. . "theory of photography; philosophy of art; philosophy of language; Walter; Benjamin"@en . . "23"^^ . "Scholia" . "498"^^ . "Filosofick\u00E9 reflexe um\u011Bn\u00ED" . "Thein, Karel" . . "Kapitola p\u0159edkl\u00E1d\u00E1 interpetaci Benjaminova pojet\u00ED jednotliv\u00E9ho um\u011Bleck\u00E9ho d\u00EDla jako m\u00EDsta nejzaz\u0161\u00ED a p\u0159ece st\u00E1le jednotliv\u00E9 pravdy, jednak z Benjaminov\u00FDch pozn\u00E1mek na t\u00E9ma \u010Dist\u00E9 \u0159e\u010Di. Prok\u00E1zat souvislost t\u011Bchto dvou t\u00E9mat nen\u00ED obt\u00ED\u017En\u00E9 a v z\u00E1sad\u011B by k tomu sta\u010Dilo porovnat a spole\u010Dn\u011B vylo\u017Eit texty, v nich\u017E se tyto motivy vyskytuj\u00ED, tedy nedatovan\u00E9 Fragmenty k filosofii jazyka a kritice pozn\u00E1n\u00ED a jist\u011B zn\u00E1m\u011Bj\u0161\u00ED \u00DAlohu p\u0159ekladatele. T\u00EDm, co oba texty u\u017E na prvn\u00ED pohled sd\u00EDlej\u00ED, je (1) zvl\u00E1\u0161tn\u00ED pojet\u00ED zlomku \u010Di fragmentu, jen\u017E je nad\u00E1n sob\u011Bsta\u010Dnost\u00ED, kter\u00E1 sch\u00E1z\u00ED \u010D\u00E1stem vy\u0161\u0161\u00EDho \u010Di \u00FApln\u011Bj\u0161\u00EDho celku, a (2) vyv\u00E1z\u00E1n\u00ED pojmu pravdy ze z\u00E1vislosti na jak\u00E9koli intenci, a t\u00EDm ze z\u00E1vislosti na pozn\u00E1n\u00ED." . . "Ned\u011Bl\u0148\u00E1tka : \u010Cist\u00E1 \u0159e\u010D a um\u011Bleck\u00E9 d\u00EDlo podle Waltera Benjamina" . . "RIV/00216208:11210/10:10057581" . "Praha" . "1"^^ . . . "Kapitola p\u0159edkl\u00E1d\u00E1 interpetaci Benjaminova pojet\u00ED jednotliv\u00E9ho um\u011Bleck\u00E9ho d\u00EDla jako m\u00EDsta nejzaz\u0161\u00ED a p\u0159ece st\u00E1le jednotliv\u00E9 pravdy, jednak z Benjaminov\u00FDch pozn\u00E1mek na t\u00E9ma \u010Dist\u00E9 \u0159e\u010Di. Prok\u00E1zat souvislost t\u011Bchto dvou t\u00E9mat nen\u00ED obt\u00ED\u017En\u00E9 a v z\u00E1sad\u011B by k tomu sta\u010Dilo porovnat a spole\u010Dn\u011B vylo\u017Eit texty, v nich\u017E se tyto motivy vyskytuj\u00ED, tedy nedatovan\u00E9 Fragmenty k filosofii jazyka a kritice pozn\u00E1n\u00ED a jist\u011B zn\u00E1m\u011Bj\u0161\u00ED \u00DAlohu p\u0159ekladatele. T\u00EDm, co oba texty u\u017E na prvn\u00ED pohled sd\u00EDlej\u00ED, je (1) zvl\u00E1\u0161tn\u00ED pojet\u00ED zlomku \u010Di fragmentu, jen\u017E je nad\u00E1n sob\u011Bsta\u010Dnost\u00ED, kter\u00E1 sch\u00E1z\u00ED \u010D\u00E1stem vy\u0161\u0161\u00EDho \u010Di \u00FApln\u011Bj\u0161\u00EDho celku, a (2) vyv\u00E1z\u00E1n\u00ED pojmu pravdy ze z\u00E1vislosti na jak\u00E9koli intenci, a t\u00EDm ze z\u00E1vislosti na pozn\u00E1n\u00ED."@cs . "Z(MSM0021620824)" . "The chapter proposes a new interpretation of Benjamin's conception of a particular work of art as a place of birth of the metaphysically universal, and yet still particularly presented truth. With this topic in view, it takes into account Benjamin's remarks concerning the so-called 'pure language'. To establish the interconnection between the latter and the presentation of truth through a work of art, the chapter focuses on the Fragments towards the philosophy of language and critique of knowledge, and the better known Task of the Translator. Finally, the conclusions are confronted with a new reading of the Short History of Photography."@en . . "Sunday's Children : Pure language and the work of art in Walter Benjamin"@en . "11210" . "Togga" . "Ned\u011Bl\u0148\u00E1tka : \u010Cist\u00E1 \u0159e\u010D a um\u011Bleck\u00E9 d\u00EDlo podle Waltera Benjamina" . "1"^^ . "274121" . "Ned\u011Bl\u0148\u00E1tka : \u010Cist\u00E1 \u0159e\u010D a um\u011Bleck\u00E9 d\u00EDlo podle Waltera Benjamina"@cs . . . "[F2185CD5AD9E]" . "Sunday's Children : Pure language and the work of art in Walter Benjamin"@en . . "978-80-87258-42-2" . . "Ned\u011Bl\u0148\u00E1tka : \u010Cist\u00E1 \u0159e\u010D a um\u011Bleck\u00E9 d\u00EDlo podle Waltera Benjamina"@cs . . "RIV/00216208:11210/10:10057581!RIV12-MSM-11210___" . . . .