About: Bellaud de la Bellaudi?ra et les troubadours de Jehan de Nostredame ?     Goto   Sponge   NotDistinct   Permalink

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  • Lois Bellaud de la Bellaudiera (1543-1588?) a été l'un des po?tes provençales les plus importantes de son temps. De nombreux chercheurs, comme Robert Lafont, a vu en lui un représentant important de la résurgence de la langue de Provence. Cela soul?ve une question importante. Si il voulait restaurer la langue littéraire de sa région et de sa culture, pourquoi il ne refl?te pas dans son ouvrage la glorieuse tradition de la poésie des troubadours ? Et tout cela malgré le fait que cél?bre passé troubadoursque a été que tr?s récemment restauré par Jehan de Nostredame (1507-1577?) et ses Vies des plus cél?bres et anciens po?tes provençaux publiés en 1575. D'autant plus, Bellaud était en contact personnel avec le neveu et le continuateur de Jehan, César de Nostredame. L'article tente d'expliquer cette divergence en soulignant le changement de canon littéraire au 16e si?cle. Si Bellaud voulait réussir en tant que po?te, il a eu a se pencher vers la poétique postpetrarkistic de la Pléiade et donc totalement rejeter toute connotation médiévale littéraire.
  • Lois Bellaud de la Bellaudiera (1543-1588?) was one of the most outstanding Provencal poets of his time. Many scholars, such as Robert Lafont, claimed to see in him an important representative of language revival in the Provence region. In this context raises the question as to why Bellaud did not reflect neither used a reference to the antiquity of troubadour poetry, their literarily consecrated koiné, nor its traditional orthography, if he wanted to elevate and literarily re-establish his native language. That's despite the fact that the famous troubadour's past was only very recently restored by Jehan de Nostredame (1507-1577?) with his troubadour biographies Vies des plus cél?bres et anciens Po?tes provençaux (i.e. troubadours) published in 1575. All the more, Bellaud was probably in personal contact with Jehan's nephew and continuator, César de Nostredame. The article attempts to explain this discrepancy by pointing to the change of literary canon in the 16th century. If Bellaud wanted to succeed as a poet, he had to lean towards the emerging postpetrarkistic poetics of the Pléiade and therefore totally reject any medieval literary connotations. (en)
Title
  • Bellaud de la Bellaudi?ra et les troubadours de Jehan de Nostredame ?
  • Bellaud de la Bellaudi?ra and the Jehan de Nostredame's troubadours (en)
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  • Bellaud de la Bellaudi?ra et les troubadours de Jehan de Nostredame ?
  • Bellaud de la Bellaudi?ra and the Jehan de Nostredame's troubadours (en)
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  • RIV/60076658:12210/12:43884655!RIV13-MSM-12210___
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  • Pléiade; Troubadours; Jehan de Nostredame; Bellaud de la Bellaudi?ra (en)
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  • 8
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  • Prokop, Josef
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