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Statements

Subject Item
n2:RIV%2F00023281%3A_____%2F14%3A%230000715%21RIV15-MK0-00023281
rdf:type
skos:Concept n19:Vysledek
dcterms:description
The paper deals with the comparison of the material composition of the tinned relief applied to the surface of two important anonymous panel paintings from the nineties of the fifteenth century linked with painters active for the circle of the Jagellonian Court in Bohemia – Panels with the provincial patrons Saints Wenceslas, Sigmund and Vitus (around 1490, NG in Prague) and the paintings of the large winged altarpiece, one of the most significant works of Jagellonian court art – the Ark of the Coronation of Our Lady known as the Křivoklát Ark (around 1480-1490, Palace Chapel of Křivoklát Castle). The aim of the investigation was to document the material composition of specific substances of the applied tinned relief, which in Late Medieval workshops formed part of the characteristic, unique and strictly guarded technological workshop signature. The investigation of a representative range of micro-samples utilised the methods of optical microscopy in a polarising microscope, Scanning Electron Microscopy and X-ray Microanalysis, infrared spectroscopy with Fourier transformation and the mapping of layers using the method of Micro-Raman spectroscopy. In these substances there was shown to be similar use of pigments on the basis of minium, lead white and additional minerals and the connection was also evident in the application of the individual layers in the preparation of the relief. The recognition of the repeated use of the same materials is especially valuable and so fundamental that it is possible to confirm the assumed direct workshop connection between the two historical works. The paper deals with the comparison of the material composition of the tinned relief applied to the surface of two important anonymous panel paintings from the nineties of the fifteenth century linked with painters active for the circle of the Jagellonian Court in Bohemia – Panels with the provincial patrons Saints Wenceslas, Sigmund and Vitus (around 1490, NG in Prague) and the paintings of the large winged altarpiece, one of the most significant works of Jagellonian court art – the Ark of the Coronation of Our Lady known as the Křivoklát Ark (around 1480-1490, Palace Chapel of Křivoklát Castle). The aim of the investigation was to document the material composition of specific substances of the applied tinned relief, which in Late Medieval workshops formed part of the characteristic, unique and strictly guarded technological workshop signature. The investigation of a representative range of micro-samples utilised the methods of optical microscopy in a polarising microscope, Scanning Electron Microscopy and X-ray Microanalysis, infrared spectroscopy with Fourier transformation and the mapping of layers using the method of Micro-Raman spectroscopy. In these substances there was shown to be similar use of pigments on the basis of minium, lead white and additional minerals and the connection was also evident in the application of the individual layers in the preparation of the relief. The recognition of the repeated use of the same materials is especially valuable and so fundamental that it is possible to confirm the assumed direct workshop connection between the two historical works.
dcterms:title
Utilisation of micro-optic and micro-spectroscopic methods in the identification of identical filling materials of tinned reliefs in Late Gothic panel paintings of Bohemical provenance Utilisation of micro-optic and micro-spectroscopic methods in the identification of identical filling materials of tinned reliefs in Late Gothic panel paintings of Bohemical provenance
skos:prefLabel
Utilisation of micro-optic and micro-spectroscopic methods in the identification of identical filling materials of tinned reliefs in Late Gothic panel paintings of Bohemical provenance Utilisation of micro-optic and micro-spectroscopic methods in the identification of identical filling materials of tinned reliefs in Late Gothic panel paintings of Bohemical provenance
skos:notation
RIV/00023281:_____/14:#0000715!RIV15-MK0-00023281
n3:aktivita
n14:P
n3:aktivity
P(DF13P01OVV010)
n3:dodaniDat
n10:2015
n3:domaciTvurceVysledku
n4:1491806 n4:1522965 n4:8002355
n3:druhVysledku
n15:D
n3:duvernostUdaju
n9:S
n3:entitaPredkladatele
n11:predkladatel
n3:idSjednocenehoVysledku
52580
n3:idVysledku
RIV/00023281:_____/14:#0000715
n3:jazykVysledku
n17:eng
n3:klicovaSlova
Late Gothic; Decorative Technique; Tin-relief technique; Brocade imitation; Panel painting; X-ray fluorescence; Raman spectroscopy
n3:klicoveSlovo
n6:Panel%20painting n6:Tin-relief%20technique n6:Brocade%20imitation n6:Raman%20spectroscopy n6:Late%20Gothic n6:Decorative%20Technique n6:X-ray%20fluorescence
n3:kontrolniKodProRIV
[CCCBF524B7B7]
n3:mistoKonaniAkce
Praha
n3:mistoVydani
Praha
n3:nazevZdroje
Book of Abstracts of 18th International Microscopy Congress Prague
n3:obor
n8:AL
n3:pocetDomacichTvurcuVysledku
3
n3:pocetTvurcuVysledku
5
n3:projekt
n18:DF13P01OVV010
n3:rokUplatneniVysledku
n10:2014
n3:tvurceVysledku
Kotrlý, Marek Třeštíková, Anna Turková, Ivana Chlumská, Štěpánka Šefců, Radka
n3:typAkce
n16:WRD
n3:zahajeniAkce
2014-09-07+02:00
s:numberOfPages
2
n13:hasPublisher
Czechoslovak Microscopy Society
n7:isbn
978-80-260-6720-7