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Statements

Subject Item
n2:RIV%2F61388980%3A_____%2F10%3A00375812%21RIV12-AV0-61388980
rdf:type
n6:Vysledek skos:Concept
dcterms:description
The representation of rich brocade fabrics was one of the main and most striking features of European medieval paintings. What we see today is the impressive result of the artist's skills and the commissioner's preferences. To achieve this effect, medieval artists developed a large variety of materials and techniques. This paper presents the results of an integrated approach to the investigation of the techniques used by the painting workshops in Transylvania for the imitation of brocade fabrics. The investigation is carried out on a group of 12 largely unstudied Late Gothic Early Renaissance altarpieces built between 1450 1540 in German and Hungarian communities, these being some of the oldest panel paintings preserved in Romania. Over the period 2005-2010 these paintings were, for the first time subjected to an extensive technical investigation by complementary analytical methods. The in situ investigation combines visual examination and extensive non invasive point measurements by portable X-ray fluorescence. Due to their present location in various churches in Transylvania, a minimal sampling only was allowed for further elemental analysis carried out in laboratories. The laboratory investigations included light microscopy (in both visible and UV light), histochemical tests on cross-sections, scanning electron microscopy (SEM) with EDX spectrochemical microanalysis, and Fourier transform infrared spectroscopy (FTIR). The study reveals the use of at least five different types of brocade imitation, including the sophisticated technique of applied relief brocades (Pressbrokat). Most of these five types are using a combination of techniques of decorative treatment of the ground layer with paint layers, coloured glazes and application of metal leafs. The representation of rich brocade fabrics was one of the main and most striking features of European medieval paintings. What we see today is the impressive result of the artist's skills and the commissioner's preferences. To achieve this effect, medieval artists developed a large variety of materials and techniques. This paper presents the results of an integrated approach to the investigation of the techniques used by the painting workshops in Transylvania for the imitation of brocade fabrics. The investigation is carried out on a group of 12 largely unstudied Late Gothic Early Renaissance altarpieces built between 1450 1540 in German and Hungarian communities, these being some of the oldest panel paintings preserved in Romania. Over the period 2005-2010 these paintings were, for the first time subjected to an extensive technical investigation by complementary analytical methods. The in situ investigation combines visual examination and extensive non invasive point measurements by portable X-ray fluorescence. Due to their present location in various churches in Transylvania, a minimal sampling only was allowed for further elemental analysis carried out in laboratories. The laboratory investigations included light microscopy (in both visible and UV light), histochemical tests on cross-sections, scanning electron microscopy (SEM) with EDX spectrochemical microanalysis, and Fourier transform infrared spectroscopy (FTIR). The study reveals the use of at least five different types of brocade imitation, including the sophisticated technique of applied relief brocades (Pressbrokat). Most of these five types are using a combination of techniques of decorative treatment of the ground layer with paint layers, coloured glazes and application of metal leafs.
dcterms:title
The imitation of brocade fabrice in late mediavel altarpieces from Transilvania The imitation of brocade fabrice in late mediavel altarpieces from Transilvania
skos:prefLabel
The imitation of brocade fabrice in late mediavel altarpieces from Transilvania The imitation of brocade fabrice in late mediavel altarpieces from Transilvania
skos:notation
RIV/61388980:_____/10:00375812!RIV12-AV0-61388980
n3:aktivita
n18:Z
n3:aktivity
Z(AV0Z40320502)
n3:dodaniDat
n5:2012
n3:domaciTvurceVysledku
n20:5758491
n3:druhVysledku
n14:D
n3:duvernostUdaju
n17:S
n3:entitaPredkladatele
n8:predkladatel
n3:idSjednocenehoVysledku
262898
n3:idVysledku
RIV/61388980:_____/10:00375812
n3:jazykVysledku
n9:eng
n3:klicovaSlova
Altarpieces; brocade imitation; panel painting; metal leafs; gilding
n3:klicoveSlovo
n12:gilding n12:metal%20leafs n12:panel%20painting n12:brocade%20imitation n12:Altarpieces
n3:kontrolniKodProRIV
[291019330512]
n3:mistoKonaniAkce
Praha
n3:mistoVydani
Praha
n3:nazevZdroje
ACTA ARTIS ACADEMICA 2010: THE STORY OF ART - ARTWORK CHANGES IN TIME
n3:obor
n15:CA
n3:pocetDomacichTvurcuVysledku
1
n3:pocetTvurcuVysledku
3
n3:rokUplatneniVysledku
n5:2010
n3:tvurceVysledku
Hradilová, J. Hradil, David Serendan, C.
n3:typAkce
n16:EUR
n3:wos
000288141200004
n3:zahajeniAkce
2010-11-24+01:00
n3:zamer
n7:AV0Z40320502
s:numberOfPages
19
n13:hasPublisher
Akademie výtvarných umění v Praze
n19:isbn
978-80-87108-14-7