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  • This article explores the production of a tragedy Portia Coughlan (1996) by Marina Carr as it was performed at the J. K. Tyl Theatre in Pilsen under the direction of Martin Vokoun. Furthermore, it examines the dysfunctions of the family macrostructure and microstructure of Portia' inner world. It concludes by drawing a parallel between production and play in terms of its multilayered characters, disruption of linear time, and the inevitability of Portia's death.
  • This article explores the production of a tragedy Portia Coughlan (1996) by Marina Carr as it was performed at the J. K. Tyl Theatre in Pilsen under the direction of Martin Vokoun. Furthermore, it examines the dysfunctions of the family macrostructure and microstructure of Portia' inner world. It concludes by drawing a parallel between production and play in terms of its multilayered characters, disruption of linear time, and the inevitability of Portia's death. (en)
Title
  • Portia Coughlan: Contemporary %22Antique%22 Tragedy
  • Portia Coughlan: Contemporary %22Antique%22 Tragedy (en)
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  • Portia Coughlan: Contemporary %22Antique%22 Tragedy
  • Portia Coughlan: Contemporary %22Antique%22 Tragedy (en)
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  • RIV/49777513:23330/13:43921632!RIV14-MSM-23330___
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  • 97364
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  • RIV/49777513:23330/13:43921632
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  • treatre production, reception, the J. K. Tyl Theatre in Pilsen; Marina Carr; Portia Coughlan (en)
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  • [897943EC78AF]
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  • Opava
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  • Opava
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  • Silesian Studies in English 2012
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http://linked.open...cetTvurcuVysledku
http://linked.open...UplatneniVysledku
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  • Mišterová, Ivona
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http://linked.open.../riv/zahajeniAkce
number of pages
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  • Slezská univerzita v Opavě
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  • 978-80-7248-887-2
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  • 23330
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