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Statements

Subject Item
n2:RIV%2F60461071%3A_____%2F12%3A%230000282%21RIV13-MSM-60461071
rdf:type
skos:Concept n3:Vysledek
dcterms:description
If we want to understand the changes that took place in contemporary art at the turn of the 20th and 21st centuries we must first examine the transformation in the concept of the “contemporary”. If during the nineties the typical concept of contemporaneity was the pure presence of a post-historical stage of history, in which everything was permitted, the beginning of the new millennium ushered in contemporaneity as heterochrony, a situation in which, prima facie, everything seems to be possible, whereas in fact almost nothing is possible. Instead of the neoliberal dream of the ultimate generalisation of economic laws to encompass all human activity, a sobering up took place on first the political and later the economic level, which revived interest in the project of modernity. If we want to understand the changes that took place in contemporary art at the turn of the 20th and 21st centuries we must first examine the transformation in the concept of the “contemporary”. If during the nineties the typical concept of contemporaneity was the pure presence of a post-historical stage of history, in which everything was permitted, the beginning of the new millennium ushered in contemporaneity as heterochrony, a situation in which, prima facie, everything seems to be possible, whereas in fact almost nothing is possible. Instead of the neoliberal dream of the ultimate generalisation of economic laws to encompass all human activity, a sobering up took place on first the political and later the economic level, which revived interest in the project of modernity.
dcterms:title
Modernology. Art after Postmodern Art Modernology. Art after Postmodern Art
skos:prefLabel
Modernology. Art after Postmodern Art Modernology. Art after Postmodern Art
skos:notation
RIV/60461071:_____/12:#0000282!RIV13-MSM-60461071
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n6:aktivita
n17:V
n6:aktivity
V
n6:dodaniDat
n18:2013
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n16:3431258
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n13:C
n6:duvernostUdaju
n14:S
n6:entitaPredkladatele
n12:predkladatel
n6:idSjednocenehoVysledku
151360
n6:idVysledku
RIV/60461071:_____/12:#0000282
n6:jazykVysledku
n15:eng
n6:klicovaSlova
Michel Foucault; Gilles Deleuze; Postmodernism; Modern Art
n6:klicoveSlovo
n8:Modern%20Art n8:Postmodernism n8:Gilles%20Deleuze n8:Michel%20Foucault
n6:kontrolniKodProRIV
[607D1AC1C41E]
n6:mistoVydani
Praha
n6:nazevZdroje
Jiří Ševčík a Edith Jeřábková, (eds.), Mezi první a druhou moderností
n6:obor
n10:AL
n6:pocetDomacichTvurcuVysledku
1
n6:pocetStranKnihy
756
n6:pocetTvurcuVysledku
1
n6:rokUplatneniVysledku
n18:2012
n6:tvurceVysledku
Císař, Karel
s:numberOfPages
10
n11:hasPublisher
VVP AVU
n9:isbn
978-80-87108-29-1