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| Description
| - The spatial analysis of George Eliot's last novel Daniel Deronda (1876) focuses on three main aspects of the dislocation of space, its emptiness and randomness and finally on the inner spaces of the characters' mind, with respect to Eliot's romantic visions of spaces that become open towards the infinity of the sea at the end of the novel. In Daniel Deronda the characters shift from the physical space, represented by landscape, towards the dimension of the inner spaces of the mind, reflecting Eliot's Romanticism, elaborating the multiplicity of images and visions (Deleuze). The space of the novel is viewed as a multiplicity of self-sufficient places with a variable degree of intensity of becoming empty. Daniel Deronda focuses on the shift from the traditionally Victorian regional perspective towards the decentralized metropolis, creating the radial space structure of the novel in which the theme of displacement and arbitrariness of the place of one's existence becomes crucial for the main hero. Nevertheless, the main heroine is to maintain the Victorian tradition of staying at the place of her domestic roots, while in a way confirming the theme of dislocation as her further existence becomes uncertain at the end of the novel. In Daniel Deronda the conventional symbolism of space shifts towards the concepts of empty spaces where Deleuze's notion of the smooth space functions as the diagram of the universe. Reflecting on Zionism, the novel explores the globalized world, stressing the randomness of human existence.
- The spatial analysis of George Eliot's last novel Daniel Deronda (1876) focuses on three main aspects of the dislocation of space, its emptiness and randomness and finally on the inner spaces of the characters' mind, with respect to Eliot's romantic visions of spaces that become open towards the infinity of the sea at the end of the novel. In Daniel Deronda the characters shift from the physical space, represented by landscape, towards the dimension of the inner spaces of the mind, reflecting Eliot's Romanticism, elaborating the multiplicity of images and visions (Deleuze). The space of the novel is viewed as a multiplicity of self-sufficient places with a variable degree of intensity of becoming empty. Daniel Deronda focuses on the shift from the traditionally Victorian regional perspective towards the decentralized metropolis, creating the radial space structure of the novel in which the theme of displacement and arbitrariness of the place of one's existence becomes crucial for the main hero. Nevertheless, the main heroine is to maintain the Victorian tradition of staying at the place of her domestic roots, while in a way confirming the theme of dislocation as her further existence becomes uncertain at the end of the novel. In Daniel Deronda the conventional symbolism of space shifts towards the concepts of empty spaces where Deleuze's notion of the smooth space functions as the diagram of the universe. Reflecting on Zionism, the novel explores the globalized world, stressing the randomness of human existence. (en)
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| Title
| - Towards the Randomness of the Radial Concepts of Spaces in Daniel Deronda.
- Towards the Randomness of the Radial Concepts of Spaces in Daniel Deronda. (en)
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| skos:prefLabel
| - Towards the Randomness of the Radial Concepts of Spaces in Daniel Deronda.
- Towards the Randomness of the Radial Concepts of Spaces in Daniel Deronda. (en)
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| skos:notation
| - RIV/60076658:12410/12:43883934!RIV13-MSM-12410___
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| http://linked.open...avai/predkladatel
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| http://linked.open...avai/riv/aktivita
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| http://linked.open...avai/riv/aktivity
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| http://linked.open...iv/cisloPeriodika
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| http://linked.open...vai/riv/dodaniDat
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| http://linked.open...aciTvurceVysledku
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| http://linked.open.../riv/druhVysledku
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| http://linked.open...iv/duvernostUdaju
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| http://linked.open...titaPredkladatele
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| http://linked.open...dnocenehoVysledku
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| http://linked.open...ai/riv/idVysledku
| - RIV/60076658:12410/12:43883934
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| http://linked.open...riv/jazykVysledku
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| http://linked.open.../riv/klicovaSlova
| - space, randomness, George Eliot, Daniel Deronda, Deleuze, romanticism, identity (en)
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| http://linked.open.../riv/klicoveSlovo
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| http://linked.open...odStatuVydavatele
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| http://linked.open...ontrolniKodProRIV
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| http://linked.open...i/riv/nazevZdroje
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| http://linked.open...in/vavai/riv/obor
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| http://linked.open...ichTvurcuVysledku
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| http://linked.open...cetTvurcuVysledku
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| http://linked.open...UplatneniVysledku
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| http://linked.open...v/svazekPeriodika
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| http://linked.open...iv/tvurceVysledku
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| number of pages
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| http://localhost/t...ganizacniJednotka
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| is http://linked.open...avai/riv/vysledek
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