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  • In the unique self-reflective essay „A Way among Others“, written in 1968, Běla Kolářová declares that her artistic career took a decisive turn at a certain moment in early 1961, when, having heard someone say „The whole world has been photographed off“, she started to focus on pictures of small objects of daily use, so far neglected by photography. Yet the fact is that the same interest is inscribed already into several of her early street images from the 1956 cycle „Children´s Games“. Besides having chosen the marginal theme of children from the suburbs, she also already avoided the Cartier-Bresson logic of a decisive moment, and instead of a focus on capturing the climax of an unfolding action, she concentrated on the otherwise invisible correlations between time and space, trajectory and length covered, speed and rhythm. By having transformed abstraction in the 1960s into the reverse of a socially engaged documentary photography, Kolářová revived crucial segments of the modernist project of a „new vision“, and thus today, after more than half a century, she is a direct participant in the current discussion regarding the critical potential of present-day photographic abstraction.
  • In the unique self-reflective essay „A Way among Others“, written in 1968, Běla Kolářová declares that her artistic career took a decisive turn at a certain moment in early 1961, when, having heard someone say „The whole world has been photographed off“, she started to focus on pictures of small objects of daily use, so far neglected by photography. Yet the fact is that the same interest is inscribed already into several of her early street images from the 1956 cycle „Children´s Games“. Besides having chosen the marginal theme of children from the suburbs, she also already avoided the Cartier-Bresson logic of a decisive moment, and instead of a focus on capturing the climax of an unfolding action, she concentrated on the otherwise invisible correlations between time and space, trajectory and length covered, speed and rhythm. By having transformed abstraction in the 1960s into the reverse of a socially engaged documentary photography, Kolářová revived crucial segments of the modernist project of a „new vision“, and thus today, after more than half a century, she is a direct participant in the current discussion regarding the critical potential of present-day photographic abstraction. (en)
Title
  • The Alphabet of Things
  • The Alphabet of Things (en)
skos:prefLabel
  • The Alphabet of Things
  • The Alphabet of Things (en)
skos:notation
  • RIV/60461071:_____/13:#0000329!RIV14-MSM-60461071
http://linked.open...avai/predkladatel
http://linked.open...avai/riv/aktivita
http://linked.open...avai/riv/aktivity
  • V
http://linked.open...vai/riv/dodaniDat
http://linked.open...aciTvurceVysledku
http://linked.open.../riv/druhVysledku
http://linked.open...iv/duvernostUdaju
http://linked.open...titaPredkladatele
http://linked.open...dnocenehoVysledku
  • 60144
http://linked.open...ai/riv/idVysledku
  • RIV/60461071:_____/13:#0000329
http://linked.open...riv/jazykVysledku
http://linked.open.../riv/klicovaSlova
  • Photography; Běla Kolářová; Rosalind Krauss; Georges Didi-Huberman (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...ontrolniKodProRIV
  • [0D52160085BC]
http://linked.open...i/riv/mistoVydani
  • London
http://linked.open...i/riv/nazevZdroje
  • Běla Kolářová
http://linked.open...in/vavai/riv/obor
http://linked.open...ichTvurcuVysledku
http://linked.open...v/pocetStranKnihy
http://linked.open...cetTvurcuVysledku
http://linked.open...UplatneniVysledku
http://linked.open...iv/tvurceVysledku
  • Císař, Karel
number of pages
http://purl.org/ne...btex#hasPublisher
  • Raven Row
https://schema.org/isbn
  • 978-0-9561739-5-9
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