"0049-5123" . "RIV/00023442:_____/13:#0000287" . "4" . . "Censorship of Religious Printed Images in the 1820s-1830s"@en . "64588" . "CZ - \u010Cesk\u00E1 republika" . . . "Um\u011Bn\u00ED" . "Cenzura n\u00E1bo\u017Eensk\u00FDch obrazov\u00FDch materi\u00E1l\u016F ve dvac\u00E1t\u00FDch a t\u0159ic\u00E1t\u00FDch letech 19. stolet\u00ED" . "RIV/00023442:_____/13:#0000287!RIV14-MK0-00023442" . "Vondr\u00E1\u010Dek, Radim" . . "The article presents an analysis of the censorship protocols developed by Jeron\u00FDm Zeidler (1790-1870), later abbot of Strahov Monastery (from 1834), for printed images when he held the function of censor. The article opens with a summary of the literature on the subject and of the applicable censorship regulations. This is followed by an outline of the censorship process from the point of a work\u2019s submission to its publication. The article shows that censorship was applied to a relatively broad range of artistic works, the majority of them were small religious prints intended for sale at pilgrimage sites. Book illustrations were also subject to censorship. The protocols affected a broad circle of sources of artistic works, ranging from the most prestigious lithographic workshop in Bohemia in the 1820s run by Anton\u00EDn Machek to lithograph and copper-plate printers such as Gottlieb Haase and V\u00E1clav Hoffmann and many others now forgotten or unknown. Many entries in the protocols were identified and revealed as the works of famed artists (Joseph F\u00FChrich and Anton Gareis elder) concealed behind the name of the person who submitted them. In his analyses, Zeidler primarily assessed the iconographic accuracy of a work, its moderation and its suitability for religious use. His criticisms usually addressed the problem of the ahistorical nature of a scene or concerns about the depiction of nudity. However, the majority of the materials submitted for censorship passed through the process without problems, at most with a demand that a change be made in a text owing to linguistic or factual errors. The censorship protocols extend our knowledge of 19th-century publishing and printing practices and the mechanisms of state control. They provide an unusually comprehensive overview of one area of print production and an insight into the work of print workshops of the 19th century, and offer particularly valuable information on early artistic lithography in Bohemia."@en . "61" . . . "Hlavn\u00EDm t\u00E9matem studie je rozbor cenzurn\u00EDch protokol\u016F, kter\u00E9 ve funkci cenzora vypracov\u00E1val k obrazov\u00FDm materi\u00E1l\u016Fm v letech 1823\u20131831 pozd\u011Bj\u0161\u00ED strahovsk\u00FD opat Jeron\u00FDm Zeidler (1790\u20131870, opatem od 1834). V \u00FAvodu auto\u0159i shrnuj\u00ED literaturu k t\u00E9matu, charakterizuj\u00ED Zeidlerovo cenzorsk\u00E9 p\u016Fsoben\u00ED a uv\u00E1d\u011Bj\u00ED relevantn\u00ED cenzurn\u00ED p\u0159edpisy a na\u0159\u00EDzen\u00ED. N\u00E1sleduje anal\u00FDza protokol\u016F, v\u010Detn\u011B n\u00E1stinu obvykl\u00E9ho postupu od p\u0159edlo\u017Een\u00ED opusu cenzorovi a\u017E po tisk. \u010Cl\u00E1nek