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Statements

Subject Item
n2:RIV%2F00216224%3A14210%2F11%3A00054131%21RIV12-MSM-14210___
rdf:type
skos:Concept n12:Vysledek
dcterms:description
Abstract “What served in place of the photograph, before the camera’s invention? The expected answer is the engraving, the drawing, the painting. The more revealing answer might be: memory. What photographs do out there in space was previously done with reflection.” John Berger: About Looking, 1980. In my presentation, I follow ways of transposition and appropriation of Benjamin’s notions of reproduction and especially aura in a new media discourse. The ways in which Walter Benjamin’s concepts are transferred into the new media discourse will be illustrated by the question of translation understood as a result of relocation and by characteristics of the field of digital media memory, which is replacing historical knowledge and awareness. I claim that the aura of the artwork has not disappeared even as categories like original and copy have lost their relevance in the age of digital media, but it has transformed itself and has become part of new creative methods as are re-enactments. Abstract “What served in place of the photograph, before the camera’s invention? The expected answer is the engraving, the drawing, the painting. The more revealing answer might be: memory. What photographs do out there in space was previously done with reflection.” John Berger: About Looking, 1980. In my presentation, I follow ways of transposition and appropriation of Benjamin’s notions of reproduction and especially aura in a new media discourse. The ways in which Walter Benjamin’s concepts are transferred into the new media discourse will be illustrated by the question of translation understood as a result of relocation and by characteristics of the field of digital media memory, which is replacing historical knowledge and awareness. I claim that the aura of the artwork has not disappeared even as categories like original and copy have lost their relevance in the age of digital media, but it has transformed itself and has become part of new creative methods as are re-enactments.
dcterms:title
The Aura of Remembering The Aura of Remembering
skos:prefLabel
The Aura of Remembering The Aura of Remembering
skos:notation
RIV/00216224:14210/11:00054131!RIV12-MSM-14210___
n12:predkladatel
n16:orjk%3A14210
n3:aktivita
n18:P
n3:aktivity
P(LC544)
n3:dodaniDat
n4:2012
n3:domaciTvurceVysledku
n5:2523264
n3:druhVysledku
n13:O
n3:duvernostUdaju
n10:S
n3:entitaPredkladatele
n15:predkladatel
n3:idSjednocenehoVysledku
187491
n3:idVysledku
RIV/00216224:14210/11:00054131
n3:jazykVysledku
n7:eng
n3:klicovaSlova
memory; remembering; aura
n3:klicoveSlovo
n8:memory n8:aura n8:remembering
n3:kontrolniKodProRIV
[3FECFAD31101]
n3:obor
n17:AL
n3:pocetDomacichTvurcuVysledku
1
n3:pocetTvurcuVysledku
1
n3:projekt
n14:LC544
n3:rokUplatneniVysledku
n4:2011
n3:tvurceVysledku
Horáková, Jana
n11:organizacniJednotka
14210