"64" . "Komunikace mezi t\u011Blem a obrazem"@cs . "Komunikace mezi t\u011Blem a obrazem" . . . "0046-385X" . "Komunikace mezi t\u011Blem a obrazem"@cs . . . "Interface; Frame; Affect; Digital Image; Body; Communication"@en . "1"^^ . . "322206" . . "11210" . . . . "5" . "Communication Between Body and Image"@en . "1"^^ . "Komunikace mezi t\u011Blem a obrazem" . . "RIV/00216208:11210/09:00013152" . "RIV/00216208:11210/09:00013152!RIV11-MSM-11210___" . "Filozofia" . "SK - Slovensk\u00E1 republika" . "The concept of digital-facial-image as described by Mark B. N. Hansen offers a new paradigm for the human interface with digital media. This article aims to explore the category of affect or affective power, that is understood not as a quality inherent to image (as Deleuze proposes in Cinema 1), but as a potential of human body, that thus gains a kind of privileged position. Affection can be conceived as necessary bodily response to digital information: in order for us to experience it as information in the sense of certain unit, we must filter the data flux through our embodied being and transform it into images that have meaning for us. Hansen argues that the digital image as such is unseparable from the body-process of perceiving it since it is not a fixed representation of reality. The notion of %22digital image%22 is then used in a broader, not only visual sense, as a term that encompasses the entire process by which information is made perceivable."@en . "5"^^ . . "Communication Between Body and Image"@en . "Digit\u00E1ln\u00ED obraz tv\u00E1\u0159e (zejm. v pojet\u00ED M.B.Hansena) vytv\u00E1\u0159\u00ED podm\u00EDnky pro nov\u00E9 pojet\u00ED komunikace %22mezi t\u011Blem a obrazem%22 (\u010Di mezi \u010Dlov\u011Bkem a technologi\u00ED), jej\u00EDm\u017E principem nen\u00ED jednosm\u011Brn\u00E9 vys\u00EDl\u00E1n\u00ED sd\u011Blen\u00ED ani informa\u010Dn\u00ED v\u00FDm\u011Bna, ale sp\u00ED\u0161e interface mezi po\u010D\u00EDta\u010Dem a lidskou zku\u0161enost\u00ED, v n\u011Bm\u017E jako z\u00E1kladn\u00ED m\u00E9dium funguje dimenze afektivity. Samotn\u00FD obraz ji\u017E nen\u00ED statick\u00FDm objektem, ale st\u00E1v\u00E1 procesem a jako takov\u00FD je nevyhnuteln\u011B sv\u00E1z\u00E1n s aktivitou vn\u00EDmaj\u00EDc\u00EDho t\u011Bla. Obraz tak nyn\u00ED nam\u00EDsto konkretizace v ur\u010Dit\u00E9 technick\u00E9 form\u011B vyzna\u010Duje samotn\u00FD proces, p\u0159i n\u011Bm\u017E t\u011Blo (ve spojen\u00ED s apar\u00E1ty, kter\u00E9 zaji\u0161\u0165uj\u00ED, \u017Ee obraz bude pro \u010Dlov\u011Bka v\u016Fbec %22vn\u00EDmateln\u00FD%22) obrazu d\u00E1v\u00E1 formu a vytv\u00E1\u0159\u00ED z n\u011Bj in-formaci, kter\u00E1 pro n\u011Bj nese ur\u010Dit\u00FD v\u00FDznam." . . . "Aimov\u00E1, Irena" . . . "[6E9199B28AB0]" . "Digit\u00E1ln\u00ED obraz tv\u00E1\u0159e (zejm. v pojet\u00ED M.B.Hansena) vytv\u00E1\u0159\u00ED podm\u00EDnky pro nov\u00E9 pojet\u00ED komunikace %22mezi t\u011Blem a obrazem%22 (\u010Di mezi \u010Dlov\u011Bkem a technologi\u00ED), jej\u00EDm\u017E principem nen\u00ED jednosm\u011Brn\u00E9 vys\u00EDl\u00E1n\u00ED sd\u011Blen\u00ED ani informa\u010Dn\u00ED v\u00FDm\u011Bna, ale sp\u00ED\u0161e interface mezi po\u010D\u00EDta\u010Dem a lidskou zku\u0161enost\u00ED, v n\u011Bm\u017E jako z\u00E1kladn\u00ED m\u00E9dium funguje dimenze afektivity. Samotn\u00FD obraz ji\u017E nen\u00ED statick\u00FDm objektem, ale st\u00E1v\u00E1 procesem a jako takov\u00FD je nevyhnuteln\u011B sv\u00E1z\u00E1n s aktivitou vn\u00EDmaj\u00EDc\u00EDho t\u011Bla. Obraz tak nyn\u00ED nam\u00EDsto konkretizace v ur\u010Dit\u00E9 technick\u00E9 form\u011B vyzna\u010Duje samotn\u00FD proces, p\u0159i n\u011Bm\u017E t\u011Blo (ve spojen\u00ED s apar\u00E1ty, kter\u00E9 zaji\u0161\u0165uj\u00ED, \u017Ee obraz bude pro \u010Dlov\u011Bka v\u016Fbec %22vn\u00EDmateln\u00FD%22) obrazu d\u00E1v\u00E1 formu a vytv\u00E1\u0159\u00ED z n\u011Bj in-formaci, kter\u00E1 pro n\u011Bj nese ur\u010Dit\u00FD v\u00FDznam."@cs . . "V" . .