ukazuje, \u017Ee p\u0159edm\u011Btem cenzury se st\u00E1vala pom\u011Brn\u011B \u0161irok\u00E1 \u0161k\u00E1la v\u00FDtvarn\u00FDch d\u011Bl. Hlavn\u00ED objem tvo\u0159ila drobn\u00E1 n\u00E1bo\u017Eensk\u00E1 grafika, \u010Dasto ur\u010Den\u00E1 k prodeji na poutn\u00EDch m\u00EDstech. Cenzu\u0159e se p\u0159ed\u00E1valy tak\u00E9 kni\u017En\u00ED ilustrace a n\u00E1ro\u010Dn\u011Bj\u0161\u00ED um\u011Bleck\u00E9 pr\u00E1ce, nap\u0159\u00EDklad litografick\u00E9 reprodukce star\u00FDch mistr\u016F. Protokoly postihuj\u00ED tak\u00E9 \u0161irok\u00FD okruh p\u0159edkladatel\u016F. Podrobn\u011B zachycuj\u00ED jak tvorbu nejv\u00FDzna\u010Dn\u011Bj\u0161\u00ED litografick\u00E9 d\u00EDlny v \u010Cech\u00E1ch ve 20. letech 19. stolet\u00ED, kterou provozoval Anton\u00EDn Machek, tak produkci dal\u0161\u00EDch litograf\u016F a m\u011Bditiska\u0159\u016F (Gottlieb Haase a V\u00E1clav Hoffmann), v\u010Detn\u011B mnoha dosud opom\u00EDjen\u00FDch \u010Di nezn\u00E1m\u00FDch. \u0158adu polo\u017Eek v protokolech se poda\u0159ilo identifikovat a odhalit tak pr\u00E1ce renomovan\u00FDch autor\u016F (Josef F\u00FChrich a Anton\u00EDn Gareis star\u0161\u00ED), skryt\u00FDch pod jm\u00E9nem p\u0159edkladatele. Ve sv\u00FDch posudc\u00EDch Zeidler hodnotil p\u0159edev\u0161\u00EDm ikonografickou spr\u00E1vnost, um\u011B\u0159enost a vhodnost obrazu pro zbo\u017En\u00E9 \u00FA\u010Dely. Jeho v\u00FDtky se \u010Dasto t\u00FDkaly ahistori\u010Dnosti v\u00FDjevu nebo obav z p\u0159\u00EDli\u0161n\u00E9ho akcentu na smyslov\u00E9 aspekty a zvl\u00E1\u0161t\u011B ze zobrazen\u00ED nudity. V\u011Bt\u0161ina cenzurovan\u00FDch obrazov\u00FDch materi\u00E1l\u016F v\u0161ak proch\u00E1zela bez probl\u00E9m\u016F, nanejv\u00FD\u0161 s po\u017Eadavkem na zm\u011Bnu textu, jej\u00EDm\u017E d\u016Fvodem byly jazykov\u00E9 nebo v\u011Bcn\u00E9 chyby. Cenzurn\u00ED protokoly prohlubuj\u00ED na\u0161i znalost dobov\u00E9 nakladatelsk\u00E9 a tiska\u0159sk\u00E9 praxe a mechanism\u016F jej\u00ED st\u00E1tn\u00ED kontroly. Poskytuj\u00ED neobvykle \u00FAhrnn\u00FD p\u0159ehled jedn\u00E9 oblasti grafick\u00E9 produkce, p\u0159ibli\u017Euj\u00ED \u010Dinnost p\u0159edn\u00EDch grafick\u00FDch d\u00EDlen i zcela nezn\u00E1m\u00FDch m\u011Bditiska\u0159\u016F a zvl\u00E1\u0161t\u011B cenn\u00E9 poznatky p\u0159in\u00E1\u0161ej\u00ED k ran\u00FDm d\u00EDl\u016Fm um\u011Bleck\u00E9 litografie v \u010Cech\u00E1ch."@cs . "2"^^ . . "censorship; visual arts of the 19th century; religious prints; Bohemian printers"@en . . "1"^^ . "Cenzura n\u00E1bo\u017Eensk\u00FDch obrazov\u00FDch materi\u00E1l\u016F ve dvac\u00E1t\u00FDch a t\u0159ic\u00E1t\u00FDch letech 19. stolet\u00ED"@cs . . . . "V" . . "Kucha\u0159ov\u00E1, Hedvika" . . . "[680C4E879BB0]" . "16"^^ . . "Cenzura n\u00E1bo\u017Eensk\u00FDch obrazov\u00FDch materi\u00E1l\u016F ve dvac\u00E1t\u00FDch a t\u0159ic\u00E1t\u00FDch letech 19. stolet\u00ED" . "Cenzura n\u00E1bo\u017Eensk\u00FDch obrazov\u00FDch materi\u00E1l\u016F ve dvac\u00E1t\u00FDch a t\u0159ic\u00E1t\u00FDch letech 19. stolet\u00ED"@cs . "Hlavn\u00EDm t\u00E9matem studie je rozbor