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Statements

Subject Item
n2:RIV%2F60461446%3A52810%2F14%3A%230000162%21RIV15-MK0-52810___
rdf:type
n13:Vysledek skos:Concept
rdfs:seeAlso
http://alma-lab.cz/eng/acta-artis-academica-2014
dcterms:description
An exceptional Gothic work of art, a travel altar of Robert of Anjou, is one of those donated by John II of Liechtenstein to the Franz Museum in Brno in 1896. Light has been newly shed on the circumstances of Prince's acquisition of the altar; it refuted the thoughts about the altar's Central European provenance, because as it is being documented, the purchase took place directly in Florence in 1890. It has been recorded already back then that the Tabernacle is complemented by a (damaged) statuette of Black Madonna made of Carrara marble. The description of its damage, secondary additions and polychromy construction was the main aim of the artwork's survey by non-invasive methods (mobile XRF, computed tomography); on the basis of their results, a careful micro-sampling has been performed followed by material analysis. Most importantly, it was found out that the material of the statue is not Carrara marble, but an alabaster, which is not in disagreement with the assumed provenance (northern Italy), but due to its weight and fragility, the statuette could only hardly be an original part of the altar. Concurrently, the analysis of the oldest layers of polychromy proved that the Madonna has not been originally black and that this adjustment has been executed secondarily and intentionally. An exceptional Gothic work of art, a travel altar of Robert of Anjou, is one of those donated by John II of Liechtenstein to the Franz Museum in Brno in 1896. Light has been newly shed on the circumstances of Prince's acquisition of the altar; it refuted the thoughts about the altar's Central European provenance, because as it is being documented, the purchase took place directly in Florence in 1890. It has been recorded already back then that the Tabernacle is complemented by a (damaged) statuette of Black Madonna made of Carrara marble. The description of its damage, secondary additions and polychromy construction was the main aim of the artwork's survey by non-invasive methods (mobile XRF, computed tomography); on the basis of their results, a careful micro-sampling has been performed followed by material analysis. Most importantly, it was found out that the material of the statue is not Carrara marble, but an alabaster, which is not in disagreement with the assumed provenance (northern Italy), but due to its weight and fragility, the statuette could only hardly be an original part of the altar. Concurrently, the analysis of the oldest layers of polychromy proved that the Madonna has not been originally black and that this adjustment has been executed secondarily and intentionally.
dcterms:title
INVESTIGATION OF MADONNA IN THE TRAVEL ALTAR OF ROBERT OF ANJOU FROM THE COLLECTIONS OF MORAVIAN GALLERY IN BRNO INVESTIGATION OF MADONNA IN THE TRAVEL ALTAR OF ROBERT OF ANJOU FROM THE COLLECTIONS OF MORAVIAN GALLERY IN BRNO
skos:prefLabel
INVESTIGATION OF MADONNA IN THE TRAVEL ALTAR OF ROBERT OF ANJOU FROM THE COLLECTIONS OF MORAVIAN GALLERY IN BRNO INVESTIGATION OF MADONNA IN THE TRAVEL ALTAR OF ROBERT OF ANJOU FROM THE COLLECTIONS OF MORAVIAN GALLERY IN BRNO
skos:notation
RIV/60461446:52810/14:#0000162!RIV15-MK0-52810___
n4:aktivita
n22:P
n4:aktivity
P(DF12P01OVV048)
n4:dodaniDat
n12:2015
n4:domaciTvurceVysledku
n15:5758491 n15:9221972
n4:druhVysledku
n8:D
n4:duvernostUdaju
n16:S
n4:entitaPredkladatele
n11:predkladatel
n4:idSjednocenehoVysledku
22740
n4:idVysledku
RIV/60461446:52810/14:#0000162
n4:jazykVysledku
n5:eng
n4:klicovaSlova
Black Madonna; travel altar; alabaster; Gothic art; Florence; Liechtenstein
n4:klicoveSlovo
n6:alabaster n6:Liechtenstein n6:Gothic%20art n6:Black%20Madonna n6:travel%20altar n6:Florence
n4:kontrolniKodProRIV
[7CF215AA802B]
n4:mistoKonaniAkce
Dominican Monastery St Giles, Prague
n4:mistoVydani
Prague, Czech Republic
n4:nazevZdroje
ACTA ARTIS ACADEMICA 2014: INTERPRETATION OF FINE ART'S ANALYSES IN DIVERSE CONTEXTS
n4:obor
n20:AL
n4:pocetDomacichTvurcuVysledku
2
n4:pocetTvurcuVysledku
6
n4:projekt
n10:DF12P01OVV048
n4:rokUplatneniVysledku
n12:2014
n4:tvurceVysledku
Fogaš, Igor Zikmund, Tomáš Hradilová, Janka Hradil, David Wörgötter, Zora Kaiser, Jozef
n4:typAkce
n21:EUR
n4:wos
000351115100013
n4:zahajeniAkce
2014-11-20+01:00
s:numberOfPages
25
n9:hasPublisher
Academy of Fine Arts in Prague
n3:isbn
978-80-87108-48-2
n19:organizacniJednotka
52810