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Statements

Subject Item
n2:RIV%2F68378033%3A_____%2F13%3A00397431%21RIV14-AV0-68378033
rdf:type
n10:Vysledek skos:Concept
dcterms:description
The article deals with Cubism in the %22other%22 Europe outside Paris, i.e. in the Czech lands during the Austro-Hungarian Empire. It follows the western historiography of Cubism from the 1960s of 20th century and the role Czech Cubism played in the Western canon of art history. It emphasized the role of collector and art historian Vincenc Kramář, whose collection of Picasso served as an example for many Czech artists since 1911. Kramář´s university training in Vienna allowed him to appreciate old masters through the prism of cubism and vice versa, he interpreted cubism through concepts adequate for the old art. Kramář created a transnational construct the world of art history, where medieval art, Caravaggio, Jacques-Louis David, Constable, William Blake and Cézanne become a prerequisite for the birth of Cubism. They are part of the transnational art history with Cubism as its culmination. The article deals with Cubism in the %22other%22 Europe outside Paris, i.e. in the Czech lands during the Austro-Hungarian Empire. It follows the western historiography of Cubism from the 1960s of 20th century and the role Czech Cubism played in the Western canon of art history. It emphasized the role of collector and art historian Vincenc Kramář, whose collection of Picasso served as an example for many Czech artists since 1911. Kramář´s university training in Vienna allowed him to appreciate old masters through the prism of cubism and vice versa, he interpreted cubism through concepts adequate for the old art. Kramář created a transnational construct the world of art history, where medieval art, Caravaggio, Jacques-Louis David, Constable, William Blake and Cézanne become a prerequisite for the birth of Cubism. They are part of the transnational art history with Cubism as its culmination.
dcterms:title
The canon of Cubism and the case of Vincenc Kramář. On the place of Czech Cubism in the history of modern art The canon of Cubism and the case of Vincenc Kramář. On the place of Czech Cubism in the history of modern art
skos:prefLabel
The canon of Cubism and the case of Vincenc Kramář. On the place of Czech Cubism in the history of modern art The canon of Cubism and the case of Vincenc Kramář. On the place of Czech Cubism in the history of modern art
skos:notation
RIV/68378033:_____/13:00397431!RIV14-AV0-68378033
n10:predkladatel
n11:ico%3A68378033
n3:aktivita
n12:I
n3:aktivity
I
n3:dodaniDat
n4:2014
n3:domaciTvurceVysledku
n15:9168540
n3:druhVysledku
n18:C
n3:duvernostUdaju
n7:S
n3:entitaPredkladatele
n8:predkladatel
n3:idSjednocenehoVysledku
64209
n3:idVysledku
RIV/68378033:_____/13:00397431
n3:jazykVysledku
n17:eng
n3:klicovaSlova
modern art; collector; Max Dvořák; Central Europe; Eastern Europe
n3:klicoveSlovo
n5:Max%20Dvo%C5%99%C3%A1k n5:Central%20Europe n5:Eastern%20Europe n5:collector n5:modern%20art
n3:kontrolniKodProRIV
[8C3807586CC9]
n3:mistoVydani
Leuven
n3:nazevEdiceCisloSvazku
Groningen studies in cultural change, 48
n3:nazevZdroje
Transnationality, internationalism and nationhood. European Avant-Garde in the first half of the twentieth century
n3:obor
n14:AL
n3:pocetDomacichTvurcuVysledku
1
n3:pocetStranKnihy
275
n3:pocetTvurcuVysledku
1
n3:rokUplatneniVysledku
n4:2013
n3:tvurceVysledku
Lahoda, Vojtěch
s:numberOfPages
14
n19:hasPublisher
Peeters
n16:isbn
978-90-429-2756-8