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Statements

Subject Item

n2:RIV%2F61989592%3A15210%2F12%3A33140795%21RIV13-MSM-15210___

rdf:type

skos:Concept n17:Vysledek

dcterms:description

The intention of this essay is to pursue one particular aspect of modern fiction which forms a line of continuity between Hermann Broch's novel The Sleepwalkers (1932) and Milan Kundera's novel The Farewell Party (1976). This aspect can be labelled 'fictional polyphony' and is a means of establishing a specific fictional world. Polyphony in fiction denotes a multiplicity and equality of voices in which no single one dominates and none is mere accompaniment. It can emerge as a consequence of the use of devices associated with the genre of the fantastic. This does not mean, however, that either of the works addressed here necessarily becomes 'fantastic' as a result. In examining this aspect, this essay will concentrate on the tools which construct polyphony and its consequences for the construction of meaning in a novel. Last but not least, it will demonstrate how this aspect is related to what Broch has called 'the depiction of reality', which he views as the ethical duty of the modern novel and which Kundera has referred to as the noetic function of a novel , i.e. the function by means of which a novel becomes a tool of knowledge. The intention of this essay is to pursue one particular aspect of modern fiction which forms a line of continuity between Hermann Broch's novel The Sleepwalkers (1932) and Milan Kundera's novel The Farewell Party (1976). This aspect can be labelled 'fictional polyphony' and is a means of establishing a specific fictional world. Polyphony in fiction denotes a multiplicity and equality of voices in which no single one dominates and none is mere accompaniment. It can emerge as a consequence of the use of devices associated with the genre of the fantastic. This does not mean, however, that either of the works addressed here necessarily becomes 'fantastic' as a result. In examining this aspect, this essay will concentrate on the tools which construct polyphony and its consequences for the construction of meaning in a novel. Last but not least, it will demonstrate how this aspect is related to what Broch has called 'the depiction of reality', which he views as the ethical duty of the modern novel and which Kundera has referred to as the noetic function of a novel , i.e. the function by means of which a novel becomes a tool of knowledge.

dcterms:title

Fictional world polyphony and the image of modern consciousness in novels by Hermann Broch and Milan Kundera Fictional world polyphony and the image of modern consciousness in novels by Hermann Broch and Milan Kundera

skos:prefLabel

Fictional world polyphony and the image of modern consciousness in novels by Hermann Broch and Milan Kundera Fictional world polyphony and the image of modern consciousness in novels by Hermann Broch and Milan Kundera

skos:notation

RIV/61989592:15210/12:33140795!RIV13-MSM-15210___

n17:predkladatel

n18:orjk%3A15210

n3:aktivita

n19:I

n3:aktivity

I

n3:dodaniDat

n11:2013

n3:domaciTvurceVysledku

n8:7486707

n3:druhVysledku

n7:C

n3:duvernostUdaju

n15:S

n3:entitaPredkladatele

n10:predkladatel

n3:idSjednocenehoVysledku

136420

n3:idVysledku

RIV/61989592:15210/12:33140795

n3:jazykVysledku

n6:eng

n3:klicovaSlova

Milan Kundera, Herman Broch, fiction, fantastic, interpretation, modern novel, modernism

n3:klicoveSlovo

n4:modern%20novel n4:fantastic n4:Herman%20Broch n4:modernism n4:interpretation n4:Milan%20Kundera n4:fiction

n3:kontrolniKodProRIV

[2557AD94E46C]

n3:mistoVydani

Ipswich, Mass

n3:nazevEdiceCisloSvazku

Critical Insights

n3:nazevZdroje

Critical Insights: The Fantastic

n3:obor

n12:AJ

n3:pocetDomacichTvurcuVysledku

1

n3:pocetStranKnihy

327

n3:pocetTvurcuVysledku

1

n3:rokUplatneniVysledku

n11:2012

n3:tvurceVysledku

Kubíček, Tomáš

s:numberOfPages

21

n14:hasPublisher

Salem Press

n13:isbn

978-1-4298-3735-4

n20:organizacniJednotka

15210