cenzurn\u00EDch protokol\u016F, kter\u00E9 ve funkci cenzora vypracov\u00E1val k obrazov\u00FDm materi\u00E1l\u016Fm v letech 1823\u20131831 pozd\u011Bj\u0161\u00ED strahovsk\u00FD opat Jeron\u00FDm Zeidler (1790\u20131870, opatem od 1834). V \u00FAvodu auto\u0159i shrnuj\u00ED literaturu k t\u00E9matu, charakterizuj\u00ED Zeidlerovo cenzorsk\u00E9 p\u016Fsoben\u00ED a uv\u00E1d\u011Bj\u00ED relevantn\u00ED cenzurn\u00ED p\u0159edpisy a na\u0159\u00EDzen\u00ED. N\u00E1sleduje anal\u00FDza protokol\u016F, v\u010Detn\u011B n\u00E1stinu obvykl\u00E9ho postupu od p\u0159edlo\u017Een\u00ED opusu cenzorovi a\u017E po tisk. \u010Cl\u00E1nek ukazuje, \u017Ee p\u0159edm\u011Btem cenzury se st\u00E1vala pom\u011Brn\u011B \u0161irok\u00E1 \u0161k\u00E1la v\u00FDtvarn\u00FDch d\u011Bl. Hlavn\u00ED objem tvo\u0159ila drobn\u00E1 n\u00E1bo\u017Eensk\u00E1 grafika, \u010Dasto ur\u010Den\u00E1 k prodeji na poutn\u00EDch m\u00EDstech. Cenzu\u0159e se p\u0159ed\u00E1valy tak\u00E9 kni\u017En\u00ED ilustrace a n\u00E1ro\u010Dn\u011Bj\u0161\u00ED um\u011Bleck\u00E9 pr\u00E1ce, nap\u0159\u00EDklad litografick\u00E9 reprodukce star\u00FDch mistr\u016F. Protokoly postihuj\u00ED tak\u00E9 \u0161irok\u00FD okruh p\u0159edkladatel\u016F. Podrobn\u011B zachycuj\u00ED jak tvorbu nejv\u00FDzna\u010Dn\u011Bj\u0161\u00ED litografick\u00E9 d\u00EDlny v \u010Cech\u00E1ch ve 20. letech 19. stolet\u00ED, kterou provozoval Anton\u00EDn Machek, tak produkci dal\u0161\u00EDch litograf\u016F a m\u011Bditiska\u0159\u016F (Gottlieb Haase a V\u00E1clav Hoffmann), v\u010Detn\u011B mnoha dosud opom\u00EDjen\u00FDch \u010Di nezn\u00E1m\u00FDch. \u0158adu polo\u017Eek v protokolech se poda\u0159ilo identifikovat a odhalit tak pr\u00E1ce renomovan\u00FDch autor\u016F (Josef F\u00FChrich a Anton\u00EDn Gareis star\u0161\u00ED), skryt\u00FDch pod jm\u00E9nem p\u0159edkladatele. Ve sv\u00FDch posudc\u00EDch Zeidler hodnotil p\u0159edev\u0161\u00EDm ikonografickou spr\u00E1vnost, um\u011B\u0159enost a vhodnost obrazu pro zbo\u017En\u00E9 \u00FA\u010Dely. Jeho v\u00FDtky se \u010Dasto t\u00FDkaly ahistori\u010Dnosti v\u00FDjevu nebo obav z p\u0159\u00EDli\u0161n\u00E9ho akcentu na smyslov\u00E9 aspekty a zvl\u00E1\u0161t\u011B ze zobrazen\u00ED nudity. V\u011Bt\u0161ina cenzurovan\u00FDch obrazov\u00FDch materi\u00E1l\u016F v\u0161ak proch\u00E1zela bez probl\u00E9m\u016F, nanejv\u00FD\u0161 s po\u017Eadavkem na zm\u011Bnu textu, jej\u00EDm\u017E d\u016Fvodem byly jazykov\u00E9 nebo v\u011Bcn\u00E9 chyby. Cenzurn\u00ED protokoly prohlubuj\u00ED na\u0161i znalost dobov\u00E9 nakladatelsk\u00E9 a tiska\u0159sk\u00E9 praxe a mechanism\u016F jej\u00ED st\u00E1tn\u00ED kontroly. Poskytuj\u00ED neobvykle \u00FAhrnn\u00FD p\u0159ehled jedn\u00E9 oblasti grafick\u00E9 produkce, p\u0159ibli\u017Euj\u00ED \u010Dinnost p\u0159edn\u00EDch grafick\u00FDch d\u00EDlen i zcela nezn\u00E1m\u00FDch m\u011Bditiska\u0159\u016F a zvl\u00E1\u0161t\u011B cenn\u00E9 poznatky p\u0159in\u00E1\u0161ej\u00ED k ran\u00FDm d\u00EDl\u016Fm um\u011Bleck\u00E9 litografie v \u010Cech\u00E1ch." . "Censorship of Religious Printed Images in the 1820s-1830s"@en . .