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Statements

Subject Item
n2:RIV%2F61989592%3A15210%2F13%3A33146579%21RIV14-MSM-15210___
rdf:type
skos:Concept n12:Vysledek
dcterms:description
This work documents the sculptures with atributes of labour from the period from the end of 19th century until half of 20th century. The aim this work is to analyse the forms and styles from classical mytology allegories to modern social topics. The pictures of work and workers were brought to sculpture art by the social changes at the end of 19th century. An important point was the foundation of Czechoslovakia in 1918. The young state represented itself by the development of city planning, supporting of art. The newbuild banks, administrative buildings, bridges and other utility buildings were not decorated in tradicional way with mytological and historical topics. The newborn republic expresses itself with the pictures of labour and folk art such as city, factory, workers, suburbs, normal life, people wearing contemporary clothes of businessmen or factory workers. These topics are shown in a very simple and realistic way. The artists show everyday life and changing lifestyle in their works. Regional influences and social critics begin to apear in the same time. The region where this happens is Moravia with its contrast of agricultural tradition on one hand and heavy industry in Ostrava region on other hand. The typical figure is factory worker, coal miner or ironworker. Another typical topic is country life. These artists inspired themselves with folk legends and idealistic fiction of those days. The sculptors from agricultural regions (middle and southern part of Moravia) choose figures of farmers, plougher, sowers, haymakers and symbolics of the work with soil. All this happened mostly in Twenties. From the year 1930 these topics become rarer. They come back after the war, in Fifties, but that was a completely different situation. It was political art of Communist regime. This situation lasted for forty years and it was only at the end of Eighties when the young artists bored by %22the Big topics%22 headed back to normal people, their work and regional specifics. This work documents the sculptures with atributes of labour from the period from the end of 19th century until half of 20th century. The aim this work is to analyse the forms and styles from classical mytology allegories to modern social topics. The pictures of work and workers were brought to sculpture art by the social changes at the end of 19th century. An important point was the foundation of Czechoslovakia in 1918. The young state represented itself by the development of city planning, supporting of art. The newbuild banks, administrative buildings, bridges and other utility buildings were not decorated in tradicional way with mytological and historical topics. The newborn republic expresses itself with the pictures of labour and folk art such as city, factory, workers, suburbs, normal life, people wearing contemporary clothes of businessmen or factory workers. These topics are shown in a very simple and realistic way. The artists show everyday life and changing lifestyle in their works. Regional influences and social critics begin to apear in the same time. The region where this happens is Moravia with its contrast of agricultural tradition on one hand and heavy industry in Ostrava region on other hand. The typical figure is factory worker, coal miner or ironworker. Another typical topic is country life. These artists inspired themselves with folk legends and idealistic fiction of those days. The sculptors from agricultural regions (middle and southern part of Moravia) choose figures of farmers, plougher, sowers, haymakers and symbolics of the work with soil. All this happened mostly in Twenties. From the year 1930 these topics become rarer. They come back after the war, in Fifties, but that was a completely different situation. It was political art of Communist regime. This situation lasted for forty years and it was only at the end of Eighties when the young artists bored by %22the Big topics%22 headed back to normal people, their work and regional specifics.
dcterms:title
Architectural sculpture showing atributes of labour, transport, made and finance Architectural sculpture showing atributes of labour, transport, made and finance
skos:prefLabel
Architectural sculpture showing atributes of labour, transport, made and finance Architectural sculpture showing atributes of labour, transport, made and finance
skos:notation
RIV/61989592:15210/13:33146579!RIV14-MSM-15210___
n12:predkladatel
n14:orjk%3A15210
n3:aktivita
n17:N
n3:aktivity
N
n3:cisloPeriodika
1
n3:dodaniDat
n4:2014
n3:domaciTvurceVysledku
n13:6290906
n3:druhVysledku
n5:J
n3:duvernostUdaju
n11:S
n3:entitaPredkladatele
n16:predkladatel
n3:idSjednocenehoVysledku
61982
n3:idVysledku
RIV/61989592:15210/13:33146579
n3:jazykVysledku
n15:eng
n3:klicovaSlova
finance; made; transport; labour; sculpture; Architectural
n3:klicoveSlovo
n9:transport n9:labour n9:made n9:Architectural n9:sculpture n9:finance
n3:kodStatuVydavatele
DE - Spolková republika Německo
n3:kontrolniKodProRIV
[38114B5D9B22]
n3:nazevZdroje
Eselsohren. Journal of the History of Art, Architecture and Urbanism
n3:obor
n10:AL
n3:pocetDomacichTvurcuVysledku
1
n3:pocetTvurcuVysledku
1
n3:rokUplatneniVysledku
n4:2013
n3:svazekPeriodika
1
n3:tvurceVysledku
Skřebská, Renata
s:issn
2195-0520
s:numberOfPages
22
n18:organizacniJednotka
15210