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| Description
| - In The Sleeping City, Lang's focus – based on a large collection of his father's sculptures – was the afterlife of art; in The Lovers, his latest project, he employs several variants of the motif of loving couples for the purpose of inquiring into the representation of bare life. While letting the viewers observe the naked bodies and the uncovered faces of sculptures resigned to a loss of their individuality and melting in an embrace or a kiss, he simultaneously lets the viewers be observed by means of two arched panels. The architectonic ordering, far from a mere basis for the presentation of the sculptures, also organizes the space of the gallery. Even as we believe that the folds of the wooden barriers provide a private space for observing intimate scenes, we can be surprised by a newcomer at any moment. The bare life that is being exhibited here is a life not only of the sculptures but also of ourselves.
- In The Sleeping City, Lang's focus – based on a large collection of his father's sculptures – was the afterlife of art; in The Lovers, his latest project, he employs several variants of the motif of loving couples for the purpose of inquiring into the representation of bare life. While letting the viewers observe the naked bodies and the uncovered faces of sculptures resigned to a loss of their individuality and melting in an embrace or a kiss, he simultaneously lets the viewers be observed by means of two arched panels. The architectonic ordering, far from a mere basis for the presentation of the sculptures, also organizes the space of the gallery. Even as we believe that the folds of the wooden barriers provide a private space for observing intimate scenes, we can be surprised by a newcomer at any moment. The bare life that is being exhibited here is a life not only of the sculptures but also of ourselves. (cs)
- Jestliže se Dominik Lang v projektu „Spící město“ na základě rozsáhlého souboru otcových soch zabýval přežíváním umění, v nejnovější výstavě se pomocí několika variant motivu „Milenců“ věnuje možnosti reprezentace holého života. Jednak nechává diváky pozorovat odhalená těla a obnažené tváře soch, které se vzdávají své individuality a splývají v objetí či polibku, a jednak pomocí instalace dvou obloukových panelů vystavuje pohledu i diváky samé. Architektonické řešení totiž neslouží pouze jako opora při prezentaci soch, ale zároveň organizuje prostor galerie. Přestože se domníváme, že nám záhyby dřevěných stěn vytvářejí soukromý prostor pro pozorování intimních scén, můžeme být kdykoli vyrušeni náhle příchozím divákem. Holý život, který je zde vystaven, není jen životem soch, ale i nás samých. (en)
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| Title
| - Dominik Lang: Milenci. Curated by Karel Císař
- Dominik Lang: Milenci. Curated by Karel Císař (cs)
- Dominik Lang: The Lovers. Curated by Karel Císař (en)
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| skos:prefLabel
| - Dominik Lang: Milenci. Curated by Karel Císař
- Dominik Lang: Milenci. Curated by Karel Císař (cs)
- Dominik Lang: The Lovers. Curated by Karel Císař (en)
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| skos:notation
| - RIV/60461071:_____/12:#0000283!RIV13-MSM-60461071
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| http://linked.open...avai/predkladatel
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| http://linked.open...avai/riv/aktivita
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| http://linked.open...avai/riv/aktivity
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| http://linked.open...vai/riv/dodaniDat
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| http://linked.open...aciTvurceVysledku
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| http://linked.open...iv/duvernostUdaju
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| http://linked.open...titaPredkladatele
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| http://linked.open...dnocenehoVysledku
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| http://linked.open...ai/riv/idVysledku
| - RIV/60461071:_____/12:#0000283
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| http://linked.open...riv/jazykVysledku
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| http://linked.open.../riv/klicovaSlova
| - Contemporary Art; Dominik Lang; Curator (en)
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| http://linked.open.../riv/klicoveSlovo
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| http://linked.open...ontrolniKodProRIV
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| http://linked.open...v/mistoKonaniAkce
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| http://linked.open...nichUcastnikuAkce
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| http://linked.open...UplatneniVysledku
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| http://linked.open...iv/statKonaniAkce
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| http://linked.open...iv/tvurceVysledku
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| http://linked.open...vavai/riv/typAkce
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| http://linked.open.../riv/ukonceniAkce
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| http://linked.open.../riv/zahajeniAkce
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