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  • The paper deals with the dependency of tone timbre sensation in the real room on the listener’s position relative to the individual organ pipes. Three standard listener positions are: 1) organmaker’s position inside the instrument, 2) position of the playing organist by the console, 3) position of the listener in the church or concert hall. The sound of single pipes (for different stops) was recorded in the positions mentioned above using artificial head. The recording was carried out for additional two head turns. Afterwards the head was replaced by the pair of omnidirectional microphones and the recording was repeated. Selected recorded tones were subjectively compared by listening in headphones.
  • The paper deals with the dependency of tone timbre sensation in the real room on the listener’s position relative to the individual organ pipes. Three standard listener positions are: 1) organmaker’s position inside the instrument, 2) position of the playing organist by the console, 3) position of the listener in the church or concert hall. The sound of single pipes (for different stops) was recorded in the positions mentioned above using artificial head. The recording was carried out for additional two head turns. Afterwards the head was replaced by the pair of omnidirectional microphones and the recording was repeated. Selected recorded tones were subjectively compared by listening in headphones. (en)
Title
  • Subjective Evaluation of Organ Pipe Timbre in the Standard Listener Positions
  • Subjective Evaluation of Organ Pipe Timbre in the Standard Listener Positions (en)
skos:prefLabel
  • Subjective Evaluation of Organ Pipe Timbre in the Standard Listener Positions
  • Subjective Evaluation of Organ Pipe Timbre in the Standard Listener Positions (en)
skos:notation
  • RIV/61384984:51110/03:00000002!RIV/2004/MSM/511104/N
http://linked.open.../vavai/riv/strany
  • 333; 336
http://linked.open...avai/riv/aktivita
http://linked.open...avai/riv/aktivity
  • Z(MSM 511100001)
http://linked.open...vai/riv/dodaniDat
http://linked.open...aciTvurceVysledku
http://linked.open.../riv/druhVysledku
http://linked.open...iv/duvernostUdaju
http://linked.open...titaPredkladatele
http://linked.open...dnocenehoVysledku
  • 629648
http://linked.open...ai/riv/idVysledku
  • RIV/61384984:51110/03:00000002
http://linked.open...riv/jazykVysledku
http://linked.open.../riv/klicovaSlova
  • Pipe organ; Room acoustics; Psychoacoustics; Sound radiation (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...ontrolniKodProRIV
  • [DC5DDC161742]
http://linked.open...v/mistoKonaniAkce
  • Stockholm, Švédsko
http://linked.open...i/riv/mistoVydani
  • Stockholm, Švédsko
http://linked.open...i/riv/nazevZdroje
  • Proceedings of SMAC 03
http://linked.open...in/vavai/riv/obor
http://linked.open...ichTvurcuVysledku
http://linked.open...cetTvurcuVysledku
http://linked.open...ocetUcastnikuAkce
http://linked.open...nichUcastnikuAkce
http://linked.open...UplatneniVysledku
http://linked.open...iv/tvurceVysledku
  • Otčenášek, Zdeněk
  • Štěpánek, Jan
  • Syrový, Václav
http://linked.open...vavai/riv/typAkce
http://linked.open.../riv/zahajeniAkce
http://linked.open...n/vavai/riv/zamer
number of pages
http://purl.org/ne...btex#hasPublisher
  • Roberto Bresin
https://schema.org/isbn
  • 91-7283-558-3
http://localhost/t...ganizacniJednotka
  • 51110
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