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Statements

Subject Item
n2:RIV%2F00216275%3A25210%2F12%3A39895759%21RIV13-MSM-25210___
rdf:type
n10:Vysledek skos:Concept
rdfs:seeAlso
http://onlinelibrary.wiley.com/doi/10.1111/j.1467-9655.2012.01795.x/abstract
dcterms:description
People who engage with objects that are deemed inauthentic under intellectual property laws might dismiss this classification and might ascribe different meanings to these objects. However, they cannot always disregard it, as circumstances might at any time bring this classification to the fore. In such situations, they are not only accused of deceiving others, but also derided for the deception they presumably work upon themselves. Drawing upon an ethnography of people's engagement with fake branded garments in Turkey and Romania and using theoretical perspectives on materiality and authenticity, I argue that a reconceptualization of the fake is a dignifying resolution to this crisis of authenticity. The fake is seen as a copy that does not hide its true nature. This is further elaborated on, in light of individual agendas and approaches to the world. These objects are 'similar enough', 'good enough', and 'famous enough'. The fake is, thus, 'sort of something', the approximation of the ideal. Moreover, the fake is truthful to how the world truly is, namely a place full of half-truths and half-measures. The fake is, therefore, 'sort of something', as opposed to being 'absolutely something', the objectification of the ideal. People who engage with objects that are deemed inauthentic under intellectual property laws might dismiss this classification and might ascribe different meanings to these objects. However, they cannot always disregard it, as circumstances might at any time bring this classification to the fore. In such situations, they are not only accused of deceiving others, but also derided for the deception they presumably work upon themselves. Drawing upon an ethnography of people's engagement with fake branded garments in Turkey and Romania and using theoretical perspectives on materiality and authenticity, I argue that a reconceptualization of the fake is a dignifying resolution to this crisis of authenticity. The fake is seen as a copy that does not hide its true nature. This is further elaborated on, in light of individual agendas and approaches to the world. These objects are 'similar enough', 'good enough', and 'famous enough'. The fake is, thus, 'sort of something', the approximation of the ideal. Moreover, the fake is truthful to how the world truly is, namely a place full of half-truths and half-measures. The fake is, therefore, 'sort of something', as opposed to being 'absolutely something', the objectification of the ideal.
dcterms:title
Rethinking fakes, authenticating selves Rethinking fakes, authenticating selves
skos:prefLabel
Rethinking fakes, authenticating selves Rethinking fakes, authenticating selves
skos:notation
RIV/00216275:25210/12:39895759!RIV13-MSM-25210___
n10:predkladatel
n11:orjk%3A25210
n3:aktivita
n13:I
n3:aktivity
I
n3:cisloPeriodika
4
n3:dodaniDat
n17:2013
n3:domaciTvurceVysledku
Craciun, Elena Magdalena
n3:druhVysledku
n8:J
n3:duvernostUdaju
n16:S
n3:entitaPredkladatele
n19:predkladatel
n3:idSjednocenehoVysledku
165355
n3:idVysledku
RIV/00216275:25210/12:39895759
n3:jazykVysledku
n5:eng
n3:klicovaSlova
authenticity; fake; garments; Romania; Turkey
n3:klicoveSlovo
n7:Turkey n7:fake n7:Romania n7:garments n7:authenticity
n3:kodStatuVydavatele
GB - Spojené království Velké Británie a Severního Irska
n3:kontrolniKodProRIV
[F28390CA6BAD]
n3:nazevZdroje
Journal of the Royal Anthropological Institute
n3:obor
n15:AC
n3:pocetDomacichTvurcuVysledku
1
n3:pocetTvurcuVysledku
1
n3:rokUplatneniVysledku
n17:2012
n3:svazekPeriodika
18
n3:tvurceVysledku
Craciun, Elena Magdalena
s:issn
1467-9655
s:numberOfPages
18
n12:doi
10.1111/j.1467-9655.2012.01795.x
n9:organizacniJednotka
25210