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Statements

Subject Item
n2:RIV%2F60076658%3A12510%2F14%3A43887900%21RIV15-MSM-12510___
rdf:type
n15:Vysledek skos:Concept
dcterms:description
In our study we are stressing the social function of land-art as a kind of protest going far beyond the professional land-art work and taking the form of bottom-up social movements. We have labelled this process Land, Society and Art - LSA. LSA is often a free, spontaneous movement against the losing of a memory of a place. The aim of LSA is to create common society symbols in the landscape; professional land-art installation is not the main purpose. A common issue with land-art is the element of protest. Protest against commodification of the art, protest against isolation of the art and nature, but, from the sociological point of view, the main issue is the underlying protest against the consequences of the modernisation process; against the 'demagification' (demystification, disenchantment) of the world, according to Weber's interpretation. Our aim is to show the differences and common issues between traditional land-art and the LSA using cases in The Czech Republic - Vodňany in 2012, Konigsműhle - both created in 2012, as well some conceptual generalisation. We are witness to the spontaneous protest against the erasing of the memory and symbols from the landscape, history and culture in LSA. In our study we are stressing the social function of land-art as a kind of protest going far beyond the professional land-art work and taking the form of bottom-up social movements. We have labelled this process Land, Society and Art - LSA. LSA is often a free, spontaneous movement against the losing of a memory of a place. The aim of LSA is to create common society symbols in the landscape; professional land-art installation is not the main purpose. A common issue with land-art is the element of protest. Protest against commodification of the art, protest against isolation of the art and nature, but, from the sociological point of view, the main issue is the underlying protest against the consequences of the modernisation process; against the 'demagification' (demystification, disenchantment) of the world, according to Weber's interpretation. Our aim is to show the differences and common issues between traditional land-art and the LSA using cases in The Czech Republic - Vodňany in 2012, Konigsműhle - both created in 2012, as well some conceptual generalisation. We are witness to the spontaneous protest against the erasing of the memory and symbols from the landscape, history and culture in LSA.
dcterms:title
Landscape, society and art as a kind of protest. Sociological view. Landscape, society and art as a kind of protest. Sociological view.
skos:prefLabel
Landscape, society and art as a kind of protest. Sociological view. Landscape, society and art as a kind of protest. Sociological view.
skos:notation
RIV/60076658:12510/14:43887900!RIV15-MSM-12510___
n4:aktivita
n22:P
n4:aktivity
P(LD14118)
n4:dodaniDat
n5:2015
n4:domaciTvurceVysledku
n14:9660461 n14:2211645
n4:druhVysledku
n19:D
n4:duvernostUdaju
n8:S
n4:entitaPredkladatele
n13:predkladatel
n4:idSjednocenehoVysledku
25605
n4:idVysledku
RIV/60076658:12510/14:43887900
n4:jazykVysledku
n16:eng
n4:klicovaSlova
protest; society; landscape memory; landscape; land-art
n4:klicoveSlovo
n6:landscape%20memory n6:society n6:landscape n6:protest n6:land-art
n4:kontrolniKodProRIV
[3F693F47295B]
n4:mistoKonaniAkce
Albena, Bulharsko
n4:mistoVydani
Sofie
n4:nazevZdroje
SGEM Conference on Psychology & Sociology & Healthcare Education
n4:obor
n17:AO
n4:pocetDomacichTvurcuVysledku
2
n4:pocetTvurcuVysledku
2
n4:projekt
n10:LD14118
n4:rokUplatneniVysledku
n5:2014
n4:tvurceVysledku
Lapka, Miloslav Cudlínová, Eva
n4:typAkce
n18:EUR
n4:zahajeniAkce
2014-09-03+02:00
s:issn
2367-5659
s:numberOfPages
8
n20:doi
10.5593/sgemsocial2014/B12/S2.061
n9:hasPublisher
STEF92 Technology Ltd.
n21:isbn
978-619-7105-23-0
n11:organizacniJednotka
12510