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Statements

Subject Item
n2:RIV%2F00216224%3A14210%2F10%3A00050604%21RIV12-GA0-14210___
rdf:type
skos:Concept n11:Vysledek
dcterms:description
The key question I raise in my paper is how historicity of local production culture is manifested in industrial reflexivity and career trajectories, both affected by the focus on foreign services. Under the socialist state monopoly, Barrandov had been involved in dozens co-productions and serviced both Socialist and Western producers. Services to Western producers were (unlike co-productions) judged solely in economic, not ideological terms, because they were clearly too profitable, bringing desperately needed hard currency. After the fall of the regime and privatization of the Studios, the business was at first dominated by former executives of the Barrandov s foreign department. The local infrastructure had been underdeveloped, and most of foreign producers brought their key crews with them. The key question I raise in my paper is how historicity of local production culture is manifested in industrial reflexivity and career trajectories, both affected by the focus on foreign services. Under the socialist state monopoly, Barrandov had been involved in dozens co-productions and serviced both Socialist and Western producers. Services to Western producers were (unlike co-productions) judged solely in economic, not ideological terms, because they were clearly too profitable, bringing desperately needed hard currency. After the fall of the regime and privatization of the Studios, the business was at first dominated by former executives of the Barrandov s foreign department. The local infrastructure had been underdeveloped, and most of foreign producers brought their key crews with them.
dcterms:title
A Post-Communist Production World: Barrandov Film Studios between the Cold War and Narnia A Post-Communist Production World: Barrandov Film Studios between the Cold War and Narnia
skos:prefLabel
A Post-Communist Production World: Barrandov Film Studios between the Cold War and Narnia A Post-Communist Production World: Barrandov Film Studios between the Cold War and Narnia
skos:notation
RIV/00216224:14210/10:00050604!RIV12-GA0-14210___
n4:aktivita
n13:P
n4:aktivity
P(GAP409/10/1361)
n4:dodaniDat
n8:2012
n4:domaciTvurceVysledku
n5:2889536
n4:druhVysledku
n16:O
n4:duvernostUdaju
n17:S
n4:entitaPredkladatele
n15:predkladatel
n4:idSjednocenehoVysledku
244866
n4:idVysledku
RIV/00216224:14210/10:00050604
n4:jazykVysledku
n6:eng
n4:klicovaSlova
film studios; production cultures; creative labor; runaway production; Communism; cold war
n4:klicoveSlovo
n7:runaway%20production n7:production%20cultures n7:cold%20war n7:creative%20labor n7:Communism n7:film%20studios
n4:kontrolniKodProRIV
[5B7D602B8C8F]
n4:obor
n12:AL
n4:pocetDomacichTvurcuVysledku
1
n4:pocetTvurcuVysledku
1
n4:projekt
n9:GAP409%2F10%2F1361
n4:rokUplatneniVysledku
n8:2010
n4:tvurceVysledku
Szczepanik, Petr
n10:organizacniJednotka
14210