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  • Between 1928 and 1931 the European and the US film industries tried out different strategies for adapting their sound films to markets in other countries. Regardless of their relative success, these strategies included: part-talkies, remakes of successful silent films, synopses of plot printed on cards and handed out to audiences in movie theatres, live commentators accompanying films, side-titles projected on a separate screen from slides, intertitles, superimposed titles, multiple-language versions, and different methods of dubbing or partial dubbing.' Thanks to a wide range of transformations and hybridizations brought on by the new technology of synchronized sound, the film commodity soon had at its disposal a range of variations unknown to it since its early years and the domain of exhibition gained, once again, a much stronger influence.
  • Between 1928 and 1931 the European and the US film industries tried out different strategies for adapting their sound films to markets in other countries. Regardless of their relative success, these strategies included: part-talkies, remakes of successful silent films, synopses of plot printed on cards and handed out to audiences in movie theatres, live commentators accompanying films, side-titles projected on a separate screen from slides, intertitles, superimposed titles, multiple-language versions, and different methods of dubbing or partial dubbing.' Thanks to a wide range of transformations and hybridizations brought on by the new technology of synchronized sound, the film commodity soon had at its disposal a range of variations unknown to it since its early years and the domain of exhibition gained, once again, a much stronger influence. (en)
Title
  • Undoing the National: Representing International Space in 1930s Czechoslovak MLVs
  • Undoing the National: Representing International Space in 1930s Czechoslovak MLVs (en)
skos:prefLabel
  • Undoing the National: Representing International Space in 1930s Czechoslovak MLVs
  • Undoing the National: Representing International Space in 1930s Czechoslovak MLVs (en)
skos:notation
  • RIV/00216224:14210/04:00065847!RIV14-GA0-14210___
http://linked.open...avai/riv/aktivita
http://linked.open...avai/riv/aktivity
  • P(GP408/03/D174)
http://linked.open...iv/cisloPeriodika
  • č. 4,
http://linked.open...vai/riv/dodaniDat
http://linked.open...aciTvurceVysledku
http://linked.open.../riv/druhVysledku
http://linked.open...iv/duvernostUdaju
http://linked.open...titaPredkladatele
http://linked.open...dnocenehoVysledku
  • 591412
http://linked.open...ai/riv/idVysledku
  • RIV/00216224:14210/04:00065847
http://linked.open...riv/jazykVysledku
http://linked.open.../riv/klicovaSlova
  • film sound; language in film (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...odStatuVydavatele
  • IT - Italská republika
http://linked.open...ontrolniKodProRIV
  • [CB3AD582E7BE]
http://linked.open...i/riv/nazevZdroje
  • Cinema & Cie. International Film Studies Journal
http://linked.open...in/vavai/riv/obor
http://linked.open...ichTvurcuVysledku
http://linked.open...cetTvurcuVysledku
http://linked.open...vavai/riv/projekt
http://linked.open...UplatneniVysledku
http://linked.open...v/svazekPeriodika
  • 2004
http://linked.open...iv/tvurceVysledku
  • Szczepanik, Petr
issn
  • 2035-5270
number of pages
http://localhost/t...ganizacniJednotka
  • 14210
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