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  • A brief survey of historic attitudes (revisiting common opinions on Lessing in particular) displays the fact that genuine poetic representation has always been credited a certain sensorial potential. Taking up this aspect of the aesthetic tradition, the paper intends to reveal what may be referred to as “the visual qualities of the verbal but also to demonstrate the fact that both artifacts and modes of their perception may be influenced by intermedia communication. The precondition of such an inquiry is discerning between verbal simulation of visual representation, and quasi-visual effects of verbal representation in reception; other sensorial aspects are taken into account as well. The paper delivers several exemplifications of representational modes in fiction that possibly result in visualisation or quasi-sensorial experience of the reader.
  • A brief survey of historic attitudes (revisiting common opinions on Lessing in particular) displays the fact that genuine poetic representation has always been credited a certain sensorial potential. Taking up this aspect of the aesthetic tradition, the paper intends to reveal what may be referred to as “the visual qualities of the verbal but also to demonstrate the fact that both artifacts and modes of their perception may be influenced by intermedia communication. The precondition of such an inquiry is discerning between verbal simulation of visual representation, and quasi-visual effects of verbal representation in reception; other sensorial aspects are taken into account as well. The paper delivers several exemplifications of representational modes in fiction that possibly result in visualisation or quasi-sensorial experience of the reader. (en)
Title
  • Why the verbal may be experienced as visual
  • Why the verbal may be experienced as visual (en)
skos:prefLabel
  • Why the verbal may be experienced as visual
  • Why the verbal may be experienced as visual (en)
skos:notation
  • RIV/68378068:_____/10:00356859!RIV11-AV0-68378068
http://linked.open...avai/riv/aktivita
http://linked.open...avai/riv/aktivity
  • Z(AV0Z90560517)
http://linked.open...vai/riv/dodaniDat
http://linked.open...aciTvurceVysledku
http://linked.open.../riv/druhVysledku
http://linked.open...iv/duvernostUdaju
http://linked.open...titaPredkladatele
http://linked.open...dnocenehoVysledku
  • 298811
http://linked.open...ai/riv/idVysledku
  • RIV/68378068:_____/10:00356859
http://linked.open...riv/jazykVysledku
http://linked.open.../riv/klicovaSlova
  • verbal representation; visual representation; visuality; multisensoriality; description; experientiality; intermediality; intertextuality; mental imagery (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...ontrolniKodProRIV
  • [A6602C3D5137]
http://linked.open...i/riv/mistoVydani
  • Newcastle upon Tyne
http://linked.open...i/riv/nazevZdroje
  • The aesthetic dimension of visual culture
http://linked.open...in/vavai/riv/obor
http://linked.open...ichTvurcuVysledku
http://linked.open...v/pocetStranKnihy
http://linked.open...cetTvurcuVysledku
http://linked.open...UplatneniVysledku
http://linked.open...iv/tvurceVysledku
  • Jedličková, Alice
  • Fedrová, Stanislava
http://linked.open...n/vavai/riv/zamer
number of pages
http://purl.org/ne...btex#hasPublisher
  • Cambridge Scholars publishing
https://schema.org/isbn
  • 978-1-4438-2428-6
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