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Statements

Subject Item
n2:RIV%2F60076658%3A12210%2F14%3A43888216%21RIV15-MSM-12210___
rdf:type
skos:Concept n17:Vysledek
dcterms:description
In Irena Dousková's work, the motif of the Shoah varies to a large extent. Very often it can be traced just as a hint or in a form of an implicit motif (Bez Karkulky, Někdo s nožem, Doktor Kott přemítá). In the last Dousková's prose work Darda, it appears in a repetitive way in a form of a dream about tsunami. Sometimes the motif of the Shoah emerges together with Goldstein / Freistein as the biological father (Goldstein píše dceři, Hrdý Budžes, Oněgin je Rusák, Darda). Significantly, Dousková does not concentrate on the description of extermination from the witnesses's point of view, but she stresses the state of mind of the so-called %22second generation%22 or %22children of the Holocaust%22. Thus, instead of a narration about the personal survival, the reader encounters with the above mentioned biological survival (Goldstein píše dceři; Čím se liší tato noc - short story Štěstí). Moreover, the survival in the memory of the others is also present., e. g. the Czech neighbours of the old Jewish lady continue to make effort not to forget the inconvenient part of our - sometimes only local - history (Čím se liší tato noc - short story Chuligán). In addition, Dousková shows another survival of this kind, however, it goes beyond the previous one, i. e. a survival of the Shoah in the collective memory in a form of a legend (O bílých slonech). It is necessary to add that the inconspicuous way the author fabricates such types of surviving the Shoa only reflects in the reader's mind subliminally. This reflection is intensified by the readers incorrectly stereotyping Dousková, similarly to above mentioned Poláček, as an author of humoristic texts. In Irena Dousková's work, the motif of the Shoah varies to a large extent. Very often it can be traced just as a hint or in a form of an implicit motif (Bez Karkulky, Někdo s nožem, Doktor Kott přemítá). In the last Dousková's prose work Darda, it appears in a repetitive way in a form of a dream about tsunami. Sometimes the motif of the Shoah emerges together with Goldstein / Freistein as the biological father (Goldstein píše dceři, Hrdý Budžes, Oněgin je Rusák, Darda). Significantly, Dousková does not concentrate on the description of extermination from the witnesses's point of view, but she stresses the state of mind of the so-called %22second generation%22 or %22children of the Holocaust%22. Thus, instead of a narration about the personal survival, the reader encounters with the above mentioned biological survival (Goldstein píše dceři; Čím se liší tato noc - short story Štěstí). Moreover, the survival in the memory of the others is also present., e. g. the Czech neighbours of the old Jewish lady continue to make effort not to forget the inconvenient part of our - sometimes only local - history (Čím se liší tato noc - short story Chuligán). In addition, Dousková shows another survival of this kind, however, it goes beyond the previous one, i. e. a survival of the Shoah in the collective memory in a form of a legend (O bílých slonech). It is necessary to add that the inconspicuous way the author fabricates such types of surviving the Shoa only reflects in the reader's mind subliminally. This reflection is intensified by the readers incorrectly stereotyping Dousková, similarly to above mentioned Poláček, as an author of humoristic texts.
dcterms:title
Biological and Other Ways of Surviving the Shoah in Irena Dousková's Work Biological and Other Ways of Surviving the Shoah in Irena Dousková's Work
skos:prefLabel
Biological and Other Ways of Surviving the Shoah in Irena Dousková's Work Biological and Other Ways of Surviving the Shoah in Irena Dousková's Work
skos:notation
RIV/60076658:12210/14:43888216!RIV15-MSM-12210___
n3:aktivita
n4:P
n3:aktivity
P(EE2.3.30.0049)
n3:dodaniDat
n10:2015
n3:domaciTvurceVysledku
n6:5770475
n3:druhVysledku
n18:D
n3:duvernostUdaju
n8:S
n3:entitaPredkladatele
n12:predkladatel
n3:idSjednocenehoVysledku
5377
n3:idVysledku
RIV/60076658:12210/14:43888216
n3:jazykVysledku
n16:eng
n3:klicovaSlova
%22children of the Holocaust%22; %22second generation of the Shoah%22; Irena Dousková; a literary picture of the Shoah
n3:klicoveSlovo
n13:a%20literary%20picture%20of%20the%20Shoah n13:Irena%20Douskov%C3%A1 n13:%2522children%20of%20the%20Holocaust%2522 n13:%2522second%20generation%20of%20the%20Shoah%2522
n3:kontrolniKodProRIV
[9011FC845D1C]
n3:mistoKonaniAkce
Giessen
n3:mistoVydani
Stuttgart
n3:nazevZdroje
Der Holocaust in den mitteleuropäischen Literaturen und Kulturen seit 1989
n3:obor
n9:AJ
n3:pocetDomacichTvurcuVysledku
1
n3:pocetTvurcuVysledku
1
n3:projekt
n21:EE2.3.30.0049
n3:rokUplatneniVysledku
n10:2014
n3:tvurceVysledku
Balík, Štěpán
n3:typAkce
n19:EUR
n3:zahajeniAkce
2012-11-21+01:00
s:issn
2195-1497
s:numberOfPages
15
n20:hasPublisher
ibidem
n7:isbn
978-3-8382-0512-0
n5:organizacniJednotka
12210