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Statements

Subject Item
n2:RIV%2F68378068%3A_____%2F10%3A00356859%21RIV11-AV0-68378068
rdf:type
n5:Vysledek skos:Concept
dcterms:description
A brief survey of historic attitudes (revisiting common opinions on Lessing in particular) displays the fact that genuine poetic representation has always been credited a certain sensorial potential. Taking up this aspect of the aesthetic tradition, the paper intends to reveal what may be referred to as “the visual qualities of the verbal but also to demonstrate the fact that both artifacts and modes of their perception may be influenced by intermedia communication. The precondition of such an inquiry is discerning between verbal simulation of visual representation, and quasi-visual effects of verbal representation in reception; other sensorial aspects are taken into account as well. The paper delivers several exemplifications of representational modes in fiction that possibly result in visualisation or quasi-sensorial experience of the reader. A brief survey of historic attitudes (revisiting common opinions on Lessing in particular) displays the fact that genuine poetic representation has always been credited a certain sensorial potential. Taking up this aspect of the aesthetic tradition, the paper intends to reveal what may be referred to as “the visual qualities of the verbal but also to demonstrate the fact that both artifacts and modes of their perception may be influenced by intermedia communication. The precondition of such an inquiry is discerning between verbal simulation of visual representation, and quasi-visual effects of verbal representation in reception; other sensorial aspects are taken into account as well. The paper delivers several exemplifications of representational modes in fiction that possibly result in visualisation or quasi-sensorial experience of the reader.
dcterms:title
Why the verbal may be experienced as visual Why the verbal may be experienced as visual
skos:prefLabel
Why the verbal may be experienced as visual Why the verbal may be experienced as visual
skos:notation
RIV/68378068:_____/10:00356859!RIV11-AV0-68378068
n3:aktivita
n7:Z
n3:aktivity
Z(AV0Z90560517)
n3:dodaniDat
n10:2011
n3:domaciTvurceVysledku
n8:6681417 n8:3230864
n3:druhVysledku
n12:C
n3:duvernostUdaju
n17:S
n3:entitaPredkladatele
n19:predkladatel
n3:idSjednocenehoVysledku
298811
n3:idVysledku
RIV/68378068:_____/10:00356859
n3:jazykVysledku
n13:eng
n3:klicovaSlova
verbal representation; visual representation; visuality; multisensoriality; description; experientiality; intermediality; intertextuality; mental imagery
n3:klicoveSlovo
n4:intertextuality n4:multisensoriality n4:intermediality n4:visual%20representation n4:visuality n4:verbal%20representation n4:experientiality n4:mental%20imagery n4:description
n3:kontrolniKodProRIV
[A6602C3D5137]
n3:mistoVydani
Newcastle upon Tyne
n3:nazevZdroje
The aesthetic dimension of visual culture
n3:obor
n15:AJ
n3:pocetDomacichTvurcuVysledku
2
n3:pocetStranKnihy
180
n3:pocetTvurcuVysledku
2
n3:rokUplatneniVysledku
n10:2010
n3:tvurceVysledku
Fedrová, Stanislava Jedličková, Alice
n3:zamer
n14:AV0Z90560517
s:numberOfPages
13
n16:hasPublisher
Cambridge Scholars publishing
n11:isbn
978-1-4438-2428-6