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Statements

Subject Item
n2:RIV%2F00216224%3A14210%2F14%3A00074022%21RIV15-MSM-14210___
rdf:type
n10:Vysledek skos:Concept
dcterms:description
This paper will discuss adaptation of the American-style writers' room concept in Czech television and consequences it has had for creative workers, mainly writers and directors, and the resulting television content. A local version of this collaborative model has largely replaced single-author writing on long-running TV series, both in private and public TV. This transition took place within the past 6 years, and it is far from over, still being perceived by the members of the professional community as a fundamental and sometimes painful change of their working lives. On one hand, writers feel their work is being stabilized, professionalized, better paid, and brought in line with international standards, on the other hand, they experience increasing routinization, interchangeability, anonymity, and disempowerment. Preliminary evidence shows that this process is paralleled in other post-socialist countries of the East-Central Europe. This paper will discuss adaptation of the American-style writers' room concept in Czech television and consequences it has had for creative workers, mainly writers and directors, and the resulting television content. A local version of this collaborative model has largely replaced single-author writing on long-running TV series, both in private and public TV. This transition took place within the past 6 years, and it is far from over, still being perceived by the members of the professional community as a fundamental and sometimes painful change of their working lives. On one hand, writers feel their work is being stabilized, professionalized, better paid, and brought in line with international standards, on the other hand, they experience increasing routinization, interchangeability, anonymity, and disempowerment. Preliminary evidence shows that this process is paralleled in other post-socialist countries of the East-Central Europe.
dcterms:title
Post-socialist Writers´ Rooms Post-socialist Writers´ Rooms
skos:prefLabel
Post-socialist Writers´ Rooms Post-socialist Writers´ Rooms
skos:notation
RIV/00216224:14210/14:00074022!RIV15-MSM-14210___
n4:aktivita
n16:S n16:P
n4:aktivity
P(GAP409/10/1361), S
n4:dodaniDat
n14:2015
n4:domaciTvurceVysledku
n7:2889536 n7:7799780
n4:druhVysledku
n9:O
n4:duvernostUdaju
n13:S
n4:entitaPredkladatele
n6:predkladatel
n4:idSjednocenehoVysledku
38033
n4:idVysledku
RIV/00216224:14210/14:00074022
n4:jazykVysledku
n8:eng
n4:klicovaSlova
screenwriting; television; series
n4:klicoveSlovo
n5:series n5:screenwriting n5:television
n4:kontrolniKodProRIV
[CDACF0BE4CFB]
n4:obor
n17:AL
n4:pocetDomacichTvurcuVysledku
2
n4:pocetTvurcuVysledku
2
n4:projekt
n15:GAP409%2F10%2F1361
n4:rokUplatneniVysledku
n14:2014
n4:tvurceVysledku
Szczepanik, Petr Pjajčíková, Eva
n12:organizacniJednotka
14210