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Statements

Subject Item
n2:RIV%2F61388980%3A_____%2F14%3A00441802%21RIV15-GA0-61388980
rdf:type
n5:Vysledek skos:Concept
dcterms:description
Materials and technological characteristics of large-scale canvas painting The Assumption from White Mountain (around 1450), National Gallery in Prague, have been described with the aim to determine the origin of the artwork. Application of traditional medieaval pigments, execution only the imprimitura instead of conventional ground layer and the shape and distribution of cracks comfi rmed fi nally that the painting is original, not transferred, not a copy, and was probably used as a portable painting within Christian liturgy. The simplifi ed technology of making was responding (as in other similar cases) to initially intended temporary usage of these paintings as fasting canvases, flags in liturgical processions, imitation of tapestries etc., and lead to generally worst state of their preservation with respect to more frequent wooden panels. Materials and technological characteristics of large-scale canvas painting The Assumption from White Mountain (around 1450), National Gallery in Prague, have been described with the aim to determine the origin of the artwork. Application of traditional medieaval pigments, execution only the imprimitura instead of conventional ground layer and the shape and distribution of cracks comfi rmed fi nally that the painting is original, not transferred, not a copy, and was probably used as a portable painting within Christian liturgy. The simplifi ed technology of making was responding (as in other similar cases) to initially intended temporary usage of these paintings as fasting canvases, flags in liturgical processions, imitation of tapestries etc., and lead to generally worst state of their preservation with respect to more frequent wooden panels.
dcterms:title
Gothic canvas painting: an example of technology responding to requirments of the liturgy Gothic canvas painting: an example of technology responding to requirments of the liturgy
skos:prefLabel
Gothic canvas painting: an example of technology responding to requirments of the liturgy Gothic canvas painting: an example of technology responding to requirments of the liturgy
skos:notation
RIV/61388980:_____/14:00441802!RIV15-GA0-61388980
n6:aktivita
n16:P
n6:aktivity
P(GA14-22984S)
n6:dodaniDat
n8:2015
n6:domaciTvurceVysledku
n20:5758491
n6:druhVysledku
n18:D
n6:duvernostUdaju
n10:S
n6:entitaPredkladatele
n14:predkladatel
n6:idSjednocenehoVysledku
18492
n6:idVysledku
RIV/61388980:_____/14:00441802
n6:jazykVysledku
n17:eng
n6:klicovaSlova
Gothic canvas painting; Tüchleinmalerei; imprimitura; materials research
n6:klicoveSlovo
n9:materials%20research n9:Gothic%20canvas%20painting n9:T%C3%BCchleinmalerei n9:imprimitura
n6:kontrolniKodProRIV
[3C6BABF835D7]
n6:mistoKonaniAkce
Florence
n6:mistoVydani
Firenze
n6:nazevZdroje
ESRARC 2014 : 6th european symposium on religious art, restoration & conservation : proceeding book
n6:obor
n15:CA
n6:pocetDomacichTvurcuVysledku
1
n6:pocetTvurcuVysledku
2
n6:projekt
n19:GA14-22984S
n6:rokUplatneniVysledku
n8:2014
n6:tvurceVysledku
Hradil, David Hradilová, J.
n6:typAkce
n7:WRD
n6:zahajeniAkce
2014-06-09+02:00
s:numberOfPages
4
n11:hasPublisher
Nardini editore
n3:isbn
9788840443652