u0159edstavuje ur\u010Dit\u00FD experiment, mo\u017Enost vyhnout se klasick\u00E9 interpretaci v intenc\u00EDch dan\u00E9ho kontextu \u010Di autorova d\u00EDla a zam\u011B\u0159it se naopak na anonymn\u00ED %22pohyb psan\u00ED%22, je\u017E dan\u00FDm textem proch\u00E1z\u00ED, o zachycen\u00ED jeho vizuality a rezonanci s prostorem." . . "P\u0159\u00EDsp\u011Bvek nahl\u00ED\u017E\u00ED kapitolu %22V chr\u00E1mu%22 rom\u00E1nu Proces Franze Kafky skrze ur\u010Dit\u00FD vizu\u00E1ln\u00ED modus, kter\u00FD v tomto textu Kafkovo psan\u00ED tvaruje. T\u00EDmto modem je architektura gotick\u00E9 katedr\u00E1ly, jak jej\u00ED principy zformuloval prizmatem %22gotick\u00E9 v\u016Fle k form\u011B%22 historik um\u011Bn\u00ED Wilhelm Worringer a jak je zt\u011Bles\u0148uje figura ornamentu. Prostor chr\u00E1mu (interpretov\u00E1n coby %22vyn\u00E1lez psan\u00ED%22, nikoli jako re\u00E1ln\u00E1 stavba) vytv\u00E1\u0159en\u00FD gotick\u00FDmi liniemi, kter\u00E9 rezignuj\u00ED na ve\u0161kerou reprezentaci, n\u00E1s vede k pohledu na liter\u00E1rn\u00ED \u0159e\u010D nikoli z hlediska obsahu jej\u00EDho sd\u011Blen\u00ED, n\u00FDbr\u017E z perspektivy jej\u00EDho pohybu a jej\u00ED fyziognomie. Toto inscenovan\u00E9 setk\u00E1n\u00ED liter\u00E1rn\u00ED \u0159e\u010Di a gotick\u00E9ho prostoru coby dvou fenom\u00E9n\u016F, je\u017E se navz\u00E1jem spoluvytv\u00E1\u0159ej\u00ED, p\u0159edstavuje ur\u010Dit\u00FD experiment, mo\u017Enost vyhnout se klasick\u00E9 interpretaci v intenc\u00EDch dan\u00E9ho kontextu \u010Di autorova d\u00EDla a zam\u011B\u0159it se naopak na anonymn\u00ED %22pohyb psan\u00ED%22, je\u017E dan\u00FDm textem proch\u00E1z\u00ED, o zachycen\u00ED jeho vizuality a rezonanci s prostorem."@cs . "From the perfumed moustache to ornaments of speech: the visuality of writing %22In the Cathedral%22 from Franz Kafka's Trial"@en . . "11210" . "Od navon\u011Bn\u00FDch kn\u00EDr\u016F k ornament\u016Fm \u0159e\u010Di: vizualita psan\u00ED %22V chr\u00E1mu%22 Kafkova Procesu"@cs . . . . . "Od navon\u011Bn\u00FDch kn\u00EDr\u016F k ornament\u016Fm \u0159e\u010Di: vizualita psan\u00ED %22V chr\u00E1mu%22 Kafkova Procesu" . "\u010Cesk\u00E1 literatura v intermedi\u00E1ln\u00ED perspektiv\u011B. IV. kongres sv\u011Btov\u00E9 liter\u00E1rn\u011Bv\u011Bdn\u00E9 bohemistiky: Jin\u00E1 \u010Desk\u00E1 literatura (?)" . . "RIV/00216208:11210/10:10077202!RIV11-GA0-11210___" . . "Neuveden" . . . "Ornament; Gothic cathedral; Movement of writing; Wilhelm Worringer; Franz Kafka"@en . . "2010-06-28+02:00"^^ . "My paper deals with a chapter from Franz Kafka's novel through a visual mode which shapes the writing of the text. This mode is represented by the architecture of the gothic cathedral, the principles of which were formulated by art historian Wilhelm Worringer in relation to his notion of %22the gothic will to form%22, and which are embodied in the figure of ornament. The space of the cathedral (intepreted as an %22invention of writing%22, not as a real construction), created by gothic lines resigning from representation, inspires an approach to literary speech not from the point of view of its message, but from the perspective of its motion and physiognomy. This staged encounter of literary speech and gothic space allows for experimentation and the possibility to avoid a classical interpretation focusing on the historical context or the author's work, and to concentrate on the anonymous %22movement of writing%22, which runs through the text, on the understanding of its visuality and its resonance with space."@en . "P(GD405/09/H003)" . "From the perfumed moustache to ornaments of speech: the visuality of writing %22In the Cathedral%22 from Franz Kafka's Trial"@en . . "Od navon\u011Bn\u00FDch kn\u00EDr\u016F k ornament\u016Fm \u0159e\u010Di: vizualita psan\u00ED %22V chr\u00E1mu%22 Kafkova Procesu"@cs . "978-80-85778-73-1" . "Praha" . "1"^^ . "Praha" . "2"^^ . "276309" . "Jirsa, Tom\u00E1\u0161" .